In our pilot Midwest issue, I wrote about The Ledge, a new viewing platform at the Sears Tower (now Willis Tower) in Chicago. At the time, only renderings were available of the SOM-designed all-glass cubes that protrude off of the tower’s west face, and the project was expected to open in mid June. Well, it appears that the dizzying new viewing experience is now accepting visitors, as a whole rash of pictures have popped up on flickr. Among them is the above image, which reminds us that sometimes the highest achievement that architecture can aspire to is to fuel the dreams of a child.
The House’s passage of new Energy and Climate legislation (HR 2454: the American Clean Energy and Security Act of 2009) on Friday means more than just the possible institution of a new cap and trade system for the U.S. According to the U.S. Green Building Council (USGBC), the act includes several elements that should spur green building as well. These include: Read More
For the 53rd Venice Art Biennial, Jorge Otero-Pailos, a professor of preservation at Columbia, made a cast of the pollution on a wall of the Doge’s Palace on the Palazzo San Marco. Trained as a conservationist, he painted liquid latex directly onto the wall and then carefully removed the cast in one sheet. The result, The Ethics of Dust, Doge’s Palace, Venice, 2009, seen in this video, is a luminous scrim that preserves the residue accrued overtime.
Such pollution is typically seen negatively, but Otero-Pailos sees it as a record of human activity and questions the impulse to erase these traces of the past.
We don’t always give props to other design pubs, but after a great weekend at Dwell On Design, how can we not? After the expo, the panels, and the awards, on Saturday night the Dwellistas hosted a wonderful evening at the Geffen Contemporary in Downtown LA that started with LA’s first ever mobile restaurant row (Apparently the Kogi taco truck has helped spawn a phenomenon), and then became a night at the movies. Read More
The Monacelli Press has announced publication of a five-volume monograph on SOM. According to the publisher, the five books offer a near complete history of the iconic firm’s work from the 1950s to the present. Each project featured is illustrated with archival and new photographs, as well as drawings, and each volume begins with an essay from such well-known architecture critics as Henry-Russell Hitchcock, Albert Bush Brown, and Kenneth Frampton. The first three volumes are reprints of editions published by Verlag Gerd Hatje in 1963, 1974, and 1984, though their layouts have been updated and their covers redesigned to create a consistent aesthetic with the two new volumes. The monographs go on sale in October, though they are currently available for pre-order on Random House’s website.