On View> Stanley Tigerman: Ceci n’est pas une rêverie, in Chicago

Midwest
Tuesday, February 21, 2012
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Stanley Tigerman: Ceci n’est pas une rêverie
Madlener House, Graham Foundation
4 West Burton Place
Chicago
Through May 19

Curated by Yale School of Architecture Professor Emmanuel Petit, Ceci n’est pas une rêverie (“This is not a dream”), is a retrospective that examines the architectural and conceptual work of Stanley Tigerman (top, 1966). Occupying three floors of the Graham Foundation’s Madlener House, the exhibition is arranged in relation to nine dominant themes recurring throughout Tigerman’s 50 career: Utopia, Allegory, Humor, Death, Division, (Dis)Order, Identity, Yaleiana, and Draft.

A variety of media, including models, photographs, and archival documents, offer a sampling of the architect’s output, and the exhibition includes one of Tigerman’s best-known pieces, The Titanic, 1978 (above), a collage that explicitly critiques the state of architecture in the late 1970s with S. R. Crown Hall sinking into Lake Michigan.

Pratt Student Awarded Gensler Brinkmann Scholarship

Dean's List, East, International
Monday, February 20, 2012
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Tina Uznanski's concept for a flexible library. (Courtesy Gensler)

Tina Uznanski's concept for a flexible library. (Courtesy Gensler)

While most design students are starting the scramble for plum summer internships, Tina Uznanski can rest easy, knowing a desk with her name on it will be waiting at Gensler’s London office. Uzanski, an interior design student at the Pratt Institute, has received Gensler’s annual Brinkmann Scholarship, winning a paid summer internship at the Gensler office of her choice and a cash prize to be put toward her final year of study at Pratt. The award was established in 1999 as a memorial to interior designer and former Gensler partner Donald G. Brinkmann.

Uznanski won the competition with her clever concept for a renovation of her neighborhood library in Clinton Hill, Brooklyn, that creates a flexible room through “shifting stacks.” images after the jump

On View> Luka Fineisen: Phase Transitions

East
Monday, February 20, 2012
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Luka Fineisen: Phase Transitions
Hosfelt Gallery
531 West 36th St.
Through March 31

“Phase transition” refers to the transformation of a thermodynamic system from one state of matter to another. German artist Luka Fineisen explores these shifts by framing the moment of transformation from one condition to another; she sculpts dynamic systems, the final work of art being the system’s realization of potential. In this way, even sculptures that appear static, such as Bubbles (above, 2010), draw attention to the temporality of material—this is not plastic, but a material in search of its form. This will be Fineisen’s first solo exhibition in the United States.

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Damien Hirst Dabbles in Homebuilding.  Damien Hirst Dabbles in Homebuilding  Hirst's "Physical Impossibility of Death in the Mind of Someone Living" (Sotheby's/PA) Artist Damien Hirst, known for, among many other things, suspending dead animals in formaldehyde, is also considered to be the world’s richest artist (he’s reportedly worth over $300 million). He’s investing some of that money in the development of 500 new “eco-houses” near North Devon, on the southwest tip of Great Britain. The residences, which will feature rooftop turbines, solar panels and sophisticated insulation, are slated to break ground early next year. One of the firms working on the drawings is London firm MRJ Rundell + Associates, whose founder Mike Rundell told a North Devon newspaper of Hirst “He has a horror of building anonymous, lifeless buildings. He wants these houses to be the kind of homes he would want to live in.”

 

Going West: Palm Springs Modernism Week, February 16-26

West
Friday, February 17, 2012
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The Sunnylands visitors center in Palm Springs designed by Frederick Fisher.

The Sunnylands visitors center in Palm Springs designed by Frederick Fisher. (Courtesy Palm Springs Modernism Week)

AN is headed out to California for the third year running for one of our favorite architecture events: Palm Springs Modernism Week (February 16-26). Palm Springs–and its surrounding towns, spas and arid California landscape–is home to what the organizers call “desert modernism.” The city is an extraordinary gridded landscape of modern car-ported flat-roofed houses and dozens of iconic homes, shops, and landscapes. The 11-day celebration focuses every year on an outstanding example of residential modern architecture, and this year it will highlight Sunnylands, the A. Quincy Jones-designed mansion (interior by William Haines) for the Annenbergs in nearby Rancho Mirage. The estate is surrounded by an art garden, labyrinth, private nine-hole golf course (currently being restored), and a new visitors center designed by Frederick Fisher. Read More

Cincinnati Streetcar Breaks Ground.  Cincinnati Streetcar Breaks Ground After much wrangling between supporters and opponents, and numerous financial fits and starts, work on the Cincinnati Streetcar is breaking ground today, with a special appearance by federal Transportation Secretary Ray LaHood, according to Urban City. The 18-stop line will stretch from the river front through downtown and past Findley Market in the Over-the-Rhine neighborhood. Supporters believe the line will add a crucial piece to the ongoing redevelopment of Cincinnati’s core, which has included new stadiums, cultural facilities, and mixed-use developments. Major redevelopment is also taking place in Over-the-Rhine. Lookout Columbus, things are looking a lot more urbane in the Queen City.

 

On View> Dan Flavin: Drawing

East
Friday, February 17, 2012
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Dan Flavin's sketch for "In Honor of Harold Joachim." (Courtesy Morgan Library)

Dan Flavin's sketch for "In Honor of Harold Joachim." (Courtesy Morgan Library)

 

Dan Flavin: Drawing
The Morgan Library & Museum
225 Madison Ave.
February 17 to July 1

The Morgan Library & Museum exhibits for the first time the drawings of Dan Flavin, ranging from early abstract expressionist watercolors to studies for installations to modern and classic works from his personal collection. While he is known for his fluorescent light installations, Flavin was an avid draftsman; he developed compositions, like In Honor of Harold Joachim, above, with ink and colored pencil on graph paper. Striking in their sparseness, his more representational sketches of landscapes, sailboats, and portraits have minimalist and calligraphic qualities that harken to the Japanese drawings in the artist’s personal collection. Two of Flavin’s major light installations are also installed in the gallery.

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Weiss/Manfredi to Reimagine National Geographic’s D.C. Headquarters.  (Courtesy Weiss Manfredi) National Geographic’s Washington D.C. headquarters will be getting a facelift. New York-based Weiss/Manfredi has been selected to renovate and expand the society’s collection of buildings built over the past century. The firm has been tasked with creating a “dynamic new expression” for National Geographic to facilitate its museum, research activities, media, and international programs. Weiss/Manfredi was selected over Diller Scofidio+Renfro, Diamond Schmitt Architects, and Steven Holl Architects.

 

Bogey at Pebble Beach: Another Neutra House in the Rough

Newsletter, West
Thursday, February 16, 2012
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Neutra's Connell House, Pebble Beach (Anthony Kirk)

While Tiger Woods and Phil Mickelson were busy fighting for supremacy at Pebble Beach last weekend, another important battle was taking place just down the street (unbeknownst to almost everyone). Richard Neutra’s 4,124 square foot Connell House (1958) in Pebble Beach is being slated for demolition in favor of a 12,000 square foot behemoth mega-mansion. The new home was proposed in December, and still needs several permissions for approval.

Author Barbara Lamprecht, author of Richard Neutra: Complete Works (Taschen), has written a letter to the Monterey County Planning Department urging it to save the “aesthetically compelling, spatially complex house,” with its “careful asymmetric composition of volumes and opposing opaque (stucco) and transparent (glass) planes.” She encourages others to contact the department as well. Think of it as a pro/am for architecture buffs.

Zahner, Zaha’s Schumacher, CASE, and More: Facades Conference 2012

East, Fabrikator
Thursday, February 16, 2012
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Brought to you with support from:
Fabrikator
Fabrikator Brought to you by:
Facade fabricated by A. Zahner specializes in the void.

A facade fabricated by A. Zahner specializes in the void. (Courtesy A. Zahner)

Architects and fabricators discuss creating facades in the digital age

Yesterday The Architect’s Newspaper and the Ornamental Metal Institute of New York presented their first-ever educational conference at McGraw-Hill Auditorium in New York. More than 250 professionals and students attended the event, themed Metals in Construction, which addressed facade design in an age when skilled collaboration between architects, consultants, and fabricators can more than ever affect a building’s performance and longevity. The day began with a presentation by Bill Zahner, who spoke of his company’s forward-looking work with metal facades, then moved into discussions covering everything from new retrofit strategies to the latest projects from Zaha Hadid Architects with the firm’s director, Patrik Schumacher.

The day also included the official announcement of a new international alliance of academics, professional designers, hardware and software developers and digital fabricators. Born out of a regional organization known as Tex-Fab, the group will be called Digital Fabrication Alliance and offered a look at the kind of minds it will be bringing together at future events with a panel discussion with Phillip Anzalone, Anna Dyson, and Erik Verboon. Read on for AN‘s coverage of the day’s events:

Continue reading after the jump.

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Rescuing Johansen’s Mummers Theater

Newsletter, Southwest
Wednesday, February 15, 2012
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The Stage Center, formerly the Mummer Theater, in Oklahoma City (Courtesy smallarchitects.com)

The Stage Center, formerly the Mummer Theater, in Oklahoma City (Courtesy smallarchitects.com)

Amidst office towers in the heart of Oklahoma City sits an incongruous ensemble of multicolored boxes, tubes, concrete skywalks, and corrugated metal painted in shades of red, blue, orange, and chartreuse green. One cantilevered rectangle precariously perches at the edge of a swooping concrete form whose interior holds a theater in the round, once home to the Mummers Theater troupe. Architect John M. Johansen, of the so-called “Harvard Five,” completed the project for the Mummers in 1970, but the troupe folded just one year later. The building would go through several incarnations as a theater/arts center called Stage Center until a 2010 flood put it out of commission. Vandalism and decay ensued, and now the AIA Central Oklahoma chapter has put out an RFP for the renovation, hoping to spur design-world interest in their Save Stage Center Campaign.

Read More

Is Drawing Dead? Yale Searches for an Answer

Dean's List, East
Wednesday, February 15, 2012
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Panelists Greg Lynn, Preston Scott Cohen, and Marion Weiss. (Erik Herrmann)

Panelists Greg Lynn, Preston Scott Cohen, and Marion Weiss. (Erik Herrmann)

Is drawing dead? That was the burning question (and title) of last weekend’s symposium at the Yale School of Architecture, which assessed the contemporary state of drawing through three days of lectures and panels, with pen-and-paper proponents from across the architectural spectrum. This convergence of many great drawers past and present coincided with the recently opened exhibition Massimo Scolari: The Representation of Architecture, a largely drawing-based show on view through May 4 in the School of Architecture Gallery.

Continue reading after the jump.

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