Adding to his pop culture resume (appearing on the Simpsons, designing a hat for Lady Gaga, starring in a documentary) Frank Gehry has designed the official poster for the 54th Grammy Awards, which takes place in February. It appears that Gehry simply placed the Grammy trophy in front of a collection of models at his office, leaving the question, can you spot any specific projects? If so leave a comment. We’d like to see Gehry’s interpretation of the iconic gramophone made of his signature curving titanium forms. Neil Portnow, president of the Recording Academy, said in a statement, “Frank’s exemplary creative accomplishments through a variety of artistic platforms have been inspirational. We are honored to work with such a well-respected talent who has served as an influential figure within the arts on a global scale.”
Coincidentally, Gehry will be designing sets for the LA Philharmonic’s production of Don Giovanni at Disney Hall this May. The Philharmonic is nominated for a Grammy this year for its performance of Brahms Symphony Number Four.
City Planning hasn’t missed a beat since celebrating the 50th anniversary of the 1961 Zoning Amendment with a conference in November that brought together zoning czars from academia, business, and government to discuss challenges ahead for planning in New York City. On Monday, Amanda Burden of the City Planning Commission (CPC) announced a new Zone Green initiative making it easier —at least zoning-wise—for sustainable upgrades of residential and commercial buildings across the city.
Singapore’s largest private property developer, the Far East Organisation, is the latest client of the Amsterdam-based architect UNStudio. The project in question is The Scotts Tower, a high-end residential building with the ambition to achieve “vertical city planning”–a concept perhaps inevitable in evermore crowded Asian cities. According to Ben van Berkel, UNStudio principal, the project is to “create neighborhoods in the sky; a vertical city where each zone has its own distinct identity.”
It must have been a rough day at MVRDV’s Rotterdam offices after their newly unveiled Cloud tower set to be built in Seoul, South Korea went viral in a bad way. MVRDV envisioned two towers shrouded in pixelated mist, but others saw the image of a plane hitting the World Trade Center in New York, half a world away. MVRDV released the following statement on their Facebook page along with an early conceptual drawing showing the inspiration for the tower, in a much more literal cloud:
A real media storm has started and we receive threatening emails and calls of angry people calling us Al Qaeda lovers or worse.
MVRDV regrets deeply any connotations The Cloud projects evokes regarding 9/11, it was not our intention.
The Cloud was designed based on parameters such as sunlight, outside spaces, living quality for inhabitants and the city. It is one of many projects in which MVRDV experiments with a raised city level to reinvent the often solitary typology of the skyscraper. It was not our intention to create an image resembling the attacks nor did we see the resemblance during the design process. We sincerely apologize to anyone whose feelings we have hurt, the design was not meant to provoke this.
Check out all of the renderings over here. What do you think? Is this too reminiscent of the Twin Towers? Do you see a cloud or an explosion frozen in time?
The opening of “The Architecture of Indifference” last Thursday at Ralph Pucci’s Gallery 9 brought together the worlds of fashion and design in the manner that only this showroom can. The event launched a new line of mannequins from the company called “Guy,” with sultry poses suggesting last call at a bar in Buenos Aires. Any doubt as to Pucci’s inspiration for this collection was put to rest by the a tango performed by Walter Perez and Leonardo Sardella, who ambidextrously shifted roles in dancing backwards. The diversion almost threatened to distract from the fiber-based designs of Dana Barnes, but, of course, that’s nearly impossible to do.
Seoul’s Yongsan International Business District, a new district designed to lift the city’s architectural appeal as an international business destination, is filled with wild promises: the world’s second tallest tower (‘Dream Tower’) to be completed by 2016, the Libeskind-designed, 28-trillion-won ($22.6-billion) ‘Dreamhub’ project, and now MVRDV’s The Cloud.
The architect/developer David Hovey has designed buildings in the Chicago suburbs as well as city neighborhoods outside of downtown. With the Optima Center Chicago, he is making a 42 story debut just north of the Loop. The luxury rental tower will have 325 units. Hovey is bullish on the building’s potential. “All our market research shows a lot of demand for rentals in that area,” he said of Streeterville. The units will sit on top of nine floors of parking as well as 20,000 square feet of commercial space. Hovey thinks the building’s location–walkable to the Loop, the Lake, and the Magnificent Mile–will make it appealing to upper-end renters. Amenities will include 10th floor recreation center and a sky deck on the 42nd floor concealed behind an ultra-smooth glass curtain wall.
Its not everyday that construction and office workers stop to photograph a sidewalk scaffolding shed, but that’s just what they were doing today on Broadway in Lower Manhattan. Yesterday, the mayor unveiled the new Urban Umbrella shed designed by Angencie Group. The new design, the result of a competition sponsored by the AIANY and the Department of Buildings, was fabricated by the Brooklyn based Caliper Studio.
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Fabrication techniques honed for racing boats give the dome new life.
Racing boat builder Goetz Composites has crafted many icons of the sea, including ten America’s Cup boats. Now, the company is trying its hand at architectural icons. Several months ago, Goetz began the restoration of Buckminster Fuller’s Fly’s Eye Dome, one of only three existing prototypes of the prefabricated shelters that the designer patented in 1965. The piece, a 24-foot-wide fiberglass shell with Plexiglas eyes, had been neglected for years and arrived at Goetz’s Bristol, Rhode Island, headquarters with chipped corners, peeling paint, and a patina of mold.
Earlier this fall the rapper Ice Cube pleasantly surprised us by turning up in posters promoting the Getty’s exhibition series Pacific Standard Time: Art in L.A. 1945-1980, a sweeping SoCal round-up that also covers the work of architects and designers. It turns out that before founding the group N.W.A., Ice Cube studied architectural drafting, and in the process he became a fan of Ray and Charles Eames.
In a video just released by the Getty, Ice Cube communes with the designer couple’s famous Case Study #8 house in Pacific Palisades, walking around the exterior to admire the “off-the-shelf factory windows, prefabricated walls” and then kicking back in a 670 lounge chair inside to hold forth on the Eames’ approach of mixing the new with the old, comparing it to sampling in music: ” They was doing mash-ups before mash-ups even existed.” But the most instructive part of the video may be Ice Cube’s decoding of the traffic specific to L.A. freeways…watch for it here:
For more on Ice Cube’s take on design, read his interview with the New York Times.