On our way to the grand opening of the extended High Line last week, we couldn’t help but notice the lights were on at the Dream Downtown, hotelier Vikram Chatwal’s newest luxury outpost. While the soft-opening was reserved for Chatwal friends and family, the official opening later this month is sure to draw out the denizens of New York nightlife.
Inside the lobby, a glass-bottomed pool diffuses light from the building’s interior courtyard, accessed through a lushly-planted sliver at the back of the lobby. In the courtyard, a teak-heavy lounge opens up onto the pool deck complete with its own white sand beach, where Vikram himself was lounging on a plush chaise. On the roof, a still-under-wraps venue–with what the Dream is touting as one of Manhattan’s finest views–is sure to be popular. Among the amenities that will open later this year is Romera New York, which is expected to offer a 12-course prix fixe for $245. The hotel will feature 316 rooms, but some are still being finished up.
Originally designed by Albert Ledner in 1966–the same architect as the neighboring Maritime Hotel and the nearby O’Toole Building–and last used as a homeless shelter, Handel Architects has reclad the round-windowed building in stainless steel, earning the structure the nickname of “The Cheesegrater.”
Completed in 2001, the Viñoly-designed Kimmel Center in Philadelphia seems too old for growing pains, but today it’s certainly going through something of an awkward phase. In late April, KieranTimberlake released plans to revamp the performing arts center and now some of the details are emerging. BLT Architects have shared a few rendering from their renovation of the rooftop garden into an event space.
Since reports surfaced this morning that an architect died on West 13th Street in Manhattan, architects and the media have been wondering who the had suffered this unfortunate fate. Multiple outlets are now reporting that architect Danny Colvin, principal of ColvinDESIGN, an architecture and interior design firm specializing in residential projects, fell from a building in the Meatpacking District. We at The Architect’s Newspaper are saddened by the news and send his friends, family, and colleagues our sincerest condolences.
Vitra’s new ID Chair Concept by Antonio Citterio will include a mesh backrest option called Diamond Mesh, a 3-D pleated textile that allows for the air circulation of a standard mesh seat but with the comfort of an upholstered chair. Backrests are available in several heights, with optional head or lumbar supports. A complementary Silk Mesh seat upholstery is also available.
Prepared Motors. Included in recent news from BLDGBLOG, Swiss artist Zimoun installs a series of sound sculptures. Each cardboard piece, comprised of micro-mechanisms, projects subtle sound upon interaction. Watch the following video for the installation plus movement.
Renovation Take-over. The New York Times reveals that the Randhurst Mall, just outside Chicago in Mt. Prospect, plans to undergo serious renovation. The indoor mid-century shopping center will take on a new look with a $190 million renovation. Expect commercial transformation as the mall goes outdoors, for which it will destroy most original elements in favor of an open air shopping experience.
Highline 2.0. If you haven’t heard, the second phase of everyone’s favorite park, the Highline, opened this week, stretching from 20th to 30th streets through New York’s Chelsea neighborhood. The NYC Economic Development Corporation snuck onto the elevated railway before the official opening and has put together a fascinating before-and-after display.
The Design Sector. Archinect features a report from the Center for an Urban Future that specifies the capacity of New York City’s architecture and design sector and encourages its continued growth. The report reviews the “untapped potential” despite a remarkable 40,470 designers currently based in the Metropolitan area.
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An 80-foot waterfall highlights the atrium of a new mixed-use development in Boston.
Atlantic Wharf is one of the newest additions to Boston’s changing downtown waterfront area. Located on the edge of Fort Point Channel, the one million-square-foot mixed-use center incorporates a series of restored and renovated structures built there more than 100 years ago. Beneath a new 31-story office tower, an 80-foot-high glass atrium encloses the original 19th-century street grid, creating a grand entrance to the tower from Congress Street. As a nod to the site’s history and Boston Harbor views, the building’s translucent glass screen wall is designed with a canted top resembling a sail. Working with developer Boston Properties, architect Childs Bertman Tseckares Inc. envisioned another nod to the site’s maritime past in the atrium. Custom water feature design and fabrication company Bluworld was brought on board to create a feature that would span the height and width of the space.
KnollTextiles recently introduced its new Ink collection, a collaboration with Pentagram partner Abbott Miller. The collection is a study in ink on paper and features three patterns: Drip, a series of interconnected letters; Drop (pictured), a striped ink-dot pattern; and Run, a “modern toile” created by guiding small ink drops across a page. All three patterns are 52 inches wide and made with 70 percent vinyl and 30 percent recycled polyester (backing).
A sidewalk in France adds a bounce to your step. Atelier Raum Architects recently released their streetscape intervention La Ville Molle in Bourges, France, part of the city’s 5th annual Biennale of Contemporary Art. During their 2010 artist residency at the École Nationale Supérieure d’Art de Bourges (ENSA), the architecture firm developed the urban design project in conjunction with La Box, the ENSA student gallery, and the FRAC Centre (Fonds Regional d’Art Contemporain).
Situated in a medieval town square, the raised patch of cobblestone vacillates under spectators’ shifting weight. The installation is intended to alter the pedestrians’ urban experience and sense of gravity while the buoyant surface juxtaposes the apparent strength of a cobblestone plaza with the instability of walking on a balloon. Thus, the design demands contemplation on whether the traditional French city should embrace contemporary design as its modernization. (Via noquedanblogs.)
Now you’ve got another date to look forward to next month besides July 4. The city of Los Angeles has officially declared July 16, 2011, which would have been John Lautner’s 100th birthday, John Lautner Day. That event will kick of the John Lautner Turns 100 Series, created by the John Lautner Foundation, which will feature a ridiculous amount of exhibitions, film screenings, home tours, symposia and receptions. By the way, if you haven’t visited a Lautner house before, you better do it now. A full list of activities below, and here. Read More
Red Carpet Collection
InterfaceFLOR’s new Red Carpet Collection includes three floor patterns designed for a range of corporate interiors. The Reduce pattern (pictured) is a linear design, while the Redesign and Redeliver have sheared and carved motifs that add dimension. Each is available in 32 neutrals in addition to bold red. Tiles contain up to 38 percent post-consumer recycled content and are installed with glue-less TacTile connectors, which prevent tile movement and curling.
Presenting to the community board has got be one of the toughest parts of an architect’s job. The mood in the room at last night’s CB2 meeting for St. Vincent’s Campus Redevelopment Project was cantankerous at best. The public scoping meeting, one of the first steps in the review process, gave an overview of the building massing on the site and delved into environmental impacts. Time for community input was scheduled to follow the developers’ presentations, but that didn’t stop the crowd from shouting down Perkins Eastman’s Frank Gunther and FX Fowle’s Dan Kaplan. As Kaplan worked his way through his presentation he was interrupted with shouts of “Soulless architecture for soulless people.” They were no kinder to Gunther, who discussed several details of the O’Toole renovations, including the removal of the ceramic tiles. Gunther said the tiles were not original to the building’s facade, which was concrete.
Lori Bookstein Fine Art
138 Tenth Ave., New York
Through June 25
The architect Louis Kahn drew inspiration from his travels, both in foreign lands and closer to home. A new exhibition brings together drawings, watercolors, pastels, and oil paintings Kahn made between the late 1920s and the early 1950s during trips around the United States, Canada, Europe, and Egypt. From New England churches to Egyptian rock quarries, the collected works offer Kahn’s interpretation of diverse landscapes and cityscapes, like Coastal Village, No. 2, Isle Madame, Nova Scotia (1936), above. In the exhibition, Kahn’s artwork is contextualized with his postcards and other travel ephemera.