[This photo essay accompanies AN's recent article on the pending demise of Paul Rudolph's Orange County Government Center in New York. Read more here.]
The day before Orange County Executive Director Eddie Diana presented plans for replacing architect Paul Rudolph‘s Orange County Government Center, AN took a trip up to Goshen, New York with photographer Aracelis Diamantis to check out the scene. Diamantis ditched her SLR in favor of a Hipstimatic app on her iPhone. The effect gave the building a haunted-Brutalist-house quality and amplified the the architect’s multi-textured use of concrete.
In the hustle and bustle of city life, sometimes it’s hard to find the time to visit a museum. Luckily for time-strapped New Yorkers, a massive copy of Michelangelo’s David was trucked around Manhattan on Tuesday, stopping off at the Storefront for Art and Architecture for a manifesto series called “Double” exploring the implications of creating copies, fakes, and replicas before heading to its new home at the 21c Museum Hotel in Louisville, Kentucky. This David, by conceptual artist Serkan Ozkaya is a copy of a copy of the original Florentine model, reimagined twice as tall and painted gold, making it the perfect centerpiece for the evening.
Frieze Art Fair’s first New York event will be housed in a distinctive serpentine structure designed by Brooklyn-based Solid Objectives—Idenburg Liu (SO-IL) architects. Continuing the tradition of creating bespoke temporary spaces for its London fairs, Frieze will construct a massive tent on the shore of Randall’s Island (don’t worry—ferries will run every 15 minutes).
The winners of the eVolo 2012 Skyscraper Competition have been announced; get ready for an afternoon of browsing some pretty spectacular renderings. Entries offer innovative (and sometimes outlandish) solutions in an attempt to address the social, historical, urban, and environmental responsibilities of the 21st century mega-structure.
Presidential candidate Mitt Romney has been attacking Barack Obama lately for trying to bring European Social Democracy to this country. A new book on 44 urban transformation projects in European Union makes us wish “if only!”
The book details some well known projects—the Novartis campus in Basel, the new Bilbao Metro, and Strasbourg’s car park by Zaha Hadid architects—but it also features many lesser known projects that make Europe seem like the most interesting testing ground for transforming aging cities into new livable ones. Developed from a 2010 exhibition by Architecture Workroom Brussels, the book does not have a distributor in this country, so we are loathe to review, but it turns out that the book is designed by New York City-based Project Projects, and they are hosting a launch of the book on Sunday, March 11 from 4-6pm at their office at 161 Bowery on the second floor.
It is unclear whether the newest Jean Nouvel project in Charleroi, Belgium is the first of the hybrid Police Headquarters/Dance Studio typology, but we would guess that it is. The collaboration between Paris-based Atelier Jean Nouvel and the Belgian firm MDW Architecture was selected in a competition and resulted in a scheme for a 246-foot tower and renovation of 19th century brick barracks.
It’s a story that’s been told in city after city. If you build it, they won’t leave. Professional sports teams hold cities hostage, playing on the loyalty of fans to get expensive, taxpayer-funded facilities, while displaying little civic loyalty of their own. Anyway! In Minneapolis, the Vikings have said they won’t decamp for Los Angeles if the city and state agree to help build a new $975 million stadium on the site of the Metrodome, according to the Star-Tribune.
Forget for a moment that President Obama bumped the New York Times’ Jill Abramson from the dais to deliver this year’s commencement address at Barnard and not his alma mater, Columbia College. Tonight, the Times’ architecture critic Michael Kimmelman will be delivering a lecture at Barnard’s Diana Center, titled Public Space and Public Consciousness. However, a busy Kimmelman also appeared last night at GSAPP, for a conversation with Columbia Professor Gwendolyn Wright.
The Storefront for Art and Architecture launched Ingredients of Reality: Dismantling of New York City last Tuesday night. The show features work by Lan Tuazon, whose bio reads that she was born in the Philippine Islands and “lives and works in New York whether she likes it or not.” It would seem from the show, that she likes it–but with reservations. Through a series of seemingly disparate works, Tuazon calls attention to how real estate decisions have the ability to divide the New Yorkers economically and socially.