It felt a bit like the Decoration & Design Building at the Architecture and Design Film Festival last night for the U.S. premiere of Lioness Among Lions: The Architect Zaha Hadid, thanks in part to a smattering of East Side stylings in the crowd at the Tribeca Cinemas and the clever addition of Potterton Books to the festival. Waiting for the theater doors to open, we swigged wine provided by event sponsor Resource Furniture and perused shelves filled with a fantastic collection of both old and new books; Loos and Gio Ponti pressed up against Studio Gang. As we raved about Van Alen’s new bookstore, Potterton’s book buyer Beth Daugherty admitted she still mourns the loss of Urban Center Books.
Earlier this week, we checked in with the student winners of the American Society of Landscape Architects (ASLA) 2011 awards and found reason to be hopeful about the future of landscape architecture. But what legacy will those students be inheriting? The ASLA has recently doled out 37 awards to professional firms from across the globe, honoring their innovation, design, and sustainability. The submissions (most of which have been built) range from the systematic redesign of streetscapes and historical residential gardens to large scale estuarine master plans.
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A sheltering facade wraps a new home for a university’s art collection
The Mizuta Museum of Art is building a new home for its important collection of Ukiyo-e, or Japanese woodcuts, on the Josai University campus in Sakado, Japan, just north of Tokyo. Scheduled to open on December 9, the museum was designed by New York-based Studio SUMO, who also completed the university’s School of Management in 2006. The Mizuta project began as a retrofit of two floors in an existing building, but seismic, mechanical system, and floor height requirements led SUMO partners Sunil Bald and Yolande Daniels to propose designs for a new two-story museum building on campus.
Since an unofficial concept ad was leaked (above, left) in September proclaiming “Ice Cube celebrates Ray & Charles Eames,” the web has been abuzz about the rapper’s upcoming film on the architects’ influence on his life, part of the Getty’s Pacific Standard Time series of exhibitions in Los Angeles. For the exhibition on Ray and Charles Eames, Ice Cube recreated an old ad (above, right) from the 1950s, complete with a pipe and a 1953 DAT Chair. Cube, it appears, studied architectural drafting, although he never got his degree. He joins LA stars like Red Hot Chili Peppers singer Anthony Kiedis and actor Jason Schwartzman in promoting the epic series, which continues through next year.
Building of the Day #20: 41 Cooper Square
The Cooper Union for the Advancement of Science and Art
New York, NY
Often “stats” and awards are known well before the public appreciates a new building’s urban role. Cooper Union’s 41 Cooper Square, designed by Thom Mayne, FAIA, of Morphosis Architects with Gruzen Samton as Associate Architect, is more than a volume for a multi-disciplinary academic building with a co-generation plant, cooling and heating ceiling panels, low V.O.C. materials, green terraces, and “Fit-City”-worthy vertical circulation. While these stats did help the client claim the first LEED Platinum-certified academic laboratory building, Cooper has also revived a former traffic triangle and extended its identity southwards along the new Bowery. At a time when both NYU and Columbia’s building goals face sharp scrutiny, it pays to have a tough skin. Make that a gritty double skin!
A rainy day couldn’t dampen the spirits of the fourth graders that we met playing hoops in the brightly lit gym of the East Harlem School. It looks to me that there are two geniuses behind this wonderful building: Peter Gluck, the acerbic and seasoned architect/builder and Ivan M. Hageman, co-founder and Head of School.
Gluck led the tour, but Ivan was ever-present—in the cafeteria leading an appreciation of the chef and servers, and in the reception area meeting with parents. He welcomed us into his office, which is perched at the east end of the building with a clear glass open view up 103rd Street to the Public School embedded in the nearby housing project. Jane Jacobs eyes on the street.
Longtime repertory company A Noise Within (ANW) will complete its move to Pasadena at the end of October. Formerly located inside an old Masonic Temple in Glendale, it now calls Edward Durell Stone’s midcentury modern Stuart Pharmaceutical Company home. The project was carried out by John Berry Architects, Robert J. Chattel, and DLR Group WWCOT. You might remember back in May when we showed you the project still under construction. ANW staffers have now started to move in and perform technical runs for their inaugural showing of Shakespeare’s The Twelfth Night.
Photographs by Andrew Moore
Queens Museum of Art
Flushing Meadows Corona Park
The Queens Museum of Art (QMA) presents the powerful photography of Andrew Moore from his three-month visit to Detroit from 2008 to 2009. Moore’s photographs are a tragic yet beautiful glimpse into the decline of a city that was once the twentieth century industrial heart of America. Michigan Central Station (above) stands empty, the organ screen at the United Artists Theater is crumbling, and bright green moss covers the floor of the former Ford Motor Company Headquarters. “Moore’s exquisitely realized visions of architecture overtaken by vegetation remind contemporary viewers that our own familiar culture is subject to the forces of entropy and the eternal strength of nature,” says a statement from QMA.
Building of the Day #18: 200 Fifth Avenue
New York, NY
Beautiful weather continues to make Archtober the best month ever to enjoy great architecture. Madison Square, where 200 Fifth Avenue is located, is a palimpsest of the northward expansion of commerce and civilization in Manhattan. A public space since 1686, it first became a park in 1847. With the construction of the Fifth Avenue Hotel, (Griffith Thomas with William Washburn Architects, 1859) on the site of the current 200 Fifth, the area became the social, cultural, and political hub of elite New York in the years after the Civil War—think Edith Wharton. And it has the monuments to prove it.