For the first time in 20 confabs the Monterey Design Conference, the AIA California Council’s bi-annual gathering of architectural talent and inspiration, didn’t follow a theme. One participant said that this year’s event was about materiality and light; others talked about science, optimism, and the potential of the future. The organizers did an excellent job reaching out to diverse voices and knew that each attendee would concoct their own theme. After many years the event has evolved to the point it doesn’t need too many impositions.
Next time you are in Times Square, don’t be shy when you see a spotlight– no matter how lame your dance moves are, you are guaranteed an explosive roar of applause from an invisible, enthusiastic crowd of people as long as you are moving. (What a refreshing departure from the notorious American Idol jury.) This location-appropriate spotlight installation is an interactive public art work by Adam Frank, an installation artist and a product inventor, whose body of work “represents an ongoing investigation of light and interactivity.” His shadow-casting oil lamp, LUMEN, is one of the MoMA Store’s best-selling items.
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Cast stone and steel become the medium for collaboration at Trahan Architects’ newest project.
Trahan Architects’ Louisiana State Sports Hall Of Fame and Regional History Museum was designed with northern Louisiana’s geography in mind. Located in Natchitoches, the oldest settlement in the Louisiana Purchase, the 28,000-square-foot building overlooks Cane River Lake at the boundary of the Red River Valley. While the museum’s exterior will be clad in a skin of cypress planks, a nod to the area’s timber-rich building stock, the interior spaces will be formed by a skin of more than 1,000 cast stone panels resembling land shaped by eons of moving water. As the panels begin to be installed, AN went behind the scenes to learn how the project is taking shape.
We are up in the Bronx again today, this time further north in the Morris Heights neighborhood. The Francis Martin Library, named after the first district attorney from the Bronx, was built in 1956, and sits atop a hill on a prominent corner of University Avenue. The University is Bronx Community College, now housed in what was originally the McKim Mead and White Heights Campus for New York University. Be sure to check out the original Hall of Fame there. 1100 Architect has made its own Hall of Fame for the kids’ library. Stanley Kubrick, Chaim Potok, Herman Wouk, Colin Powell even Fiorello LaGuardia himself are part of a graphic game on the warm white walls that undulate around the core of the children’s library renovation on the second floor.
With buses running from the Lever House on Park Avenue, the Noguchi Museum was flush with Manhattanites last night for the opening of Civic Action: A Vision for Long Island City. The show of ideas by local artist teams—led by Natalie Jeremijenko, Mary Miss, Rirkrit Tiravanija and George Trakas—fleshes out urban dreams for the mostly industrial area. In anything but an autocratic manner, the show—the first ever at the museum to include contemporary artists and not Noguchi—encourages dialogue between large institutions, government, and the public.
Fresh off winning a MacArthur Fellowship, last night Jeanne Gang gave a lecture at the Great Hall at Cooper-Union, organized by the Architectural League, which emphasized her firm’s commitment to material research, sustainability, and collaboration with experts from diverse fields. She spoke about an ongoing research project into possibly restoring the natural flow of the Chicago River, which may have intrigued New York’s Planning Commissioner, Amanda Burden, who was among those in the audience. The project, in many ways, mirrors the Bloomberg Administration’s citywide sustainability efforts. Amale Andraos, from Work AC, introduced Gang and guided her through some gentle questioning. Read More
When is a Center really a center? Well first of all it’s got to have a center, don’t you think? The Betances Community Center has a splendid gym holding strong in the middle of the plan, full of warm, white light modulated by the south-facing glass block wall and monitor side walls of Kalwall. Originally intended to house a boxing ring and bright orange bleacher seating, the space is now multi-purpose with the bleachers accordioned to the walls; the famous boxing program moved elsewhere. Even without the ring, the architecture packs a wallop of clarity, modesty, attention to detail, and programmatic resolution.
Yesterday, the Appellate Division of the State Supreme Court denied a request by the city and Vornado seeking to dismiss Justice Lucy Billings’ ruling which allied a protected natural resource with an urban landmark. In ruling that the Citizens Emergency Committee to Protect Preservation (CECPP) and Pratt professor Eric Allison had legal standing for their petition, Billings cited Save the Pine Bush v. Common Council City of Albany, a case addressing the protection of a forest Upstate under the State Environmental Quality Review Act. In deciding against the appeal, the court effectively said that they won’t hear the Manufacturers Hanover case in piecemeal. The case returns to Justice Billings’ courtroom next Wednesday where CECPP is asking for everything from reams of email correspondence between Landmarks and Vornado, to the new tenant’s lease and rental terms.
There’s a certain dorky pleasure in the reading lists of teams vying for design competitions. The big names paired with the dependable locals. The firms with very busy dance cards that everyone seems to want. The odd random people with no discernible reason to be involved. The 52 teams that responded to the Navy Pier RFQ have all those in spades. Zaha! Foster + Partners, BIG, OMA! Every prominent Chicago architect! Hoerr Schaupt Landscape Architects on no less than four teams! We’ll be watching to see who makes the next round. Amusement aside, it’s great to see so many prominent local and international designers vying to improve the iconic pier.
Just after 4:00p.m. Sunday afternoon, cryptic messages visible for miles around Manhattan were written in the sky, spelling out, among other things, “Last Chance.” Out of context to millions in the streets below, the messages were slightly unnerving and deliberately vague. Curious speculation as each giant letter was traced into the sky led many to wonder what the message actually meant: An ad? A terrorist’s warning? A persistent marriage proposal? It turns out the display was part of an art project by Kim Beck called The Sky Is the Limit/NYC and sponsored by the Friends of the High Line.