UPDATE — November 10, 2010 — The good news is Moss reopened today after resolving a reported tax bill of around $150,000. It seems that for now the store is safe. The bad news is your credit card may not be.
“Design Hates a Depression“—that was the verdict delivered by Murray Moss, owner of the eponymous store and gallery space in Soho, at the beginning of last year. It seems that he was right. As of Friday morning, the store had been seized for nonpayment of taxes. For now, the arbiter of design retail in NYC and beyond is the property of the State of New York.
We hear from our friends at Curbed LA that Kevin Southerland, a principal at LA firm Assembledge+, has left to form his own firm, architecture 350. And while we’re very fond of Southerland’s work, and of sustainable architecture, we’re a little overwhelmed with the name, which, according to his new site, “refers to the parts per million amount of carbon dioxide that a global consensus of scientists has deemed sustainable for human life to carry on as we know it.” Whoah. The name is relevant because we’ve reached 382, which seems like a very very concerning statistic. Does this mean that life as we know it is about to end? Meanwhile we look forward to seeing what the firm comes up with. They’ll be located on Doheny Drive in Beverly Hills, and will focus on (of course) sustainable, contemporary residential projects.
Architectural designer Catie Newell is one of the many artists, architects, and designers that is using the landscape of Detroit as a field of study and its abandoned structures as raw material for building. In her latest installation, Salvaged Landscape, she uses the charred debris of a house, located across the street from the iconic ruined Central Station, to create a new series of walls and passage ways, animated by points of light streaming through gaps in the irregular forms.
The National Preservation Conference landed in Austin, Texas, last week under the banner “Next American City, Next American Landscape.” Exploring preservation’s role in the future of the country’s urban, suburban, and rural landscapes, the 2010 conference showed that preservationists aren’t all stuck in the past. (In fact, they’re pretty savvy when it comes to new media. Check out the NTHP’s Austin Unscripted on their website, Twitter, and YouTube to see how preservation can appeal to a new generation.) The opening plenary was held at the Long Center for the Performing Arts, which is sited to take advantage of the unobstructed views of downtown Austin. Read More
Chicago has been getting a lot of screentime over the last few years, standing in for Gothman in Batman Begins and enduring the wrath of the Transformers. A blockbuster of a slightly more highbrow sort is in the works, with an adaptation of Erik Larson’s bestseller The Devil in the White City. The Sun-Times and others reported this week that Leonardo DiCaprio will portray the serial killer H.H. Holmes. The story is set amid the preparations for 1893 World’s Columbian Exhibition, and the story of construction of the fair grounds, one of the major developments in the City Beautiful movement, as well as the growth of Chicago as a whole, forms a parallel narrative. Daniel Burnham and Frederick Law Olmsted play major parts in the story. Their roles have yet to be cast. Whoever lands the roles had better start growing their facial hair now. Read More
Dan Rockhill is best-known in New York as the design father of Studio 804 at the University of Kansas, where he teaches. The studio is among the most successful in the country at actually creating high-quality, sustainable, and LEED-certified buildings produced and built by students. Not only has the studio won many “green” awards for their design-build structures, but they are notable for their high design standards—unusual in sustainability studios. New Yorkers will get a glimpse of the studio’s pathbreaking work on Wednesday, November 10 from 6:00 to 9:00 p.m., when Rockhill delivers a lecture at the Dom showroom at 66 Crosby Street. Read More
While Halloween 2010 is fast fading into blurry memory and rotting pumpkins are heading curbside, these Starchi-Lanterns featuring the glowing smiles of super-personas old and new were too good to pass up. Designers Kyle May of Abrahams-May Architects and Julia van den Hout of Steven Holl put their heads together and came away with these sixteen spooky mugs.
It looks like Zaha and Gehry are having a swell time in the second row, while just above a stern Rem and Prince-Ramus are staring off in opposite directions. Kudos to those who identify all the starchitects in the comments. [ Via NY Observer. ]
Abandoned and nearly lost, the Zonnestraal Sanatorium in Hilversum, Netherlands has been meticulously restored to its former glory by Bierman Henket architecten and Wessel de Jonge architecten. In honor of their efforts, the two firms were awarded the 2010 World Monuments Fund / Knoll Modernism Prize. Alan Brake penned an article for the print edition of The Architect’s Newspaper:
Designed in 1926–1928 by Johannes Duiker and Bernard Bijvoet and completed in 1931, the sanatorium is considered a seminal work of early modernism. Though it was well known when it was built, the structure was eventually abandoned, and since then nearly subsumed by the surrounding landscape. Portions of the three-building complex were almost completely lost, so many parts of the sanatorium had to be meticulously reconstructed, including formerly mass-produced elements that had to be recreated by hand.
Vinyl fabric manufacturer Chilewich has gone from table runners to the runway. Karl Lagerfeld, creative director for Chanel, chose the company’s stencil-like Cubic lace design for the Spring/Summer 2011 ready-to-wear show at Paris Fashion Week last month. The design, currently part of Chilewich’s tabletop collection, was reproduced into a sheer cocktail dress with feather trim and was one of the last numbers to float down the Chanel runway. (A note on the architecture: The Grand Palais was dramatically transformed into a seemingly post-apocalyptic formal garden with charred black hedges and white gravel.)