When the attention of real estate speculators diverts, sometimes old neighborhoods have time to acquire a majestic patina. The Washington Heights section of northern Manhattan has been neglected for some time, but is now getting a fair share of spillover interest from Columbia’s Manhattanville project and the university’s nearby hospital campus. In 2009, the Audubon Park Historic District was created to protect the area just behind Audubon Terrace, home to the Hispanic Society and the Academy of Arts and Letters. But just north of the district, years of landlord neglect has unwittingly preserved row after row of early 20th century apartment buildings festooned with ornate cornices. But the cornices are now in danger of disappearing.
Jim Kazanjian doesn’t make photographs of buildings, he makes photographs into buildings. His assemblages of “found” structures create fantastic worlds that resemble the post-civilization wreckage of 19th century England. Through the collapse of time and expansion of space, each collage tells an eerie story about making the familiar unfamiliar.
Earlier this month, we were first to bring you renderings of HWKN’s planned installation for MoMA’s P.S. 1 Young Architects Program (YAP), but now AN has learned that YAP’s counterpart in Rome has selected Urban Movement Design’s proposal for a series of sinuous benches and archways covered in grass and hanging plants as the winner to fill Zaha Hadid’s MAXXI museum piazza this June.
After three decades at LA firm Altoon + Porter, founding partner James F. Porter is leaving to become a principal at the Jerde Partnership. Porter, who met business partner Ron Altoon while working at Frank Gehry’s office in the ’70s, co-founded Altoon + Porter in 1984. Hoping to leave more room for young partners, Altoon + Porter included a clause in their partnership specifying that they retire at age 65. “Sixty five came along in a nanosecond,” said Porter, who managed to adjust the agreement to stay on a little longer. But at age 70, it was time to go, he said.
Who wouldn’t want buy into an eco-conscious, sustainable, and affordable apartment building whose Grimshaw/Dattner-designed architecture received rave reviews on the front page of the New York Times? With more than 40 of the 75 co-ops still available at Via Verde, the gang at developer Jonathan Rose Co. and Dattner are giving the project the full media push. Jonathan Rose’s Ari Goldstein and Dattner’s Bill Stein were on New York 1 this morning promoting the design and high living standards. The 151 rental units of this muli-income complex were snapped up right away. But while the co-ops sales aren’t exactly flagging, they’re not exactly flying off the shelves in this economy.
Chinese architect Wang Shu has been named the 2012 Pritzker Architecture Prize laureate, marking the first time a Chinese architect has been honored prize which brings a bronze medal and $100,000 purse. Wang Shu is known for building with traditional Chinese forms and materials, often recycling bricks and tiles to form a patchwork mosaic in his buildings, which demonstrate a distinct modern sensibility. He is professor and head of architecture at the China Academy of Art in Hangzhou, China and founded Amateur Architecture Studio with Lu Wenyu in 1998 where he has taken an outspoken stance against architecture that he perceives as destroying vast urban and rural landscapes across China.
Manhattan Community Board 2 unanimously voted against the NYU expansion plan in Greenwich Village last night citing the impact its scale would have on the neighborhood. Grimshaw with Toshiko Mori designed four of the proposed towers and Michael Van Valkenburgh designed the landscape for the 2.4 million square foot expansion. The plans were set within two superblocks that sprang from Robert Moses-era urban renewal projects that featured buildings by I.M. Pei, Paul Lester Weiner, and a garden by Hideo Sasaki.