Superfly Presents, the co-founder and producer of mega-festivals Bonnaroo and Outside Lands, is bringing its park-packing swagger to New York City this summer. The Great GoogaMooga, described as “an amusement park of food and drink,” will occupy the Nethermead region of Brooklyn’s Prospect Park on May 19th and 20th.
The famed pastoral lower meadow of the park will be transformed into “the ultimate sensory experience” by a collaborative design effort led by David Rockwell of the Rockwell Group. The design weaves together to over 75 food vendors, 35 brewers, 30 winemakers and 20 live musicians debut festival. General admission is required but tickets are required and available as of March 15. The event intends to leverage the synergy of two of New York City’s most high-energy features: food and music.
City of Mirages: Baghdad, 1952–1982
Through May 5
Change: Baghdad, 2000–Present
Through June 23
Center for Architecture
536 LaGuardia Place
Two complimentary exhibits at the Center for Architecture capture an aspirational past and equally ambitious present in the Middle East. City of Mirages: Baghdad, 1952–1982 shows a flourishing cosmopolitan city that—whatever the regime—commissioned an impressive array of international design talent for much of the last century resulting in an architecture combing modernist ideas with interpretations of the local climate and culture. Through models and drawings, including Walter Gropius and Hisham A. Munir’s campus building (top) at the University of Baghdad, rather than photographs in order to emphasize the optimistic intentions of the period, City of Miracles sheds light on a significant but rarely seen corner of global modernism. CHANGE: Architecture and Engineering in the Middle East, 2000–Present surveys 123 contemporary works from 20 countries in the wider Middle East, including Asymptote and Dewan Architects’ Yas Marina Hotel in Abu Dhabi (above), gathered through an open call for submissions. The impact of rapid growth and instant globalization is evident through supertalls, man-made islands as well as UNESCO monument sites under siege.
|Brought to you with support from:|
|Brought to you by:
Temporary structure uses paper to create light-regulating filter
Infrared is a group of architectural researchers and fabricators based in Thessaloniki, Greece. Initiated in 2010, the group’s work has included public installations like the Thess Bic Seat, an amorphously shaped bicycle rack and bench. Another piece called 313 / 315 is a 25-foot-long seesaw installed between two rooms of a derelict hotel created for last year’s XV Biennale De La Mediterranee. For its most recent installation, titled Madren 5340, the team investigated the theme of private space with a digitally modeled screen made with a series of paper tubes.
Sarah Morris: Points on a Line
The Wexner Center
1871 North High Street
Through April 15
Points On A Line, a 2010 film by artist Sarah Morris, takes two iconic buildings as its central characters, Mies van der Rohe’s Farnsworth House in Illinois and Philip Johnson’s Glass House in Connecticut (above). Commissioned by the National Trust for Historic Preservation, which owns both properties, the film is a meditation on the relationship between the buildings—Johnson, an acolyte of Mies and inspired by Farnsworth drawings, happened to complete his New Canaan house first—and the structures as they exist today. But it is the relationship of the architects themselves that becomes Morris’ narrative thread, serving as a springboard to explore their other architectural overlap: Johnson’s glamorized corporate interiors for the Four Seasons, the power-broker restaurant in the base of the Mies-designed Seagram building in Manhattan. Points on A Line underscores how our perception of a space is affected not just by its design but also its mythology.
When the construction blockades at Lincoln Center renovation finally came down down last year, the flowing crowds and fountain crowding returned. The first impression theater-goers get of the Diller Scofido + Renfro renovation are the flashing from LED lights embedded into the steps facing Columbus Avenue. The lights function as an underfoot marquee with titles of various productions flashing and scrolling across the steps, announcing venues and lighting the path. But last Tuesday night the lights seemed to be on the fritz. Elsewhere, the Hugh Hardy 130 seat theater addition atop the Vivian Beaumont Theater is nearing completion…