Southern California-based HMC has announced its merger with Phoenix firm Substance Design Consortium. The move not only strengthens HMC’s presence in the southwest (the firm already has an office in Tempe), but it’s a homecoming for its CEO Randy Peterson, who started his career in Phoenix. The new Phoenix firm will be known as HMC+Substance Design. HMC has been busy lately gobbling up smaller firms. Earlier this year they merged with San Francisco firm Beverly Prior Architects, forming HMC+Beverly Prior Architects. At least HMC preserves some semblance of the merged firm’s previous identity with the resulting shared firm names, unlike AECOM which has erased the names of legendary firms like Ellerbe Becket, DMJM, and EDAW.
The city of St. Petersburg, Florida has chosen a blockbuster group made up of Michael Maltzan Architecture, BIG (Bjarke Ingels Design) and West 8 Urban Design and Landscape Architecture as the three finalists to redesign its famous pier. Taking a leap of faith, in 2010 the city voted to demolish the current iteration, a 1970’s inverted pyramid structure and 1980’s “festival market” that St. Petersburg’s web site refers to as “the most visible landmark in the history of the city.” But the pier’s market has fallen on hard times and the city was ready to redefine both the pier itself and the city at large. As their proposals show, any one of these three architects will give St. Pete a sculptural design that will become a new landmark, to say the least. The winner will be chosen in late January.
Lego is giving architecture fans the chance to vote for the next model in its Architecture Series. Among the expected architectural wonders, like the Coliseum and the Eiffel Tower, more modern choices include Foster and Partners’ 30 St. Mary’s Axe (aka The Gherkin), Moshe Safdie’s Habitat 67, and Santiago Calatrava’s Turning Torso. Current structures in the series—which began in the 60′s but was discontinued until recently— include Frank Lloyd Wright’s Fallingwater, SOM’s Burj Khalifa, and Mies van der Rohe’s Farnsworth House.
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A custom-perforated screen balances lighting and privacy in a three-story New York office space.
Ceilings are not just for the ceiling anymore. “With architecture becoming more organic in shape, we are becoming the architecture, not just a ceiling or wall,” said Nancy Mercolino, the president of architectural ceiling, wall, and enclosure manufacturer Ceilings Plus. This fall, the company completed a 33-foot-tall painted aluminum feature wall at the Manhattan offices of a global investment management firm. Designed by New York-based a+i design corp, the project was a consolidation of the firm’s offices in the city, adding three floors to the company’s existing three-story office space in a Midtown building.
Finally, one of our classic futurist expectations (something you might see in Futurama) is about to be fulfilled: architecture assembled by a swarm of flying robots. With robots apparently planning a takeover of the construction industry, how long until the iconic yet dangerous “Lunch atop a Skyscraper” (from the 1930s) is a thing of the past?
DDG Partner’s latest project uses a material often found under foot and gives it a hard-earned respect long deserved. New York State bluestone clads the entirety of 41 Bond’s facade, a condo with four full floor units, a ground floor townhouse, a duplex, and a penthouse duplex. Over the past few months usual Bond Street soundscape of tires rumbling over cobblestone has been interrupted by the clangs of the quarry, as masons fit the stone into place. All of the stone carving was done on site. DDG’s CEO Joseph McMillan, Jr. and chief creative officer Peter Guthrie give AN a tour…
Los Angeles firm tec Architecture and Dutch interior designer Marcel Wanders are partnering to create Kameha Bay Portals, a luxury resort and spa in Mallorca, Spain set to open early in 2013. Located on the island’s posh south coast, the building will take shape out of a nondescript 1960′s concrete building, but according to tec Architecture the 55,000 square foot project is more a reinvention than a renovation.
While a number of new rental towers have been announced in recent months, Crain’s has an informative article about a number of Chicago condominium developers who are beginning to build again, albeit at a very small scale and in tightly phased sequences. Even for projects as small as 14 units, banks are demanding projects be split into two phases, six units first, followed by eight in a second building. Some developers are also willing to accept lower offers from buyers for higher down payments up front. The thinking reflects new stricter lending standards and continuing economic uncertainty. But with Chicago’s condo market still over-saturated and the foreclosure crisis just beginning to wane, it also reflects a much needed correction from previous patterns of over building and over lending. And, pardon me Mr. Burnham, but isn’t incremental city-making and infill development often the best approach?
Jürgen Mayer H.: Wirrwarr
The Art Institute of Chicago
111 South Michigan Avenue, Chicago
Through January 22, 2012
While the Berlin-based architect Jürgen Mayer H. is known for his highly sculptural, honeycomb-like buildings, such as the Metropol Parasol in Seville or the the Court of Justice in Hasselt, Belgium (above), one of his quirky obsessions is not as widely known: a fascination with secret codes and numbers encrypted into patterns. Used by institutions such as banks to ensure that sensitive information such as PINs and passwords are only visible to the recipient, these intricately patterned data sheets are largely unexamined. To Jürgen Mayer H., however, this visual expression of our fear of exposure and desire for protection is fascinating and relevant to architecture.