Only two weeks into his term, new LA City Attorney Carmen Trutanich has raised eyebrows after sending a sharply worded letter to the LA City Planning Commission over its approval of 40,000 square feet of billboards and outdoor signs on the Los Angeles Convention Center. (Last year, LA city council agreed to sell signage rights for the Convention Center to AEG, the owner of Staples Center and LA Live). Trutanich had opposed the move, and in his letter said that by “acting in haste,” the commission “undermined and jeopardized” the work of his office. Their decision to ignore his request, Trutanich also wrote, amounted to “an unfathomable lack of courtesy,” especially at a time when the city is trying to reduce sign numbers. He also added, “I will not hesitate to act in the future if it appears that you are aiding and abetting unlawful conduct despite my contrary advice.” In response LA Planning Commissioner Sean Burton told city council yesterday that he found Trutanich’s language “disturbing and frankly a little bit frightening.” He also said that Trutanich’s statement was “inappropriate” and “sounded like a threat.” This is getting good…
Frank Gehry sat down with Tom Pritzker earlier this month at the Aspen Ideas Festival, of which a video was just posted on the Internet, and re-posted above for your viewing pleasure. How we found out about this was through the all-things-Ratner-Gehry-and-Times-related Atlantic Yards Report. Never one not to parse everything related to the above three–and our hats off to him for doing so–Norman Oder discovered the one contentious conversation of the otherwise lovely affair, when Gehry called no less eminent urban thinker Fred Kent of the Project for Public Spaces “a pompous man” for daring to question (admittedly repeatedly and somewhat annoyingly) Gehry’s placemaking skills. Yowza.
My In Detail piece in the current issue is about Eleven Times Square, a speculative office tower at the corner of 8th Ave. and 42nd St., which was designed by FXFowle and is now in the final stages of construction. Lucky for you and me, Plaza Construction had the site photographed everyday for the past two years or so from the same vantage on a nearby tower, and has compiled these daily progress photos in the above stop-action video. There is much to admire in the presentation, but pay close attention to the erection of the structural elements. (Hint: The Tootsie Roll center of the Tootsie Pop goes up first.) Read More
Yesterday, the Bloomberg administration announced the winners of its eighth annual Neighborhood Achievement Awards. Among the honorees was the Myrtle Avenue Brooklyn Partnership for the Placemaking Award, the Bronx Library Center for the Development Award, and IKEA Red Hook for the Norman Buchbinder Award for Neighborhood Beautification. The latter makes sense, as it sure is a nice park, but we also thought it a bit ironic considering what we saw earlier that day on Archinect, namely an Atlantic article calling the big blue designer retailer the “least sustainable company on the planet.” Read More
When BP opened their eco-friendly Helios House gas station on Olympic Boulevard in Los Angeles a couple of years ago, it was touted as the future of such facilities, and a coup for a brand whose image was all about conservation. The station, designed by Office dA and Johnston Mark Lee, featured a metal-clad, geometric design, low-flow toilets, solar panels and a floor made of recycled glass, among other features. (it didn’t, however, offer alternative fuels..) But it appears that BP may not have had such high regard for their endeavor. A recent drive-by revealed that the station, still unchanged, was no longer a BP but an Arco. Yes, Arco, the Wal Mart of gas. One of the helpful guides at the station explained that BP actually owns Arco, and that the change of label was “an internal business decision,” whatever that means. Looks like green marketing just took one on the chin.
A double whammy came last week for Boston developer Don Chiofaro’s Boston Arch project, which we first wrote about last month. On Thursday, The Boston Business Journal ran a story suggesting Chiofaro was stuffing the BRA’s mailbox with letters supportive of his KPF-designed project, while the following day it reported that the aquarium the project was meant to improve feared for the worst.
The letters are part of the redevelopment authorities public comment period, and among them was one from the president of the Boston Aquarium who wrote that, according to the Journal, “the project threatens the long-term viability of the Aquarium.” Read More
Yesterday while brunching in Hollywood we happened upon the biggest sign we’ve ever seen. Of course this being LA, it belongs to none other than the Church of Scientology. On July 3 their big blue building at the corner of Franklin and L.Ron Hubbard Way (yes that’s the name of the street) was officially fitted with a brand new sign that’s 84 feet long, 16 feet tall, and weighs 5.2 tons. It’s about three times the size of the former, well-known sign on the site. What’s more the marker, which reads “SCIENTOLOGY” in big white letters, is fitted with LED lights so the letters glow at night (unlike the famous Hollywood sign nearby, by the way). Read More
Just weeks from completion, a shiny new auditorium by L.A.’s Hodgetts + Fung looks to put the little town of Menlo Park, CA on the architecture map. The $28 million project is at a public institution of learning–Menlo-Atherton High–and the 500-seat venue was designed with top-notch acoustics and a stage that can accommodate a full symphony orchestra, in the hopes of also hosting performances by professional touring groups. Painted in Kynar metallic paint (copper was too expensive), the exterior gleams. But the real treat is inside: the acoustical scrim around the stage is laser-cut with a pattern based on the historic oaks outside. Read More