Robert Adams: The Place We Live
Los Angeles County Museum of Art
5905 Wilshire Blvd., Los Angeles
Through June 3
In his 45 years photographing the American West, Robert Adams has documented the evolution of landscape and our relationship to it. In response to the rapid development of his surroundings in Colorado Springs and Denver, Adams began photographing a landscape marked by tract housing, highways, and gas stations. His photographs, Adams says, “document a separation from ourselves, and in turn from the natural world that we professed to love.” Nearly 300 prints showcase Adams’ career, from his early shots of Colorado’s desolate terrain to his recent works documenting migrating birds in the Pacific Northwest, with special focus on his portrayal of the Los Angeles region.
Archizines, an exhibition of contemporary, small architectural magazines from around the world, is on view at Storefront for Art and Architecture through June 9. The traveling show includes a range of small, ‘experiemental’ publications, from the always entertaining Evil People in Modernist Homes In Popular Films and Fresh Meat, to the more ephemeral New City Reader and Another Pamphlet, and even some hi-fi productions such as CLOG, Beyond, and Volume. In conjunction with the exhibition was a two day symposium April 20 and 21, addressing this unique sliver of the publishing industry and surveying its present and future relevance. Read More
An avid cyclist plans to bring his passion for bike racing to Brooklyn Bridge Park. Joshua Rechnitz announced Thursday that his nonprofit, the New York City Fieldhouse, will build a $40 million multi-purpose recreation center on the inland edge of the park bordering the BQE. Now occupied by a deteriorating industrial building used for storage by the Brooklyn Bridge Park Corporation, the new facility designed by Thomas Phifer and Partners will include a modern velodrome along with space for a variety of other recreational activities.
The results are in and the winners of the 31st annual Architectural League Prize for Young Architects + Designers were announced on Friday. The recipients of the 2012 awards are: Jorge Arvizu, Ignacio del Rio, Emmanuel Ramirez, and Diego Ricalde, MMX Studio, Mexico City; Jimenez Lai, Bureau Spectacular, Chicago; Sean Lally, WEATHERS / Sean Lally, Chicago; Seung Teak Lee and Mi Jung Lim, STPMJ, Brooklyn; Michael Szivos, SOFTlab, New York; and Koji Tsutsui, Koji Tsutsui & Associates, San Francisco and Tokyo. Formerly the Young Architects Forum, the League Prize is considered one of North America’s most prestigious awards for young architects.
Until about the mid 20th century, there was a tradition for New York’s urban landscape painters to split time between New York and Paris. It was not uncommon for collectors to hang dual streetscapes side by side. It’s surprising then to see the digitally inflected work of Robert Neffson tweak the tradition for the 21st century. Neffson’s paintings of 57th Street and Notre Dame embrace a multimedia studio process for hyperrealistic results.
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New learning center gives an in-progress look at lightweight structural design
Construction is underway on the first academic facility in almost two decades to be built on the Claremont, California, campus of Harvey Mudd College. Designed in 1956 by Edward Durrell Stone, the 39-acre school is a private engineering, science, and math institution, which is planning for growth in the coming decade.
“A lot of their current classrooms are underground so they were literally wanting to bring these into the light,” said Amy Donohue, a principal at Boora Architects. The Portland-based firm has designed a new 70,000-square-foot Teaching and Learning Center to create a bridge between academic facilities located to the west and dorms to the east. Though the design emphasizes transparency, energy efficiency, and a range of academic and social functions, a unique bi-axial hollow slab structural system concealed in the building’s concrete will have one of the greatest impacts on reducing material use as it targets LEED Platinum certification.
The building of a proposed neighborhood symbol on the corner of Sunset and Santa Monica Boulevards in Silver Lake has been pushed back due to lack of funds. After winning the Envisioning Silver Lake competition last summer, LA firm ALLTHATISSOLID (ATIS) has been working with the city’s Bureau of Street Services (BSS) to scale back and refine the design, called “Bloomrs,” to fit the $100,000 budget with room for curbing and other street improvements included. The saddle-shaped structure, made of Cor-ten steel, has already been re-designed to occupy a smaller footprint and rises to a shorter height.
Fred Sandback: Decades
525 West 19th Street
Through April 21
The drawings and sculptures of Fred Sandback are the subject of a new exhibition at New York’s David Zwirner gallery. The projects are arranged by decades, representing distinct periods in the artist’s career, spanning the years 1969 to 2000. Sandback created minimalist sculptures out of simple materials in response to the architecture of specific interiors. Installations made from thin lengths of material redefine spaces, creating objects and planes by simply implying their outlines. On display are early works from the 1960s made of metal wire and cord, permutational works of the ’70s, and reliefs and site-specific projects from his late career. Drawings are included, like 16 Variationen von 2 Diagonalen Linien 1972 (above), plus the Zwirner gallery has reconstructed the interiors of Galerie Heiner Friedrich, the Munich space for which many of Sandback’s works were designed. A rare copper wire sculpture, Proposal for Heiner Friedrich, Munich, Six Rectangles, Copper Wire (Sculptural Study), spans three rooms and is a highlight of the show.