City of Scientists. Russian Prime Minister Putin has recently reviewed plans for a potential $6.4 billion project that could build a 5,000-person—scientists and researchers, specifically—domed village in the Arctic called Umka, about 1,000 miles from the North Pole. Plans call for an isolated artificial climate inspired by “an imaginary Moon city or a completely isolated space station.” More on the Daily Mail and Foreign Policy Blogs.
Abu Dhabi Adjourned. The new 450,000-square-foot Frank Gehry-designed Guggenheim museum planned in Abu Dhabi has been put on hold pending contract review. A similar fate awaits Jean Nouvel’s Louvre satellite previously scheduled to open near Gehry’s site next year. More at Mediabistro.
Sergey’s Secret. Due to his prolific work ethic, the insider joke at Google is that co-founder Sergey Brin is really Batman. More believable, the latest Google rumor is that one of Brin’s secret pet-projects may very well be architectural, with blueprints and all. Business Insider has details.
No bin, no trash. The NY Times reports on the MTA’s seemingly counter-intuitive enviro-social experiment to remove trash cans from subway platforms. The idea: no garbage bin might be the way to achieve no litter. A trial run in Queens and Greenwich Village left some people very unhappy.
Over the weekend, we headed out to Brooklyn Bridge Park to check out the light show of Jane’s Carousel. We had been told that silhouettes of horses were to be projected onto a ceiling scrim until 1AM. We even held ambitions of traipsing across the Brooklyn Bridge to get a better view. But after watching a spectacular sunset reflect off of Jean Nouvel’s acrylic cube, the show was over. We were told that the lights for the magic lantern were much too hot for the recently restored horses. No matter, it’s hard to surpass the carousel’s bulbs reflected in the acrylic, with a glittering Manhattan serving as backdrop.
It’s going to happen when you least suspect it: the zombie apocalypse will be upon us and your life will be in your own hands against the living dead (that’s assuming hours behind a studio desk hasn’t already transformed you into a zombie yourself). Luckily, as architecture-types, we possess special skills needed to defend ourselves from those out for our brains. A fantastic display of anti-zombie ingenuity is on display at the 2011 Zombie Safe House Competition, like the above proposal to retrofit existing urban buildings against a future zombie invasion (with a green roof, no less), and you can vote for your favorite. (Here’s last year’s winner: a floating dwelling sailing the Mighty Mississippi.) This year’s voting ends this Monday—Halloween—when you’ll likely encounter a few rogue zombies wandering the streets.
When Jeanne Gang was brought on board in April to help reimagine a stalled tower in downtown Lexington, Kentucky, the entire community’s spirits were uplifted by the bold collaboration proposed by the Chicago-based architect and MacArthur genius. Studio Gang’s design replaced an uninspired high-rise block that destroyed an entire city block before running out of steam, but developer Dudley Webb announced Thursday that Gang will no longer be involved with the mixed-use project.
Cecilia Alemani has been named the new curator and director of the High Line Art Program. Previously, Alemani had worked as an independent curator and writer, and is currently a guest curator for the upcoming Performa 11.
Lucinda Sanders has been named the 2012 President of the Landscape Architecture Foundation. Her tenure will begin on October 30, 2011 at the American Society of Landscape Architects’ (ASLA) annual meeting. Sanders is the CEO and a partner at OLIN.
The Washington, DC office of Perkins Eastman has announced that J. Scott Kilbourn will join as a Principal and Chief Operating Officer. Kilbourn has more than 28 years of design and planning experience. Most recently, he was Vice President at RTKL where he worked in Hong Kong, Shanghai, Tokyo, and DC.
Suanne Bassett, principal of Suba—Connecting through Architecture and Interior Design, is re-launching her firm. Bassett, who is licensed in California and New York, returns to her own practice after several years of collaborating with local San Francisco Bay Area firms.
Corey Martin has been named principal at Portland firm THA Architecture. Previously, Martin worked at Richard Potestio and Allied Works before co-founding Portland-based PATH Architecture with partner Ben Kaiser in 2005.
Perkins+Will has announced that Wayne Perlenfein has joined the firm as prinicipal and will focus on federal government in the Washington DC office. Previously, Perlenfein ran his own firm of Rogers, Perlenfein & Associates and was also the jurisdiction executive and senior program manager for planning, design and construction for the Architect of the Capitol in Washington DC.
The Center for Curatorial Leadership (CCL) in New York City has announced its 2012 class of fellows. The program spans four weeks and includes instruction by Columbia Business School faculty, a six-month mentorship, a week-long museum residency, and long-term team-based project.
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Shortly after the Landmarks Preservation Commission declared a section of the Grand Concourse an historic district on Tuesday, New York Times columnist Constance Rosenblum received a call with the news. Walking down Montague Street near her home in Brooklyn Heights, the usually unflappable writer burst into tears. When it comes to the Concourse, Rosenblum wrote the book. Her 2010 chronicle of the corridor, Boulevard of Dreams (NYU Press, $20), played a significant role in calling attention to the plight and promise of the neighborhood. “It was notable day,” she said in a phone interview in reference to the announcement. “It wasn’t easy for the Bronx, and the stigmas will remain for a long time.”
Without a doubt the big winner at Wednesday’s AIA/LA Design Awards, held in the shadow of Cesar Pelli’s almost-done Red Building at the Pacific Design Center, was Neil Denari. In an unprecedented display of dominance his firm‘s No Mass House took home Best in Show for unbuilt work (Next LA Awards), his firm’s HL23 Residential Tower in New York took home Best in Show for built work (Design Awards) and then Denari won the AIA/LA Gold Medal. Now that’s a good night. (By the way, we thought Best In Show was reserved for dog shows, but that’s besides the point…) In accepting the medal Denari, who was born in Texas, talked about being inspired not only by the light and sunshine of California, but also by its darkness, a tension that’s palpable in his work. To check out more of the design awards winners check out the AIA/LA’s new app on iTunes. And to check out the new Red Building you’ll have to wait until it’s finished early next year.
The New Museum has been transformed into a real-life game of chutes and ladders, or perhaps a Fun Palace a la Cedric Price, for its new exhibition Carsten Höller: Experience that opened this week and is running through January 15, 2012. The centerpiece of the show is a spiraling stainless steel slide traversing the fourth through second floors and providing what certainly must be the most rapid vertical circulation in the entire city short of a plummeting elevator . We stopped by to check out the slide and, after signing our lives away on a waiver, took a couple rides ourselves.
The closest thing we have to Carnival in the US, Halloween offers a chance for type A-types (yeah, we’re looking at you, architects) to blow off some steam. Tomorrow night, Storefront for Art and Architecture’s hosts its Critical Halloween costume soiree at the 3-Legged Dog at 80 Greenwich St. The theme? Banality!
Lest you thought this might be an eggheads-’round-the-punchbowl affair, be aware that this party just made New York Observer‘s list of New York’s 10 Hottest Halloween Events to Die For alongside fetes hosted by the likes of model Miranda Kerr and V Magazine. Read More
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Design of a prefabricated retail location is the latest competition hosted by a challenge-based design technology community
Launched last year, DesignByMany is a challenge-based virtual design community for architects, engineers, students, and construction-industry members interested in publicly sharing technical design knowledge. The site lets users post projects online in response to community-generated challenges or as submissions to frequent sponsored challenges (the sponsor is Hewlett-Packard).
With the goal of bringing more functionality to small, under-utilized urban spaces, the site’s current challenge is to design a rapidly constructible or prefabricated freestanding shop that occupies less than 200 square feet. While permitting issues were left out of the entry criteria, contestants were urged to consider foot traffic and visibility, as well as a location or multiple locations where the project could be deployed. Community voting will end Sunday before a panel of judges selects the final winner. AN‘s Fabrikator takes a look at three designs in the running:
You could literally smell the champagne aroma at Tuesday night’s gala reopening of New York City Center. Row upon row of glasses were poured just before the doors opened to reveal Ennead’s $56 million renovation of the beloved hall. Backstage, wide-eyed dancers and musicians rushed with palpable pre-performance angst. Duncan Hazard, Ennead’s partner in charge of the restoration, gave us a whirlwind tour before the curtain went up.
Modernism in Miniature: Points of View
Canadian Centre for Architecture
1920, rue Baile
Through January 8
Modernism in Miniature examines the relationship between architectural model-making and photography, spanning the years 1920 to 1960. It posits model photography as its own genre, exploring the evolution and visual methods used to capture these miniature architectural representations. Focusing on the encounter between media and architecture, the exhibition investigates the link between design and mass media with themes such as “Object and Image” and the “Art of Simulation.” Models by architects including Mies van der Rohe, Oscar Niemeyer, Le Corbusier, and Carlo Mollino (his model for a San Remo apartment, above) illustrate the changing architectural expression and visual representation of mid-century modernism.