The series of clean-lined circles carved into the earth at the top of Inwood Hill Park began appearing about a year ago. With fresh rainfall, they’d be gone. Their disappearance seemed almost as important as their appearance, calling attention to areas of the forest that park-goers might otherwise overlook. The circles appeared in snowfall, then melted away. The creator is Young Jee. Over the past year, Jee’s circles have become more elaborate, with textures made from wood chips, pine, and pebbles. Last Sunday, outlines of sticks were used and circles morphed into curvacious striations. Full vistas came into view.
[Editor's Note: This the third in a four-part series documenting the winners of the AIANY's 2012 Design Awards, which are broken down into four categories: architecture, interiors, unbuilt work, and urban design. This list covers awards for unbuilt work.]
The AIANY has released its annual list of Design Awards noting projects that demonstrate exemplary originality and quality, and the category covering unbuilt work tends to be among the most creative. This year’s Honor and Merit Award winners for unbuilt work were selected by a jury consisting of Scott Erdy of Erdy McHenry Architecture, Thomas Hacker of THA, and Bruce Lindsey, dean of the College of Architecture at Washington University. Three unbuilt projects were distinguished with the top Honor Award including the Hirshhorn Museum Seasonal Inflatable Pavilion by Diller Scofidio + Renfro and Kling Stubbins, Dortoir Familial by NADAAA, Bidard & Raissi, and Agence François Vieillecroze, and the USAFA/Center for Character & Leadership Development by Skidmore, Owings & Merrill. Winning work in all four categories will be on display ay the Center for Architecture at 536 LaGuardia Place beginning April 19 through May 31.
News Paper Spires
The Skyscraper Museum
39 Battery Pl.
Through July 2012
Focusing on the years between 1870 and 1930, News Paper Spires at the Skyscraper Museum considers the buildings where the most important events of the day were committed to the public record with ever-increasing speed. Just after the Civil War, The New York Times, The New-York Tribune, and The New York Post all were headquartered on the so-called “Newspaper Row” to the east of City Hall Park (above), each headquartered in early skyscrapers, where writers and editors worked above, while below typesetters and steam-engine powered printing presses churned out morning, afternoon and evening editions. In this exhibition, the history of these vertical urban factories—including their migration from downtown to midtown—is considered through films, architectural renderings, photographs, typesetting equipment, and the archival newspapers themselves.
[Editor's Note: This the second in a four-part series documenting the winners of the AIANY's 2012 Design Awards, which are broken down into four categories: architecture, interiors, unbuilt work, and urban design. This list covers the interior awards.]
The AIANY has released its annual list of Design Awards noting projects that demonstrate exemplary originality and quality. Interior Honor and Merit Award winners were selected by a jury consisting of Rand L. Elliott of Elliott+Associates Architects, Alice Y. Kimm of John Friedman and Alice Kimm Architects, and Gary L. Lee of Gary Lee Partners. Three interior projects were distinguished with the top Honor Award including Nam June Paik Library by N H D M / Nahyun Hwang + David Eugin Moon, Logan by Formactiv with SO-IL, and the Hinman Research Building by Lord, Aeck & Sargent with Office dA. Winning work in all four categories will be on display ay the Center for Architecture at 536 LaGuardia Place beginning April 19 through May 31.
We have written about the Universität Stuttgart’s Institute for Lightweight Structures and Conceptual Design before, but they keep pushing the boundaries of exciting new building technology. On April 16 they will introduce the “world’s first adaptive shell structure spanning 10 meters by 10 meters (to a scale of 1:1.), ” and the shell will be “exposed to hydraulic drives that produce movements at the support points in order to specifically reduce loads and deformations caused by externally applied loads.” Check back in on April 17th to see the test results!
A piece of performance art for the ages wrapped up early Saturday morning as the centerpiece of Michael Heizer’s Levitated Mass finally reached LACMA to fanfare typically reserved for a Hollywood premier. The star was a 340-ton rock that had enraptured spectators throughout its week-and-a-half journey into the city from a quarry near Riverside, CA.
Hung from a 22-axle, football-field-long carrier, the rock was greeted by thousands of spectators in the streets of LA as it slowly crawled towards its final destination on the northwest corner of the LACMA campus. “We’re really pleased it got here in one piece,” said Miranda Carroll, LACMA’s director of communications, who clocked the boulder’s touchdown at the museum around 4:30 a.m on Saturday morning. Read More