Last night, Peruvian artist Grimanesa Amorós presented her newest lighting sculpture at the Frank Gehry-designed flagship of Issey Miyake in Tribeca. Entitled Uros, the piece is one in a series inspired by the Uros Islands, a group of floating islets made by the pre-Incan Uros tribe using the tortora reeds native to Lake Titicaca.
In a surprise move Stanford University announced today that they are withdrawing their bid to build a tech campus on Roosevelt Island. In a statement, the university said that several weeks’ worth of negotiations prompted the Board of Trustees to determine that the East Coast expansion was not in their best interest. “We are sorry that together we could not find a way to realize our mutual goals,” wrote Stanford president John Hennessy.
The $200 million proposal with a master plan by Ennead was largely considered a front runner until this afternoon. The campus developed in a partnership with City College was to build more than 1.9 million square feet on the site now occupied by the Goldwater Hospital that would have brought housing for 200 profs and 2,000 students. While president Hennessy promised an accelerated launch—and a pledge of $1.5 bllion from a ten-year capital campaign—back in October, the plan seems to have fizzeled under pressure from students.
“I applaud the mayor’s bold vision for this transformative project and wish the city well in turning that vision into a reality,” said Hennessy. “Stanford was very excited to participate in the competition, and we were honored to be selected as a finalist. We were looking forward to an innovative partnership with the city of New York.” The San Jose Mercury News noted that “Hennessy had cautioned that unless Stanford could get guarantees that it could build what it needs to build, plans will be abandoned.”
In a flurry of statements that followed, both the city and City College looked for the silver lining. City College noted that the two institutions established a “strong on-going relationship during this process.” And Julie Wood from the mayor’s office essentially added that the show must go on. “We are in serious negotiations with several of the other applicants, each of whom has a game-changing project queued up. We look forward to announcing a winner soon.” That leaves the Cornell proposal with a team led by SOM as the only other contender for the Roosevelt Island site.
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The designer’s most recent collaboration with Milgo/Bufkin explores mass customization
Architect-morphologist Haresh Lalvani is continuing his longtime relationship with Brooklyn-based fabricator Milgo/Bufkin with the Morphing Fruit Platter 1D Series 300, which was unveiled at this year’s Design Miami as part of the Moss exhibit, Mass Customization of Emergent Designs. The 100 platters presented at Moss represent the designer’s latest thoughts about the intersection of mathematics and manufacturing based on a process he calls Lautomation.
On Wednesday, federal transportation secretary Ray LaHood effectively killed Detroit’s planned light rail line, citing doubt about the city’s ability to build and maintain the project, given its dire finances and collapsing levels of density. He instead pushed for bus rapid transit along the Woodward Avenue corridor. Elsewhere, however, transit seems to be gaining traction. Read More
542 West 22nd St.
Through February 11, 2012
Dating back to the 17th century, Mobilier National is the institution specifically dedicated to decorating the French Republic’s official palaces and residences, at home and abroad. For the first time in America, Demisch Danant presents more than 20 rare commissions realized in the 1960s by the Atelier de Recherche et Création (ARC), a program launched by Mobilier National to promote a distinctly French contemporary style in decorative arts and design. With research and design development subsidized, these pieces were meant to be commercially produced in limited quantities. Many of the ARC creations have become icons of modernity, including Pierre Paulin’s famous designs for President Georges Pompidou’s private apartments at the Palais de l’Elysée and the President’s Desk (1968) by Henri Lesêtre (above).
Guy Horton, a frequent contributor to AN, here adds his thoughts on the still-steaming controversy over MVRDV’s twin towers.
MVRDV’s design for what they call The Cloud, a twin high-rise with a connecting “cloud” above the waistline, has resulted in an blitz of negative criticism. Americans who have never heard of the Dutch firm are now phoning and emailing threats and condemnation non-stop—some are personal threats aimed at individuals. They have even been called “Al Qaeda lovers.”
The small world of classicist architecture in America–where many former Postmodernists found refuge after the dial of taste turned away from jokey historical references and pasted-on pediments–is working overtime to rehabilitate the 70s and 80s stylistic counter reformation. First was the recent conference, “Reconsidering Postmodernism,” organized by the Institute of Classical Architecture & Art, which brought out many of the movement’s old stars for presentations, chats, and a lot of hand wringing. Today, the Chicago-based Richard H. Driehaus Foundation announced that Michael Graves was this year’s winner of the $200,000 Driehaus Prize.
Adding to his pop culture resume (appearing on the Simpsons, designing a hat for Lady Gaga, starring in a documentary) Frank Gehry has designed the official poster for the 54th Grammy Awards, which takes place in February. It appears that Gehry simply placed the Grammy trophy in front of a collection of models at his office, leaving the question, can you spot any specific projects? If so leave a comment. We’d like to see Gehry’s interpretation of the iconic gramophone made of his signature curving titanium forms. Neil Portnow, president of the Recording Academy, said in a statement, “Frank’s exemplary creative accomplishments through a variety of artistic platforms have been inspirational. We are honored to work with such a well-respected talent who has served as an influential figure within the arts on a global scale.”
Coincidentally, Gehry will be designing sets for the LA Philharmonic’s production of Don Giovanni at Disney Hall this May. The Philharmonic is nominated for a Grammy this year for its performance of Brahms Symphony Number Four.