Jan Staller: Heavy Duty Landscapes
ISE Cultural Foundation
Through March 2
Jan Staller: Heavy Duty Landscapes, an exhibition curated by Marc Freidus, at the ISE Cultural Foundation, features sixteen large format photographs selected from series completed by Staller during the past seven years. Roadsides, recycling plants, and construction sites like the one featured in Pilings, Flushing, Queens (above) are the types of overlooked landscapes Staller addresses in his work. Through his lens we see the unexpected beauty of harsh, chaotic industrial sites and objects softened by their natural surroundings, as in Tank Car In Snow, Port Reading, New Jersey (below).
Last year, BIG (Bjarke Ingels Group) got their heart broken by the Times Square Alliance, which chose a hula-hoop happy design by Freecell Studio for its annual Times Square Valentine’s installation. Now a spokesperson from the Alliance admits that they always “loved” BIG’s design and were willing to give it a second chance. This year, the Alliance didn’t go online looking for love. Instead, they went back to a former flirtation, and chose BIG’s entry from last year, shunning the possibility of outside suitors.
BIG calls its 10-foot high glowing heart sculpture “BIG♥NYC.” The design affair was something of a ménage à quatre, with Flatcut (the fabricator), Local Projects (the interaction designers), and Zumtobel (the lighting designers) pitching in on the effort. Four-hundred LED-lit acrylic tubes wrap a cube that bounds a suspended heart. Not surprisingly, when touched the heart grows brighter.
With Super Bowl XLVI charging towards the end zone like a wide receiver under pursuit, it’s Indianapolis’ time in the national spotlight. The city has been reinventing itself around sports and specifically the biggest game in football, and it’s certainly showing, with a massive new hotel by HOK and an expanded convention center by Ratio. Emily Badger recently tackled the building boom over at Atlantic Cities and Aaron Renn argues at the Urbanophile that pursuing a sports strategy has been a touchdown for the city. Among the big plays the Circle City has revealed: in this year’s Super Bowl Village a 95-foot-tall, 800-foot-long zip line carries football fans careening through downtown.
If you’ve managed to snag one of those coveted tickets to the game, or if you’re just hanging around the city for the fun of it, be sure to check out local blog Urban Indy’s write-ups of how to get around the city without a car and the best in transit-accessible night life. And try out that zip line…if you dare.
Yesterday AEG unveiled its design for a 200,000 square foot convention center expansion in downtown Los Angeles. Replacing a wing of the LA Convention Center, the new structure, called LACOEX (LA Convention and Exhibition Hall) and designed by Populous (which, it so happens, is also designing Majestic Realty’s proposed stadium in the City of Industry) the elevated center would stretch over Pico Boulevard and connect directly to the company’s planned football stadium, the Gensler-designed Farmers Field.
The highly graphic, glass paneled exterior would be complemented by restaurants and patios outside the base of the hall,. The plan, of course, won’t go forward until LA gets a new NFL team for the new stadium/convention complex. Look for an update with more information soon.
One of the Bay Area’s most effective urban instigators, SPUR (San Francisco Planning and Urban Research Association) is opening an office in San Jose. The move came about for a few reasons, says the group. First, San Francisco has a declining share of the region’s population, so it makes sense to branch out. And second, most planning decisions are made locally, so SPUR needs to establish footholds in the area’s major cities.
The new branch office was made possible by a successful $1 million fundraising campaign that will fund operations over the next three years. Leah Toeniskoetter will head up the new office and brings a background in real estate and economic development and finance.
“San Jose wants to be walkable, it wants more transit-oriented development and sustainability,” SPUR Director Gabriel Metcalf told the San Francisco Business Times. “In many ways, San Jose’s challenge is America’s challenge.” A move to Oakland could be next on SPUR’s agenda.
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A carefully detailed private workspace conceals office equipment behind birch plywood ribs
It’s a reality of the modern work world that many people work from home. But a home office need not look like a corporate cube. That was the idea behind a customized workspace designed for a personal investment advisor by Los Angeles-based Synthesis Design + Architecture. Located in the client’s Chelsea home in London, the design conceals storage units and office equipment behind a sculptural work surface.
To hell with what Pennsylvania groundhog Punxsutawney Phil says about there being six more weeks of winter; if you want a true harbinger of spring, head over the Center for Architecture for a last chance to check out the “Two Wheel Transit” show mounted by the DEP for their bike share program that going to be launched in the spring. The show teases out some of the details of the plan that will add rentable public bikes to the New York City’s transit options. The exhibit closes this Saturday, but if you don’t make it over in time, you can go to one of the community bike share workshops that begin on Monday. The first meeting will be held at 25 Carmine Street. The workshops will give New Yorkers a chance to comment on where to put the 600 bike stations.
Norman Foster, who, as writer Mark Lamster has noted, “even in his 70s, has the look of a heavy in a Guy Ritchie film,” skis, sketches, and visits his childhood home in Manchester, England, in the film How Much Does Your Building Weigh, Mr. Foster?, a documentary produced by the architect’s wife that screened on January 25, at the IFC Center. Directed and dreamily photographed by Norberto Lopez-Amado and Carlos Carcas, the film moves seamlessly between irresistible images of Foster’s buildings, and the man himself, dashing between projects, reflecting on his career, and earning praise from scriptwriter Deyan Sudjic on everything from his work ethic to his wardrobe. “Everything inspires me,” says Foster early in the film. “Sometimes I think I see things others don’t.”