The opening of “The Architecture of Indifference” last Thursday at Ralph Pucci’s Gallery 9 brought together the worlds of fashion and design in the manner that only this showroom can. The event launched a new line of mannequins from the company called “Guy,” with sultry poses suggesting last call at a bar in Buenos Aires. Any doubt as to Pucci’s inspiration for this collection was put to rest by the a tango performed by Walter Perez and Leonardo Sardella, who ambidextrously shifted roles in dancing backwards. The diversion almost threatened to distract from the fiber-based designs of Dana Barnes, but, of course, that’s nearly impossible to do.
Seoul’s Yongsan International Business District, a new district designed to lift the city’s architectural appeal as an international business destination, is filled with wild promises: the world’s second tallest tower (‘Dream Tower’) to be completed by 2016, the Libeskind-designed, 28-trillion-won ($22.6-billion) ‘Dreamhub’ project, and now MVRDV’s The Cloud.
The architect/developer David Hovey has designed buildings in the Chicago suburbs as well as city neighborhoods outside of downtown. With the Optima Center Chicago, he is making a 42 story debut just north of the Loop. The luxury rental tower will have 325 units. Hovey is bullish on the building’s potential. “All our market research shows a lot of demand for rentals in that area,” he said of Streeterville. The units will sit on top of nine floors of parking as well as 20,000 square feet of commercial space. Hovey thinks the building’s location–walkable to the Loop, the Lake, and the Magnificent Mile–will make it appealing to upper-end renters. Amenities will include 10th floor recreation center and a sky deck on the 42nd floor concealed behind an ultra-smooth glass curtain wall.
Its not everyday that construction and office workers stop to photograph a sidewalk scaffolding shed, but that’s just what they were doing today on Broadway in Lower Manhattan. Yesterday, the mayor unveiled the new Urban Umbrella shed designed by Angencie Group. The new design, the result of a competition sponsored by the AIANY and the Department of Buildings, was fabricated by the Brooklyn based Caliper Studio.
|Brought to you with support from:|
|Brought to you by:|
Fabrication techniques honed for racing boats give the dome new life.
Racing boat builder Goetz Composites has crafted many icons of the sea, including ten America’s Cup boats. Now, the company is trying its hand at architectural icons. Several months ago, Goetz began the restoration of Buckminster Fuller’s Fly’s Eye Dome, one of only three existing prototypes of the prefabricated shelters that the designer patented in 1965. The piece, a 24-foot-wide fiberglass shell with Plexiglas eyes, had been neglected for years and arrived at Goetz’s Bristol, Rhode Island, headquarters with chipped corners, peeling paint, and a patina of mold.
Earlier this fall the rapper Ice Cube pleasantly surprised us by turning up in posters promoting the Getty’s exhibition series Pacific Standard Time: Art in L.A. 1945-1980, a sweeping SoCal round-up that also covers the work of architects and designers. It turns out that before founding the group N.W.A., Ice Cube studied architectural drafting, and in the process he became a fan of Ray and Charles Eames.
In a video just released by the Getty, Ice Cube communes with the designer couple’s famous Case Study #8 house in Pacific Palisades, walking around the exterior to admire the “off-the-shelf factory windows, prefabricated walls” and then kicking back in a 670 lounge chair inside to hold forth on the Eames’ approach of mixing the new with the old, comparing it to sampling in music: ” They was doing mash-ups before mash-ups even existed.” But the most instructive part of the video may be Ice Cube’s decoding of the traffic specific to L.A. freeways…watch for it here:
For more on Ice Cube’s take on design, read his interview with the New York Times.
The developers of Santa Monica’s gallery haven Bergamot Station are planning another art center, this time in San Pedro. “Crafted at the Port of Los Angeles,” which was just approved by the Los Angeles Harbor Department (city council approval is still pending) will offer paintings, sculptures, and other artworks sold by 500 artists sitting in open stalls. The facility, set to open next summer, will be located inside the city’s warehouses No. 9 and 10, located near Cabrillo Marina. The structures, totaling 140,000 square feet, were used by the Navy during the 1940s, then later for storage. Their clerestory windows and huge doors will allow lots of light and air inside.
Inspiration and Transformation
Yale School of Architecture Gallery
Through January 2012
The first show to present the work of Gwathmey Siegel and Associates, Inspiration and Transformation at the Yale School of Architecture explores the connection between architecture and art over eight firm projects. Those selected are a diverse group, represented by a range of mediums that include sketches, blueprints, models, photographs (of the de Menil House, above), and drawings, and personal documents. But the emphasis falls on the firm’s institutional work: the renovations and additions to Yale School of Architecture’s Paul Rudolph Hall; the Guggenheim Museum annex and renovation, the renovation of Whig Hall at Princeton, and the Busch Reisinger addition to the Fogg Museum at Harvard University. Also on display are pieces of Gwathmey’s personal archive, Europe travel sketchbooks, and student work at Yale.
Design Miami, the high-design fair that runs with the giant, Art Basel Miami Beach, exhibited two objets d’architecture over the Miami Art Week, and named an architect, David Adjaye, as its 2011 Designer of the Year. Both objets were sculptural pavilions: one is an installation by Adjaye, commissioned for the fair, and the other a restored modernist icon with a utopian agenda. Continue reading after the jump.
The Center for Architecture seems to be on a lively arts kick of late. After presenting Architect, the chamber opera about Louis Kahn just a couple of weeks ago, last Friday the Center staged a reading of Glass House, a new play by Bob Morris and produced by the Center’s Cynthia Kracauer. The show employs a premise that sounds like the start of an ethnic joke: an Arab and his Jewish wife move next door to a WASP and his black wife in an exclusive Connecticut enclave…