Matthew Marks Gallery tonight opens its new West Hollywood gallery, designed by architect Peter Zellner. The white, cube-shaped, 3,500 square foot building is highlighted by a huge sculpture by Ellsworth Kelly, which makes sense given that the gallery’s opening show, Ellsworth Kelly: Los Angeles, opens tomorrow. The sculpture, a dark colored bar measuring 8×40 feet, has been installed 30 feet off the ground, jutting ten inches out from the building facade, creating a floating effect. The metal sandwich panel structure was hung via a series of steel plates, “like hanging a painting,” said Zellner. Of course that’s a painting that weighs 5,000 pounds. Inside the lofty, spare gallery space, with its eight skylights, will be showing off some of Kelly’s finest work, including two works that inspired the facade piece: the collage Study for Black and White Panels (1954), and the painting Black Over White (1966).
1976: Movies, Photographs
and Related Works on Paper
Paul Kasmin Gallery
515 West 27th St.
Through February 11
British-born James Nares has lived in New York since the mid-1970s, when Lower Manhattan was “a beautiful ruin,” according to the artist. While most celebrated for his large, single-stroke kinetic paintings, the artist has a long track record of documenting his fascination with movement and bodies in motion dating back to the days when he delved into many other media such as films and chronophotographs. The exhibition features five films including Pendulum (1976), in which Nares clocks a large spherical mass swinging from a footbridge, against the industrial backdrop of downtown Manhattan—evocative of the foreboding, dreamlike qualities also seen in Giorgio de Chirico’s surreal paintings.
SOM returns to LA with a new office to be led by Michael Mann, Paul Danna, and Jose Palacios, all coming en masse from AECOM. The new studio will start out with ten to 40 people in a temporary office, with plans to eventually find a permanent home in downtown LA.
The Boston Society of Architects announced the departure of executive director Margaret Wigglesworth. Wigglesworth, who only assumed the ED role in February 2011 and oversaw BSA’s move to a new home, will be returning to the commercial real estate sector.
In Chicago, Crain‘s reports that FGB, an architecture firm based in Oak Brook, has acquired Deerfield-based SRBL, specialists in schools and institutional work, to create a 95-person strong office.
On January 18, John Hatfield will join Socrates Sculpture Park in Queens as executive director. Hatfield leaves the New Museum of Contemporary Art, where he has served as deputy director since 2008.
Fore Solutions, a green building consulting firm, has joined Thorton Thomasetti to create the Thorton Thomsetti Building Sustainability practice area, to be led by Gunnar Hubbard.