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A geometric ceiling installation creates an organic, light-diffusing shape in a new Port Washington restaurant
New York-based architecture and interiors firm Bluarch has become known for innovative designs that have people looking up. The group has created ceiling installations for residences, restaurants, and retail locations across the world. One of their latest projects is close to home, at Innuendo restaurant and bar in Port Washington. Located on Main Street, the restaurant’s seamless storefront reveals a cloudlike ceiling installation with integrated lighting designed to create an ever-changing atmosphere.
There are perhaps three–maybe four–design hubs in New York City. These hubs are places with high concentrations of architects and allied designers who are attracted by relatively large, light-filled spaces and the camaraderie of like-minded designers next door. These hubs are know mostly in the “cool” borough of Brooklyn (The Brooklyn Navy Yard, Dumbo and Red Hook), but the originally and still most “designer” dense is near Hudson Square, on Varick Street between Houston to Canal. Last month The Architect’s Newspaper collaborated with Open House New York (ohny.org) and had a hugely successful Saturday afternoon in Dumbo where over 35 architects opened there offices to the public.
Now we are doing second Open Studio on Varick Street, and the public will have the opportunity to visit some of the most high profile and active architects offices in the city. The event will take place on Saturday, March 31, 2012 from 1:00p.m. to 5:00p.m., and you can make a reservation to attend the day at OHNY’s website. The day will conclude with a drinks event at a local spot for all those participating in Open Studios.
Come by and say hello.
How can technology and science revolutionize and restore our public spaces—particularly those disconnected and decaying districts that remain after colossal events such as the Olympics, biennials, and world’s fairs? These immense programs have shaped many an urban core, for better or for worse, from the Chicago World’s Fair of 1893 to the 2004 Athens Olympics.
As part of the Seattle Next Fifty, the 50th anniversary of the Seattle 1962 World’s Fair Century 21 Exposition, the Howard S. Wright Design Ideas Competition for Public Space challenged global designers, architects, and urban planners to re-imagine the 9 acre Seattle Center site that was part of the larger 74-acre campus, which hosted the original 1962 fair.
With the moody Architectural Billings Index landing in positive territory for the fourth straight month in February, the architectural community might begin to exhale a sigh of relief. Project inquiries alone saw its highest spike since 2007, up from 61.2 to 63.4 (anything over 50 indicates an increase in billings).
Architecture in the Expanded Field
CCA Wattis Institute for Contemporary Arts
1111 8th St., San Francisco
Through April 7
Theorist and critic Rosalind Krauss’s 1979 text “Sculpture in the Expanded Field” attempts to identify the scope of sculpture in a time when artists were redefining its traditional limits to include considerations of architecture, landscape, and space. The Wattis attempts a similar redefinition of the field of architecture; installations explore material, spatial, and perceptual concerns with emerging experimental technologies outside the limits of traditional architectural practice. A full-scale installation within and outside of the gallery transports visitors into the immersive environment, while a surface component presents the mapped expanded field of architectural installation.