Chicago Architecture Foundation Presents Bus Rapid Transit: Next Stop, Chicago

Midwest
Wednesday, June 6, 2012
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Courtesy Chicago Architecture Foundation

Bus Rapid Transit: Next Stop, Chicago
Chicago Architecture Foundation
224 South Michigan Avenue
Chicago, IL
Through October 2012

While construction is set to begin on the Jeffrey Boulevard Corridor this summer, the plans for the rest of Chicago’s Bus Rapid Transit (BRT) system are far from decided. The Chicago Architecture Foundation hopes to spur public interest and debate with its new exhibition Bus Rapid Transit: Next Stop, Chicago. Bus Rapid Transit emulates the qualities of a rail system while operating on mostly existing infrastructure. The system would bring dedicated bus lanes, traffic signal prioritization, pre-board payment, and arrival information displays to a few select routes connecting to Metra and CTA L stops in addition to other BRT lines.

Continue reading after the jump.

With Few Changes City Planning Passes NYU Expansion

East, Newsletter
Wednesday, June 6, 2012
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Mature trees on the DOT strips will be preserved. (Courtesy NYU)

Mature trees on the DOT strips will be preserved. (Courtesy NYU)

In a 12 to 1 vote this morning, City Planning approved NYU’s Core expansion plans for two superblocks in Greenwich Village designed by Grimshaw with Toshiko Mori and Michael Van Valkenburg. In slow and deliberative pace, City Planning Commissioner Amanda Burden read from a prepared text that included several aesthetic and few programmatic changes to the proposed plan. The new plan will reduced the size of the overall project from 2.47 million square feet to 2.1 million.

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Close Look at Columbia’s Manhattanville Public Spaces, and Its Clean Construction Practices

East
Wednesday, June 6, 2012
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(Images: James Corner Field Operations)

Thanks to state of the art green building technologies and a proactive clean construction plan, Columbia University’s 17-acre Manhattanville campus in West Harlem is set to become New York City’s first LEED-Platinum certified neighborhood plan. Columbia is successfully mitigating the environmental effects of the 6.8 million square feet of new construction that is currently underway on the former industrial site between 129th and 133rd Streets, Broadway and 12th Avenue, just north of the main Morningside Heights campus, by teaming up with the Environmental Defense Fund and carefully limiting the noise, dust, and soot that emanates from the site. The university has also released new renderings, showing the landscape and public spaces designed by James Corner Field Operations.  Read More

On View> Collab: Four Decades of Giving: Modern & Contemporary Design

East
Wednesday, June 6, 2012
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(Courtesy Philadelphia Museum of Art)

(Courtesy Philadelphia Museum of Art)

Collab: Four Decades of Giving
Modern and Contemporary Design
Philadelphia Museum of Art
26th Street and Benjamin Franklin Pkwy
Philadelphia, PA
Through Fall 2012

Few art institutions have design collections to rival the Philadelphia Museum of Art’s, thanks to the support of Collab, the Group for Modern and Contemporary Design at the museum. Since its founding in 1970, Collab has been an enthusiastic partner in the acquisition and promotion of modern and contemporary design. Spanning the history of design from 19th-century industrial arts to contemporary works, the collection showcases the history of design presented chronologically. From modernist furniture design by Charles and Ray Eames and Scandinavian designs by Alvar Aalto to post-modern designs of Ettore Sottsass (above), and contemporary work by Frank Gehry and Philippe Starck, these works showcase the unique support that Collab has given to the museum’s collection.

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Trends Are Coming

East
Tuesday, June 5, 2012
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A design for post-diluvian Bangkok by Thai-architects S+PBA

The Future is always a draw, especially if it comes with fresh croissants and coffee. And so some hundred or more AEC industry types showed up this morning for a smartly-packaged and wide-ranging keynote and panel called “A View from the Future,” organized by the Beverly Willis Architecture Foundation. The opening talk was by Edie Weiner, president of futurist trend consultants, Weiner, Edrich, Brown, Inc.

Continue reading after the jump.

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Richard Meier Retrospective to Debut in Mexico City

International
Tuesday, June 5, 2012
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High Museum, courtesy Richard Meier and Partners

Richard Meier Retrospective
The Museo de Arte Carrillo Gil
Revolución 1608, San Angel, Álvaro Obregón
Mexico City
Through August 26

The Museo de Arte Carrillo Gil will present a retrospective of the Richard Meier’s most emblematic works. The exhibition includes artifacts from throughout Meier’s career, including models, original sketches, renderings, and photographs. Iconic projects such as the Smith House, The Getty Center, and the High Museum of Art will be exhibited. Read More

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PALI TALKS ABOUT ACADEMY MUSEUM

West
Tuesday, June 5, 2012
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May

As we reported last week, Zoltan Pali and Renzo Piano were tagged to design the Academy of Motion Picture Arts and Sciences’ new film museum inside LA’s former May Company Building. We recently caught up with Culver City-based Pali, principal of SPF:a, to discuss the project. It’s still early, so he couldn’t give many details, but he did share some Twitter-sized kernels about his approach and his upcoming collaboration. Read More

Slideshow> The Barnes’ Textured Details

East
Tuesday, June 5, 2012
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Detail of OLIN's graphic landscape treatment.

Detail of OLIN's graphic landscape treatment.

The reviews are in and now it’s time to book a ticket and check out the new Barnes Foundation museum in Philadelphia designed by Tod Williams Billie Tsien Architects. I took a road trip over the weekend and was struck by the amount of texture and richness of the materials used throughout. The carved limestone, deep wood tones, and burlap seem to take cues from Barnes’ superb African mask collection. Regardless of where one comes down on the controversial move to the Ben Franklin Parkway, there is no denying the level of detail and workmanship that went into the project.

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On View> Ends of the Earth: Land Art to 1974

West
Tuesday, June 5, 2012
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(Patricia Johanson)

(Patricia Johanson)

Ends of the Earth: Land Art to 1974
The Geffen Contemporary at MOCA
152 North Central Avenue
Los Angeles, CA
Through September 3

The Land Art movement emerged in the 1960s as a mode of expression that used the earth as a medium and removed art from traditional context of galleries and museums. Focusing on the early years of experimentation to the mid-1970s when Land Art became an institutional category, Ends of the Earth will provide historical context to the movement. The exhibition reveals the movement’s social and political engagement, understanding Land Art as a media as well as sculptural practice shaped by language, photography, film, and television. Works by more than 80 international artists and projects will be on display, including Michael Heizer’s renowned work Double Negative (1969–70) from MOCA’s permanent collection. An illustrated catalogue accompanies the exhibition, featuring reflections from curators, critics, and dealers who contributed to Land Art and its development in the 1960s and ’70s as well as contemporary scholars who position Land Art in the critical discourse of today.

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Artists Reimagine Watertowers As Urban Light Catchers

East
Monday, June 4, 2012
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(Robert Banat)

(Robert Banat)

On the night of June 3rd, 2012, Tom Fruin’s newest sculptural artwork, Watertower, was installed on a rooftop near the Manhattan Bridge in DUMBO. The colorfully constructed Watertower features approximately a thousand pieces of foraged plexiglass mounted on a steel skeleton. The monumental patchwork of colored glass also includes an interior and exterior ladder and an operable roof hatch. The great amount of plexiglass used for the piece, which measures 25 feet in height and 10 feet in diameter, was collected all throughout New York City. The use of recycled materials is not new to Tom Fruin Studio, as Watertower is the fourth scavenged artwork of the “Icon” series dedicated to creating tributes to the world’s architectural and sculptural icons using reclaimed materials. Read More

Could the Grand Avenue project be coming back to life?

West
Monday, June 4, 2012
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An early rendering of The Grand (Related Companies)

Frank Gehry and Related Companies’ left-for-dead Grand Avenue project in Downtown LA (now known as “The Grand”) may be getting a new lease on life, reports the LA Times. The $3 billion, mixed-use development, which includes condos, hotels, shops and a 12-acre park (Grand Park, which is opening this summer), was supposed to begin construction in 2007, yet no shovel has touched earth, at least not for a building. But now Related is reportedly rethinking the project’s “luxury aspirations,” toning down some of the most expensive elements and lowering rates on condos to get things moving. “We still believe we can create some of the highest values downtown….But do I think we have to be a little bit less ambitious? Yes, I would agree with that,” Related president Bill Witte told the Times. He would not comment on whether Gehry’s wavy towers would remain, but Witte did say that the project’s “dimensions, scope and scale” could be adjusted. Meanwhile Grand Park’s web site doesn’t provide a definitive completion date, so stay tuned for more on its opening.

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Who Knew: A Showhouse on the Lower East Side

East
Monday, June 4, 2012
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The BOFFO show house in the Madison Jackson brings a host of designers downtown. (Susan Morris)

The BOFFO show house in the Madison Jackson brings a host of designers downtown. (Susan Morris)

BOFFO is an arts and culture non-profit fostering collaborations between artists, designers, communities, and theorists to inform and engage the public in participatory arts programs. In late May, it launched a show house at a Lower East Side public school building turned apartment house, called The Madison Jackson. It turned out to be a clever draw getting people to a neighborhood that is lower and farther east than more popular sections of the LES. I speak from familiarity as I live in a perch overlooking the venue.  The glam show house is unusual for a neighborhood comprised largely of public housing blocks next to tall towers that formerly were union cooperatives and as close to socialist housing as we’ve had in NYC.

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