Archtober Building of the Day #3: Seven World Trade Center

East
Monday, October 3, 2011
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Seven World Trade Center at right.

Seven World Trade Center at right. (Courtesy Center for Architecture)

The view from LaGuardia Place includes the symphony of Skidmore, Owings & Merrill’s 7 World Trade Center at 250 Greenwich Street and its ever-rising companion, One World Trade Center, beyond. I see the buildings every day from the Center for Architecture, and have become a fan of 7 WTC’c magical properties, both geometric and optical. It is a building made out of reflections, refractions, inflections, and colors, expressed in glass and stainless steel.

Continue reading after the jump.

Architects Say the Darndest Things

West
Monday, October 3, 2011
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UC Irvine Comtemporary Arts Center by Ehrlich Architects. (Courtesy Ehrlich Architects)

UC Irvine Comtemporary Arts Center by Ehrlich Architects. (Courtesy Ehrlich Architects)

If you’ve ever wanted to know more about LA’s architects than the results of their projects in steel and stone, check out Success By Design by writer and photographer Jenn Kennedy. The book profiles 25 of them, including Steven Ehrlich, Barton Myers, Ray Kappe, the late Stephen Kanner, and Hodgetts + Fung. Architects divulge all sorts of secrets like Myers’ insecurities about getting upstaged by students; Art Gensler’s original desire to start a “small” firm (his firm, Gensler, has over 2,000 employees); Randy Peterson of HMC’s amazing lack of free time; Kanner’s struggles with fees; and Kappe’s surprising facility with the business end of architecture. The book recently launched its digital version and a web site. See some interesting quotes below.

Continue reading after the jump.

October is for Architecture in Los Angeles, Too!

West
Monday, October 3, 2011
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Westwood Village (here shown in the early 20th Century) will be the topic of the panel Curse and Vision on October 10.

New York isn’t the only city celebrating Archtober. In Los Angeles, October has officially been “Architecture Month” since Mayor Villaraigosa declared it so back in 2007. The AIA/LA hopes the month-long festivities will help to “educate the public about architecture and architects, celebrate the profession and encourage the dialogue between those interested in the built environment.”

Check out the highlights after the jump.

Manny Hanny Back in Spotlight

East
Monday, October 3, 2011
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MANUFACTURER’S TRUST COMPANY, FIFTH AVENUE, SKIDMORE, OWINGS & MERRILL, NEW YORK, NY, 1954 GELATIN SILVER PRINT © EZRA STOLLER, COURTESY YOSSI MILO GALLERY, NEW YORK

Manufacturer Hanover building as photographed by Ezra Stoller. (Courtesy Yossi Milo/ESTO)

Renovations by Vornado Realty to the Manufacturers Hanover Trust building were brought back into the spotlight Wednesday after a  New York Times article quoted an email exchange between a former Landmarks commissioner Meredith Kane and Landmarks staff. Kane is now legal counsel for Vornado. The article was mentioned during court proceedings before State Supreme Court Justice Lucy Billings. Last Friday in court, Maria T. Vullo, Vornado’s rep, suggested that a request for more correspondence between Vornado and Landmarks was akin to a “fishing expedition.” She added that all correspondence pertinent to the case  had already been provided to Michael Gruen. the lawyer representing the petitioners in the case, the Citizens Emergency Committee to Preserve Preservation (CECPP).

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An Education: Zaha Hadid wins the Stirling Prize

International
Monday, October 3, 2011
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Zaha Hadid's Evelyn Grace Academy. (Courtesy Zaha Hadid Architects)

Zaha Hadid's Evelyn Grace Academy. (Courtesy Zaha Hadid Architects)

A South London state-funded school is a far cry from an international exhibition center, but in the last two years the annual Stirling Prize, organized by the RIBA, has recognized Zaha Hadid’s designs for both as exceptional examples of British architecture. This year’s winner, the Evelyn Grace Academy in Brixton was the London-based practice’s second consecutive win after last year’s prize for the enigmatic Maxxi Museum in Rome. Hadid’s design was up against a swathe of accomplished competitors including Hopkins’ London Olympics Velodrome, the Royal Shakespeare and Swan Theatres in Stratford by Bennetts Associates and Chipperfield’s Folkwang Museum in Essen, Germany.

Continue reading after the jump.

Archtober Building of the Day: Morgan Library and Museum

East
Sunday, October 2, 2011
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Renzo Piano's addition at the Morgan Library, 36th and Madison, NYC (Courtesy Frederick Charles/Esto)

Superlatives swirled in every account of the 2006 opening of the expansion of the Morgan Library and Museum, designed by Renzo Piano with Beyer Blinder Belle. Nicolai Ouroussoff teed up: “dazzling,” “sublime,” “triumph,” and “mesmerizing” (New York Times, April 10, 2006). The AIANY jury feted it with its Architecture Honor Award in 2006, calling it “a masterpiece” (Oculus, Fall 2006).

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Archtober Building of the Day: Center for Architecture

East
Saturday, October 1, 2011
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The Center for Architecture, 536 LaGuardia Place, NYC

At the intersection of trade and art, practice and expression, between Bleecker and West Third Streets, in the middle of a unique three-block stretch, aptly named a “Place,” fronting grand superblocks of New York University, with its descending jutting voids the opposite of Breuer’s overhead solids at the Whitney, lies the Center for Architecture.  The Center is home to the New York Chapter of the American Institute of Architects (AIANY) and the Center for Architecture Foundation.  The 12,000 square feet of galleries-as-meeting-spaces (and meeting-spaces-as-galleries) burrow two stories underground from the sidewalk level.  A cut-away section lets the speakers at the podium the lowest-level Tafel Hall, the centerpiece of the ensemble, look up from their notes and see passers-by looking back.  The life of the city, connected, to the discourse on architecture.

Each “Building of the Day” has received a Design Award from the AIA New York Chapter.  For the next 30 days—Archtober—we will write here about the architectural ideas, the urban contexts, programs, clients, technical innovations, and architects that make these buildings noteworthy.  This is a personal account.  Daily posts will track highlights of New York’s new architecture.

Read more at www.archtober.org/blog.

Buildings=Energy exhibit to kickstart Archtober!

East
Friday, September 30, 2011
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Anthony Fieldman of Perkins + Will discusses his firm's energy-conscious building design. Courtesy of Center for Architecture.

In New York City, buildings account for almost 80 percent of greenhouse gas emissions and 95 percent of electricity use. It was these facts like these that prompted the Center for Architecture to further investigate the urban energy crisis and display the findings–and potential solutions–in an exhibit entitled Buildings=Energy.

The exhibit, which opens on the evening of October 1st, explores how important choices made by designers, planners, architects, and building occupants can positively affect energy consumption in our cities. One such example featured in the exhibition is a model building designed by the firm Perkins+Will, whose proposal demonstrates the significance of site planning, materials, programs and their affects on energy costs. For instance, as firm principal Anthony Fieldman explains, tilting the exterior glass by only 10 degrees towards the street prevents a substantial amount of solar heat gains, saving the building on cooling costs throughout the summer months.

Continue reading after the jump.

On View> Sacred Spaces in Profane Buildings

East
Friday, September 30, 2011
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(Courtesy SFAA)

A Gucci store converted into a synagogue. (Courtesy SFAA)

SACRED SPACES IN PROFANE BUILDINGS
Storefront for Art and Architecture
560 Broadway
Through November 5

How do we practice our religions, beliefs, or spiritual ideas in New York City outside of established churches, synagogues, and mosques? In the newest exhibit at the Storefront for Art and Architecture, architect and researcher Matilde Cassani explores how we celebrate and observe our beliefs in unconventional spaces: converted shops into prayer spaces, apartments turned into churches, and sidewalks into chapels. Cassani invited New York residents to submit photographs and descriptions of local places of worship to create an online archive, with highlights selected for the Center’s exhibition, such as the photograph of the Soho Synagogue converted from a Gucci store above, by John Hall.

More images after the jump.

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Quick Clicks> City Atlas, Boathouse Retouch, Urban After Dark, Seasonal Seoul

Daily Clicks
Friday, September 30, 2011
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City Atlas web site. (Courtesy City Atlas)

City Atlas web site. (Courtesy City Atlas)

The City Atlas. The City Atlas is a new online project that seeks to create a platform to share collective imagination that is grounded on past and current accomplishments yet aimed at the future. Check out their website here.

Don’t Remove, Retouch. This beautifully renovated Norweigian boathouse is still technically un-new. Norwegian architects TYIN tegnestue was committed to reuse as much physical material as possible during the renovation. Images at WorldArchitectureNews.

Urban After Dark. According to Chuck Wolfe at myurbanist, a city’s true success is best measured at night (hence the quote “cities, like cats, will reveal themselves at night”).

Seasonal Sedum. Check out these twelve staggered living roofs in Seoul designed by Joel Sanders Architect in cooperation with Haeahn Architecture. The roofs are planted with flowers (sedum) that bloom at different times of the year– resulting in changing, seasonal landscapes. See the images on Inhabitat.


Morphosis’ Museum of Nature & Science Facade: Gate Precast

Fabrikator
Friday, September 30, 2011
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Brought to you with support from:
Fabrikator
Fabrikator Brought to you by:

Striated precast panels clad the facade (Bob Borson)

A new cultural focal point takes shape in Dallas

When the Dallas Museum of Nature & Science was created from the 2006 merger of three city museums—the Museum of Natural History, The Science Place, and the Dallas Children’s Museum—the new institution set its sites on expanding programming with a new facility in the city’s Victory Park neighborhood. Now, the 180,000-square-foot Morphosis-designed Perot Museum of Nature & Science is slated for completion in 2013. Located at the northwest corner of Woodall Rodgers Freeway and Field Street, it marks the future crossroads of the city’s Trinity River Corridor Project and the city’s cultural districts. Floating atop an irregularly shaped plinth that will be the base for a one-acre rooftop ecosystem, the museum’s striated concrete facade offers a first glimpse at the dynamic transformation of the site.

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Spotlight> EXD’11 Lisbon Design Biennale Opening Week

International
Thursday, September 29, 2011
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(Courtesy Lisbon Design Biennale)

An Image from the exhibition Utilitas Interrupta (Courtesy Lisbon Design Biennale).

EXD’11 Lisbon Design Biennale Opening Week
September 28–October 2

“Useless,” the theme of Lisbon’s the sixth design biennale organized by Experimentadesign, grew out of a desire to explore what the term “useful” means today. A number a guest-curated exhibitions form the backbone of the event: for Sidelines, design historian Emily King considers the motivations behind collecting art and objects, deploying Lisbon’s museums to display an eclectic series of private collections; in Utilitas Interrupta, Joseph Grima, editor of Domus, asks what abandoned infrastructure and its implements (above) say about our society. These shows run through November, but opening week highlights also include a series of lectures by design scene fixtures like Hans Ulrich Obrist and Zoe Ryan, as well as a specially organized film series.

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