Currents 35: Tara Donovan
Milwaukee Art Museum
700 North Art Museum Drive
Through October 7
The work of Tara Donovan demands close reading. By using strict rule-based systems, Donovan accumulates individual pieces of material into installations that defy easy identification. Milwaukee Art Museum chief curator Brady Roberts explains, “Donovan’s process involves selecting one material and finding one unique solution for its construction, whether it’s folding, gluing, stacking, or pressing.” Taking cues from 1960s conceptual artists like Donald Judd and Sol LeWitt, whose works rely on rule-based processes, Donovan obscures her quotidian materials to compose spectacular objects. The exhibition includes several major works including Haze, a 32-foot wall covered in approximately three million straws, Unititled, 2008 on polyester film (detail, above), and Drawing (Pins), 2011 composed of gatorboard, paint, and nickel-plated steel pins.
The Southern California chapter of the Society of Architectural Historians (SAH) recently capped off a Ray Kappe-focused weekend with a home tour around Kappe’s many Sherman Oaks homes. As part of the series, The Architect’s Newspaper got a chance to peek inside one of Kappe’s earliest works, the Dr. and Mrs. Robert Hayes House.
Over the weekend, the New York Daily News broke the story that the Brooklyn-based developer Two Trees would be buying the Domino Sugar Factory site on the Williamsburg waterfront. Responsible for developing the DUMBO neighborhood into a mix of galleries, retail, residential, and offices, Two Trees seems to have set its sights farther north. The company’s Wythe Hotel, a renovated textile factory located at Wythe Avenue and North 11th Street in Williamsburg, has been doing brisk business since opening in May. The Domino site, which contains landmarked buildings, sits several blocks south. Read More
Edward Burtynsky: Oil
Nevada Museum of Art, Feature Gallery South
160 West Liberty Street, Reno, NV
Through September 23
One of the most important topics of our time, oil and its industry serve as the departure point for the work of one of the most admired photographers working today. From 1997 through 2009, Edward Burtynsky traveled the world chronicling oil, its production, distribution, and use. Through 50 large-scale photographs, Burtynsky illustrates stories about this vital natural resource, the landscapes altered by its extraction, and the sprawl caused by the development of infrastructure needed to transport it. Behind the awe-inspiring photography is an epic tale about the lifeblood of mankind’s existence in the 21st century. Curated by the Center for Art + Environment, Oil forces the viewer to contend with the scale and implications of humanity’s addiction to energy.
Judith Turner: The Flatness of Ambiguity
University of Michigan Museum of Art
525 South State Street
Ann Arbor, MI
Opening June 14
Judith Turner’s photographs are the subject of the University of Michigan-Museum of Art’s new exhibition The Flatness of Ambiguity. Turner’s work captures architecture through an intense editing process where architecture is reinterpreted through unusual views. Operating from severe angles, the photographs capture the buildings in black-and-white compositions that play with the ambiguity of light, shadow, and tonality. Cropping them to further pull the buildings from their context, Turner abstracts the built landscape, transposing buildings into often unrecognizable flat artworks. Turner’s highly abstract signature style heightens the aesthetic character of her subject matter and reveals visual relationships that are not apparent when experiencing the building in traditional ways, in person or in photographs. This exhibition consists of approximately forty works, which span Turner’s three-decade-long career.
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A new installation at the NY Hall of Science celebrates DIY culture
The recently opened Maker Space at the New York Hall of Science is just what its name implies—a place to make things. The initial installation is by Singer Sewing Company, which donated 18 sewing machines, a garment steamer, finishing iron, and other equipment that will teach children and families the basics of sewing and quilting. Programming will also include workshops about conductive fabrics and soft circuits that can be used in a range of applications. The space is a symbol of work that can come out of fostering a culture of scientific learning through hands-on projects. Designed and fabricated by Brooklyn-based Situ Studio, the Maker Space itself is contained within a plywood 3-pin arch structure based on themes of craft and assembly.
On Monday at the Society for Information Display’s Display Week trade show in Boston, Corning Inc. launched their new high-performance, paper thin, cost effective, and fully flexible Willow Glass. Capable of being manufactured with efficient roll-to-roll processing, like that used for newsprint, and processed at up to 500° C, Willow glass is sure to usher in a new wave of development in displays, lighting, and flexible solar cells. Read More
Bruno Cals: Horizons
511 West 25th Street #607
Through September 28
For city dwellers, the horizon line where the earth meets the sky can be impossible to find, hidden by the topography of the skyline. By pointing his camera upward, Bruno Cals repositions the horizon and reframes the built environment in terms of landscape itself. Cals deliberately obfuscates the subjects of his series; the photographs read not as structure but as texture and line.
Beating out shortlisted competition including John Friedman Alice Kimm and Brooks+Scarpa, Italian firm Studio Fuksas has been awarded the commission to revamp the Beverly Center, the legendary (not to mention, ahem, aesthetically challenging) high end shopping mall in Beverly Hills. The job, overseen by Michigan-based developer Taubman Group, calls for revamping a building that has become tired both inside and out. Read More