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LEED Gold-certified building protects old documents with a modern mesh design
The new Taylor Family Digital Library houses some of the University of Calgary’s prized documents—more than 800,000 architectural drawings, one million maps and aerial photographs, and thousands of print monographs are among the nine million items in the collection. The university built the library as part of its mission to become one of Canada’s top five research libraries by 2016, the year of its 50th anniversary. But the library also serves the practical goal of protecting the special documents and art collections that were relocated there from other facilities. To that end, architect Kasian Architecture Interior Design and Planning envisioned the 265,000-square-foot building enshrouded in a veil of mesh that would provide solar protection while creating a semi-transparent facade and day-lit interiors to be enjoyed by students and community members.
A massive new urban farming project in Sunset Park, Brooklyn was announced last week by New York City-based Bright Farms, a company dedicated to building hydroponic farms close to supermarkets. The Sunset Park project will be the largest rooftop farm in the city, and possibly the world. At 100,000 square feet, it could potentially yield 1 million pounds of produce a year and joins several other agricultural projects in Brooklyn. Brooklyn Grange, another rooftop farming operation located in Queens, is planning to open a 45,000 square foot urban farm at the Brooklyn Navy Yard, and farm-developers Gotham Greens will be opening a new location in the borough as well.
[Editor's Note: Following the unveiling of proposals to redesign the National Mall, AN will be running a three-part series to display the proposals for each of the three segments of the Mall: Constitution Gardens, Union Square, and the Washington Monument Grounds.]
A 50-acre parcel of the National Mall, Constitution Gardens, lies just north of the Reflecting Pool and east of the Vietnam Veterans Memorial. Grade changes keep it somewhat hidden from the main stretch of the Mall, and many tourists (and locals) visit the monuments and Smithsonian museums without coming across it. The gardens’ focal point is a small lake with an island that visitors can access by footbridge. The National Park Service has struggled with the site’s poor soil conditions—the ground was dredged from the Potomac River back in the late 19th century—and with upkeep of the paths and other features.
The National Mall Plan of 2010 calls for an “architecturally unique, multipurpose visitor facility, including food service, retail, and restrooms” to be developed at the east end of the lake, as well as a flexible performance space.
As architects like Herzog & de Meuron and Jean Nouvel tap into the potential of vertical gardens, they’ll often seek the expertise of Patrick Blanc. For the past thirty years Blanc developed vertical gardens while researching adaptive strategies of plants at the National Center for Sceintific Research in France. His research of plant growth in nature’s more hostile environs, such as hanging off of stone cliffs or springing from rocks next to waterfalls, has yielded a uniquely urbanistic solution for gardening. For the next ten days there’s a small window of opportunity left to see the work of Blanc at its most luxurious. The botanist designed the New York Botanical Garden‘s annual Orchid Show which ends on April 22. As a bonus, this also happens to be the moment that the Gardens’ 250 acres are at the height of their springtime burst.
Amanda Burden, Chair of the New York City Planning Commission and Director of the Department of City Planning, is the recipient of the Architectural League of New York’s highest honor, the President’s Medal. The League’s President and Board of Directors grant the award to individuals in recognition of an exceptional body of work in architecture, urbanism, or design. The medal was presented to Burden last night at an awards ceremony.
Pedro E. Guerrero: A Retrospective
6518 Hollywood Blvd., Los Angeles
Through April 25
At age 22, Pedro E. Guerrero made a spontaneous visit to Taliesin West to meet Frank Lloyd Wright; upon seeing his portfolio Wright immediately gave Guerrero the position of principal photographer. Guerrero’s relationship with Wright would define his career; nearly all publications about Wright include his work. Moving to New York, Guerrero went on to work for journals including Architectural Record and Vogue, documenting the works of modernists like Saarinen and Breuer. His photography approaches architecture as sculpture, displaying an eye for composition and form that led to close personal and working relationships with Alexander Calder and Louise Nevelson.