Pipilotti Rist: The Tender Room
Wexner Center for the Arts
The Ohio State University
1871 North High St.
Through July 31
Swiss artist Pipilotti Rist makes her debut in Columbus with a new site-specific project drawn from the artist’s latest inspirations. The lush multimedia environment promises visitors a full-body experience, featuring kaleidoscopic colors, lulling soundtracks, and whimsical lighting, along with lounge chairs for taking in the sights and sounds. As usual, Rist takes a familiar starting point, such as the body, and plays with it (altering colors, speed, and sound) until it becomes unfamiliar and even fascinating. Drawing inspiration from her first feature-length film, Pepperminta (2009), Rist complicates the visitors’ environment, blurring the boundary between fantasy and reality. The exhibition also features Rist’s single-channel video Open My Glade (Flatten) (2000) outside the Wexner Center’s east entrance.
The Hollywood Bowl got a miniature version of itself last Friday. Hodgetts + Fung, the architects of the Bowl’s latest 2003 renovation, helped students from LA’s Gardner Elementary School build a Polystyrene and PVC pipe replica of the curving amphitheater in honor of the school’s 100th birthday. Partners Craig Hodgetts and Ming Fung, with the help of school teachers, assisted the students build not only a mini-Bowl on the school’s asphalt playground, but a mini-museum displaying historic photos of the school.
History happens in pubic space. The election of Barack Obama brought crowds to 125th Street. Crowds formed at the World Trade Center on news of Osama Bin Laden’s death. Last Friday night it happened on Sheridan Square. In front of the Stonewall Inn, the crowd stood transfixed, staring into their iPhones, Blackberrries and other assorted digital devices. Several shouted out the numbers of state senators supporting gay marriage as it got closer and closer to the magic number: 32. When I got there, there were shouts of 30 or 31. It was hard to tell really, it wasn’t a coordinated countdown, like the Time Square ball dropping. Some were still at 29 while others were at 31. It depended on whether you were on HuffPo or NYTimes. The whoops of the crowd came in waves, making it feel like the number 32 was reached several times.
The Palm Springs Art Museum can’t get enough of E. Stewart Williams. Having closed on a deal to buy the Williams’ Sante Fe Federal Savings and Loan building on Palm Canyon Drive, the museum now owns two. The museum’s building was also designed by Williams and completed in 1976. The iron rock facade, blends so well into the landscape it appears to be a gateway to the mountains beyond. With its concrete coffered entryway, the museum building contains obvious Brutalist references, whereas the bank building completed in 1960 takes its cues from the International style. Fine buildings both, but it must be said that with a giant white elephant of a vacated mall sitting in front of the museum building, having a presence on Palm Canyon won’t hurt. Museum spokesperson Bob Bogard said the new locale would be the ideal hub for Modernism Week activities and help direct traffic to the museum.
‘Butter Cow Lady’ Dies at 81: Norma Lyon, known for sculpting tons of butter into life-size figures of cows, famous people, and even a diorama of the Last Supper at the Iowa State Fair, has passed away, the New York Times reports. Ms. Lyon got her start in butter sculpting in 1960 as the sculptor of the Butter Cow at the fair, after studying animal science and taking studio classes at Iowa State University. In 2007, she created a sculpture of then-Senator Obama from 23 pounds of butter, and Politico credited her endorsement for his victory in the Iowa caucus.
New Plans for the Essex Street Market: The decades-old market is part of the Seward Park Urban Renewal Area on the Lower East Side, an area targeted for dramatic housing and economic development in the coming years. So what does that mean for the Essex Street Market? Planning officials presented renderings to show what a new market in a two-story mixed-use development might look like.
Europe Hates Drivers: Cities across Europe are making driving more expensive and inconvenient to steer residents away from cars. Is it a good idea or a road trip to hell on earth? In Zurich, the Times reports:
Closely spaced red lights have been added on roads into town, causing delays and angst for commuters. Pedestrian underpasses that once allowed traffic to flow freely across major intersections have been removed. Operators in the city’s ever expanding tram system can turn traffic lights in their favor as they approach, forcing cars to halt.
Talk About a Space Saver: JDS Architects put a rolling playground atop three penthouse apartments in a turn-of-the-century building in Copenhagen. The roof includes a grassy hill with curved steps and a wooden deck, a playground and a suspension bridge. Fast Company Design reports the budget for the penthouses and the roof was $1.35 million.
6 Alternatives to Plastic: For its newest project, Studio Formafantasma dug into centuries-old technology to design plastic-like objects “designed as if the oil-based era, in which we are living, never took place.” Read on to see what they used.
Glimpses of New York and Amsterdam in 2040 at the Center for Architecture (through September 10) is a clarion call for designers to redefine sustainability in architecture. Though it didn’t start with this intention, the visions of 10 young architecture firms imagining future landscapes of New York and Amsterdam raise questions about what changes are imminent for urban development and what part architects can play. The projects suggest both practical and fantastical interventions to improve the prospect of urban growth in the face of ecological, geographic, and demographic shifts.
The Pacific Design Center’s Red Building, the final piece of a three-structure complex, is nearing completion. Designed by Cesar Pelli, the building’s jutting red glass facade is in now in place, and the project should be complete by this fall. Photographer Kenneth Johansson has been documenting its construction for the last two years. His pictures don’t just reveal the developing bones of the building, they showcase the often-overlooked construction workers who make projects like this happen. “I have all the respect in the world for these guys,” said Johansson, of the builders, who he calls “heroic” (you can see why). He plans to release a book on the project next year. Enjoy this slideshow of the construction from start to the present. (Click on an image below to start)
This year’s Serpentine pavilion by Swiss architect Peter Zumthor opens on Friday, July 1. The first images reveal not just a simple structure of humble materials but also a new type of collaboration for the Serpentine series. Zumthor invited the Dutch planting designer Piet Oudolf to join the project, and although Zumthor retains top billing, his design gives Oudolf center stage. Oudolf recently shared a plan with us of his vibrant garden scheme that forms the heart of the timber-frame structure.
Sooner or later, aerodynamic trains will be zipping across the farm fields of the heartland and the Van Alen Institute wondered what cultural, environmental, and economic implications such a novel technology would bring. After revealing ten winners of its Life at the Speed of Rail ideas competition, it appears that high speed rail could one day mean larger-than-life mechanical farm animals roaming around the countryside. At least that’s the vision of Stewart Hicks and Allison Newmeyer of Urbana, IL whose project, Animal Farmatures, reimagines farm implements as entertainment for passing riders.
Winners were announced today at the National Building Museum in Washington, D.C. and soon, the Van Alen will be taking Life at the Speed of Rail on the road (although unfortunately not yet by train). Stops include St. Louis’ Museum of Contemporary Art at 7:00p.m. on June 28, Houston’s James Baker III Institute at Rice University at 6:00p.m. on July 7, and Los Angeles’ Caltrans District 7 Headquarters at 4:00p.m. on July 12.
Los Angeles County Museum of Art
Through October 31
Best known for directing films like The Nightmare Before Christmas, Edward Scissorhands, Batman Returns, and Beetle Juice, Tim Burton and his work as an illustrator, writer, and artist are being honored with a retrospective at the Los Angeles County Museum of Art. This new show celebrates the way that Burton has managed to put his own spin on movies in an industry known for its fear of the unknown. With over 700 items on display, including drawings, paintings, photographs, film and video works, storyboards, puppets, concept artworks, maquettes, costumes, and assorted cinematic ephemera, visitors get a glimpse into the mind of this modern day Renaissance man.
Though the show debuted on the east coast at New York’s Museum of Modern Art, the LACMA version of the show, organized by Britt Salvesen, offers its own take on the Burbank native’s body of work. Burton collaborated with the exhibition designers to transform the museum’s Resnick Pavilion into an appropriately “Burtonesque” environment. He also created several new pieces for the exhibition, including what the museum describes as a “revolving multimedia, black-light carousel installation that hangs from the ceiling.”