Rather than add a few hundred more words to the tens of thousands already devoted to praise the Diller Scofidio + Renfro / FXFOWLE renovation of the Julliard School and Alice Tully Hall, I think today that I will remember the original architect, Pietro Belluschi (1899-1994). As a young faculty member at the University of Virginia, I got to know his work a bit. He designed the UVA School of Architecture. The building was muscular, had clear structure, and well expressed the late 1960s/early ‘70s last gasps of Brutalism.
Brooklyn’s Bucket. An unsightly construction fence along Brooklyn’s Fulton Street has recently been transformed into NYC’s own giant chalkboard installation “Before I Die…,” a public participation project originally started in New Orleans by artist and TED fellow Candy Chang. Locals have been writing up their bucket lists, some as simple as “get paid,” some as serious as “to forget.” More on Artlog and Candy Chang’s blog.
G-oahead-afi. Gaddafi’s death last week was a historic event for Libya, but it also ushers in an era of uncertainty. Among the challenges that the new Libya must face is development, or rather the potential for uncontrolled overdevelopment. Concerned British architects are warning Libyans not to give way to “untrammelled development” during this “dangerous moment,” reported bdonline.
Cyclical Home. A new Philips’ design project called “the Microbial Home” is all about cycles, specifically how one function’s output can be another’s input. For instance, a bio-digestor island converts waste into methane gas that in turn powers a light made of bio-luminescent bacteria fed with methane. Check out the images on psfk.
Modern Ruins. Strange Harvest featured images of the abandoned architectural ruins of Pruit Igoe in St. Louis, which has now become a forest that “grows out of all that socio-political debris.” One image of a lone lamp post protruding from a complete forest is a surreal reminder of the relationship between architecture, politics, and time.
Even though Hurricane Irene blew through on August 27th without flooding the subways, which were rendered prophylactically still and silent for a day, a pesky summer storm in 2007 dumped so much water onto the M and R lines that they were forced out of service. Governor Spitzer took immediate action to mitigate the problem, and boldly mobilized the Metropolitan Transportation Authority and the Department of Transportation to do something about it. Solving a range of engineering problems while at the same time providing a streetscape element with some wit and whimsy, Rogers Marvel Architects created banks of raised stainless steel grates that rise up into an undulating wave of slats and hammered speckled side walls.
The 52 two teams competing to redesign Chicago’s Navy pier have been narrowed down to 11. Lots of heavy hitters made the cut, including teams headed by BIG, Zaha Hadid, Rem Koolhaas/Studio Gang, James Corner Field Operations. Many of Chicago’s leading firms are represented on the teams. See the complete list after the jump
NANCY HOLT: Sightlines
The Graham Foundation
Four West Burton Place
Through December 17
Beginning her artistic career in the 1960s, Nancy Holt helped pioneer the Land Art movement alongside artists like Richard Serra and Robert Smithson, who was her husband and occasional collaborator. Nancy Holt: Sightlines at the Graham Foundation presents documentation of over 40 of her monumental and ecologically-focused projects through photography, film, and artist’s books, revealing Holt’s eloquent mode of navigating the intersection of art and nature.
In Sun Tunnels, an installation and 1978 film (above), sunlight interacts with four concrete tunnels in the Great Basin Desert in Utah, exemplifying Holt’s interest in space and time by highlighting how the passage of the sun impacts each tunnel differently and in a way specific to that location. In addition to presenting previously unseen materials from the artist’s archive, the exhibition, which concentrates on the Holt’s work between 1966 and 1980, features the documentary Pine Barrens (1975) about undeveloped land in New Jersey, and documentation of the projects Swamp (1971, in collaboration with Smithson), Boomerang (1973, in collaboration with Serra), and the multi-monitor installation Points of View (1974), a piece that underscores the different perspectives we bring to viewing the landscape.
If Bjarke Ingels‘ ascension into starchitecture hasn’t been dramatic enough, the Danish architect is again moving up in the world. On Friday, Ingels’ firm BIG threw a party to christen their new office space in Manhattan. BIG has expanded its Chelsea presence, moving up from the third to the twelfth floor of the Starrett-Lehigh Building. A press preview of the new space preceded the party a couple floors above. Among those in attendance were Crown Prince Frederik and Princess Mary of Denmark, who earlier this month awarded Ingels the $90,000 Culture Prize—the MacArthur of Scandinavia—for his emerging work in architecture.
Now it looks like Ingels’ October has just been getting started. The Wall Street Journal Magazine will declare the Danish architect among its inaugural Innovators of the Year. Read More
Unfrozen Music: Architects in Concert
Santa Monica Main Library
Saturday, October 22, 2011 at 7:00 PM
Tomorrow night a few talented Los Angeles architects—several featured on the pages of AN over the years—will be showing off their skills at the third annual Unfrozen Music, a concert at the Santa Monica Library‘s MLK Auditorium. Emcee’d by AN West Coast Editor Sam Lubell, the lineup ranges from chamber music to jazz to indie rock. And here’s a secret—they’re all really good.
It felt a bit like the Decoration & Design Building at the Architecture and Design Film Festival last night for the U.S. premiere of Lioness Among Lions: The Architect Zaha Hadid, thanks in part to a smattering of East Side stylings in the crowd at the Tribeca Cinemas and the clever addition of Potterton Books to the festival. Waiting for the theater doors to open, we swigged wine provided by event sponsor Resource Furniture and perused shelves filled with a fantastic collection of both old and new books; Loos and Gio Ponti pressed up against Studio Gang. As we raved about Van Alen’s new bookstore, Potterton’s book buyer Beth Daugherty admitted she still mourns the loss of Urban Center Books.
Earlier this week, we checked in with the student winners of the American Society of Landscape Architects (ASLA) 2011 awards and found reason to be hopeful about the future of landscape architecture. But what legacy will those students be inheriting? The ASLA has recently doled out 37 awards to professional firms from across the globe, honoring their innovation, design, and sustainability. The submissions (most of which have been built) range from the systematic redesign of streetscapes and historical residential gardens to large scale estuarine master plans.
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A sheltering facade wraps a new home for a university’s art collection
The Mizuta Museum of Art is building a new home for its important collection of Ukiyo-e, or Japanese woodcuts, on the Josai University campus in Sakado, Japan, just north of Tokyo. Scheduled to open on December 9, the museum was designed by New York-based Studio SUMO, who also completed the university’s School of Management in 2006. The Mizuta project began as a retrofit of two floors in an existing building, but seismic, mechanical system, and floor height requirements led SUMO partners Sunil Bald and Yolande Daniels to propose designs for a new two-story museum building on campus.
Since an unofficial concept ad was leaked (above, left) in September proclaiming “Ice Cube celebrates Ray & Charles Eames,” the web has been abuzz about the rapper’s upcoming film on the architects’ influence on his life, part of the Getty’s Pacific Standard Time series of exhibitions in Los Angeles. For the exhibition on Ray and Charles Eames, Ice Cube recreated an old ad (above, right) from the 1950s, complete with a pipe and a 1953 DAT Chair. Cube, it appears, studied architectural drafting, although he never got his degree. He joins LA stars like Red Hot Chili Peppers singer Anthony Kiedis and actor Jason Schwartzman in promoting the epic series, which continues through next year.