We were surprised and delighted Monday upon reading in Page Six (okay, on Curbed, since we only read the Post when we’re feeling kinky) that one of our favorite designers, Winka Dubbeldam of Archi-Tectonics, will be designing a new club in Amsterdam (you know what that means!) for her fellow Dutchwoman Amy Sacco of Bugnalow 8 fame. Not only is this not the best time for clubbing, but now our dear Winka was cooler than ever, even that nifty condo of hers (aren’t they all?) down on Greenwich Street. We wrote Winka with a whole list of queries about renderings, locations, and lurid nightlife tails. Sadly, all we got back was this, presumably in reference to our dreams of a cool, crazy, possibly tropical design: “Not yet ” For now, then, we’re left with our bated breath to keep us warm on those cold MePa nights. Do save us a spot on the guest list, won’t you Winka?
He may have lost Atlantic Yards in Brooklyn and Grand Avenue in Downtown LA, but at least Frank Gehry won’t have to forfeit half the proceeds from his jewelry line designed for Tiffany & Co. Yesterday, a judge threw out a case from Culver City-based Circa charging it was owed a fee for a 2003 agreement it struck with the Santa Monica designer for half the profits from any jewelry deal, though it was apparently rescinded a year later, though the two sides differ on this point. Gehry later entered into a direct deal with Tiffany, excluding Circa and its proprietors, Fred and Anthony Nicholas, though people at the company claim to have introduced the architect to New York jeweler. “I couldn’t understand why he wanted so much money for doing nothing,” Gehry told NBC LA outside the courthouse following LA Superior Court judge Jane Johnson’s decision not to hear the case. Maybe this explains the tagline for Gehry’s Tiffany line: “Beauty Without Rules.”
TV program developer William Wiegman is looking for a sexy architect (yes, that does exist) to host a new reality show he’s pitching that “takes viewers on an exploration of the world’s most famous rooftops.” Details on the show are still vague (the producers don’t want anyone stealing their ideas…), but according Wiegman, the “architect must be photogenic, male, 30-45, adventurous, and have an engaging personality on-camera. He must possess the physical agility of a rock climber and the intellectual prowess of an architectural historian.” Good idea, because this architect needs to be filmed standing on building roofs, among other things. Send resume and photos to email@example.com. Deadline for submissions is September 20.
After a recent visit we saw that Las Vegas’ 18 million square-foot City Center project, with buildings by Daniel Libeskind, Norman Foster, Cesar Pelli, Helmut Jahn, Rafael Vinoly, and KPF, among others, is well underway. In fact despite delays (remedied by foreign investors), the project’s web site still claims it will be done by this year. We also noticed that Libeskind’s new building is sporting a conspicuous Louis Vuitton logo. Only in Vegas.
If you’ve ever left the C or G trains at Hoyt Schermerhorn Station and gotten the urge to dance, we now think we know why. Turns out, that’s the very same station Martin Scorsese chose to shoot MIchael Jackson’s music video for his 1987 hit “Bad.” Well, to honor the deceased pop star (who has gotten a lot of play locally despite few real connections), local City Council rep Letitia James has proposed either installing a plaque or perhaps appending Jackson’s name to the station in some way, reports NYPolitics. But the Post says the MTA has told James “to ‘beat it.’” Undetered—she’s one of the people responsible for holding Atlantic Yards at bay—James is collecting petitions to see MJ through. And if that’s not enough Jackson action, Archinect has extended the deadline for its memorial competition through Wednesday.
Some of the greatest architects happen to be Jewish, such as Frank Gehry, Louis Kahn, and Robert A.M. Stern. Some are unabashedly so, and none more than Daniel Libeskind. The Polish-born accordion prodigy of two Holocaust survivors, Libeskind made his name designing for the Chosen People, beginning with his first and arguably best work, the Jewish Museum Berlin. Others have followed, such as the Felix Nussbaum Haus, the Danish Jewish Museum, the Wohl Center at Bar-Ilan University in Israel, and, most recently, the Contemporary Jewish Museum in San Francisco. As if that weren’t enough, Liebeskind has now designed a mezuzah for that same museum. Read More
Curbed directed us to a travesty in the Village today, albeit an unsurprising one. It appears NYU, in constructing a new building for the law school, damaged the shell of the Provincetown Playhouse, which it had promised to preserve. We say this is unsurprising because, as we recall and Andrew Berman of the Greenwich Village Society for Historic Preservation again confirmed, this is precisely what preservationists feared would happen. Read More
PACKING UP CAMP
Now that Donald Fisher’s CAMP project in San Francisco is officially dead, talk is swirling about where the Gap founder’s art collection will go. The whispers have focused on one obvious suspect: SFMOMA, which has already begun planning a 100,000-square-foot expansion that could get even bigger. One rumor has it that the museum is talking to the city about acquiring an adjoining fire station and building a new one elsewhere in return, in order to offer the Fishers their own digs. SFMOMA director Neal Benezra coyly parried questions with the comment: “We welcome the opportunity to partner with the Fishers to find a home for their collection as part of an expanded SFMOMA campus.” Read More
He had my wrists now, instead of me having his. He twisted them behind me fast and a knee like a corner stone went into my back. He bent me. I can be bent. I’m not the City Hall.
Leave it to Raymond Chandler to come up with architectural descriptions that pack a wallop. Excerpts of the taut prose that would define a whole genre of American fiction are brilliantly paired with Catherine Corman’s photographs of the L.A. of the 1930s and ’40s in her new book, Daylight Noir: Raymond Chandler’s Imagined City (Charta, $40). The evocative black-and-white images taken by Corman–who is the daughter of horror-movie maven Roger Corman–linger with great deliberation on architectural details like an arch or a building corner, turning each page into a world of suspense. With a poetic forward by Jonathan Lethem: “If architecture is fate, then it is Marlowe’s fate to enumerate the pensive dooms of Los Angeles, the fatal, gorgeous pretenses of glamour and ease…” Altogether, a thoroughly enjoyable way to “read” a building.