Space and Time Expanding at Yale Art Gallery

East
Tuesday, May 15, 2012
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Yale University Art Gallery (left to right: Louis Kahn building, Old Yale Art Gallery building, Street Hall). (Christopher Gardner)

Yale University Art Gallery (left to right: Louis Kahn building, Old Yale Art Gallery building, Street Hall). (Christopher Gardner)

Few university art museums have holdings that span from 3000-year old Chinese bronze vessels to bronze coins of the Roman emperor Marcus Aurelius, and from the blue-tiled gates of ancient Babylon to Blam, a red, white, and blue oil painting by Roy LichtensteinThe collections of the Yale University Art Gallery, both deep and wide-ranging, offer up an impressive art-fueled time machine, and thanks to the Gallery’s current expansion project by Ennead, visitors will be able to travel more easily than ever across history and cultures.

Continue reading after the jump.

Unveiled> SOM’s Latest Supertall Building in China

(Courtesy SOM)

(Courtesy SOM)

A “supertall” building is one which tops out at over 1,250 feet. Right now, there are 18 completed supertall buildings and 21 under construction. Chicago-based architects Skidmore, Owings, and Merrill (SOM) will break ground on Tuesday on the 1,740-foot-tall CTF Tower in Tianjin, China. It will be the tenth supertall building to begin construction for SOM, the most of any firm in the world. The building is a carefully-crafted design which deliberately merges structural challenges with program and form.

Continue reading after the jump.

Casting Bogardus Plaza in an Architectural Light

East
Monday, May 14, 2012
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Bogardus Plaza. (Branden Klayko / AN)

Bogardus Plaza. (Branden Klayko / AN)

It’s not every day that architects get a public space named after one of their own, but tucked away in Lower Manhattan is a small pedestrian plaza named after one of the most important 19th-century architects around. Bogardus Plaza occupies one block of Hudson Street on the corner of Chambers Street and West Broadway only a few blocks from AN headquarters and is named from James Bogardus (1800-1874), the inventor of the cast-iron building, and last week the plaza received a fresh coat of gravel-epoxy paint.

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On View> The Outdoor Office at the Art Institute of Chicago

Midwest
Monday, May 14, 2012
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The Outdoor Office. (Courtesy AIC)

The Outdoor Office. (Courtesy AIC)

The Outdoor Office
The Art Institute of Chicago
111 South Michigan Avenue
Chicago
Through July 15

Jonathan Olivares takes a human-centered approach to industrial design and research. His 2011 book A Taxonomy of Office Chairs, published by Phaidon, provides an encyclopedic history of the office chair from 1840 to present day; building on this research, Olivares presents the speculative project The Outdoor Office (above). The advent of mobile communication means that work can be done outside of traditional offices and that the utility of outdoor space is no longer limited to recreation and leisure. Olivares examines how productive work environments can be created with new types of outdoor furniture and architecture, with consideration of privacy, shelter, and adaptability. The exhibition showcases the research and results of his findings, with images drawn from television, film, and existing offices, in addition to conceptual projects and models developed for new outdoor work spaces.

Dispute Could Doom John Johansen’s Iconic Mummers Theater

Southwest
Friday, May 11, 2012
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John Johansen's Mummers Theater in Oklahoma City. (Courtesy of Farooq S. Karim)

John Johansen’s Mummers Theater in Oklahoma City. (Courtesy of Farooq S. Karim)

John Johansen’s iconic Mummers Theater in Oklahoma City may be demolished in the next year. Built with a $1.7 million grant from the Ford Foundation, the so called “Brutalist” building was closed in 2010 due to flooding and a local Oklahoma City group has been trying to purchase it for a downtown children’s museum.

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LA Firm Layer Stretching Lightness Across So Cal

West
Friday, May 11, 2012
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Layer's upcoming "A Loose Horizon," at PMCA.

Layer's upcoming "A Loose Horizon" at PMCA. (Courtesy Layer)

Los Angeles firm Layer (you may remember some of their past work) are showcasing their talents once again with an upcoming exhibit at the Pasadena Museum of California Art (PMCA). Opening June 3, the show, entitled Layer: A Loose Horizon is designed as a low-relief, web-like sculptural installation that begins outside the museum’s second floor window and continues into the interior of the building, across the lobby.

The series of overhead shapes “explores the threshold between perception and logic,” and creates “a physically engrossing and intellectually stimulating spatial construction,” according to the PMCA.

Check out another Layer installation after the jump.

Report Live from Megaprojects Conference

East
Friday, May 11, 2012
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The Megaprojects Conference features Hudson Yards as a "Megaproject for the 21st Century" (Courtesy Related)

The conference features Hudson Yards as a "Megaproject for the 21st Century" (Courtesy Related)

AN was live blogging from the Megaprojects Conference at the McGraw Hill Conference Center on May 11. The conference/symposium, sponsored by Columbia University’s Center for Urban Real Estate, took a close look at a few of New York’s biggest real estate projects. The World Trade Center, Hudson Yards, and Times Square. London’s Docklands was also discussed.

5:00PM

The panel from Hudson Yards was the last up at today’s conference, though Related’s Stephen Ross, who sat on an earlier panel was no longer in the house. Oxford Properties’ Dean Shapiro estimated that the project would be completed over the course of two economic cycles. MTA’s real estate director Jeffrey Rosen once again echoed the Port Authority transit theme with “Our paramount concern is running the rail road.” Rosen said that flexibility needs to be a part of any plan, adding that the High Line was not even on the radar when Hudson Yards planning began. As a result the project’s anchor tenant was a luxury fashion company.“Who would’ve thought that this would become Meatpacking North,” he said.

Vishaan Chakrabarti who opened the conference with the statement, “Cities can cure many of the world’s ills” closed the session by explaining how and why. He said major private investment needed to be paired with greater public flexibility and more investment at the federal level. He added that a more nimble public process (that’s you, ULURP) needed to be figured out. “We’re taking too long to build these kind of projects,” he said. But then he zeroed in on the major plus of the megaprojects. “They can address the alarming rate of suburbanization,” he said. “The only way to mitigate that is far denser urbanization with transportation.”

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Fabricating New Solar Skins

Fabrikator
Friday, May 11, 2012
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Brought to you with support from:
Fabrikator
Fabrikator Brought to you by:

A rendering of Martin Ferrero's new BIPV concept

Research into flexible active skins opens up new BIPV possibilities

As building integrated photovoltaic (BIPV) technology becomes more advanced, architects are getting involved in how new systems affect not only a building’s performance, but also its appearance. “The photovoltaic industry was until now largely developed by engineers,” said Daniel Martín Ferrero, a Madrid-based architect researching solar design. “The architect must enter the industry to develop their integration into the urban scene.” Ferrero has launched a new company named The New Solar Architecture with a goal of bringing a higher level of design to solar energy-producing facades.

Watch a video of the system

First Look at NBBJ’s New Amazon Complex in Seattle

West
Thursday, May 10, 2012
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An early design rendering of Amazon's Block 20.

An early design rendering of Amazon's Block 20.

The largest development proposed in the history of downtown Seattle—an approximately 3 million square-foot headquarters for Amazon—may take eight years to complete. Project details presented at a recent downtown design review committee meeting revealed that Amazon’s glassy three block project, designed by NBBJ (designers of the recently-c0mpleted Gates Foundation, also in Seattle), will be built in three phases of two to four years.

Continue reading after the jump.

Inside the MOMA PS1 Performance Dome

Other
Thursday, May 10, 2012
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Walking into the large, egg-like structure of the MoMA Ps1 Performance Dome, the German electronic band Kraftwerk’s song “Man-Machine” was the perfect accompaniment to the architecture.  Their music represents the kind of progressive attitude towards materials (instruments) and aesthetics (sounds) that is captured perfectly in the temporary structure.  A shiny, white, geodesic dome reminiscent of fellow early techno-fetishist Buckminster Fuller, the space features a super-high-fidelity sound system, 8 screens projecting various computer art, and not much else. It is the ideal pairing of minimalism and technology with Kraftwerk’s slick electronic melodies. Read More

Mark Robbins, Dean of Photography

East, Shft+Alt+Del
Thursday, May 10, 2012
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Mark Robbins.

Mark Robbins.

Syracuse University’s School of Architecture will need a new dean before summer. New York City’s International Center of Photography (ICP) has announced that Mark Robbins the current dean of the school will become its next Executive Director. Robbins worked tirelessly to utilize Syracuse’s intellectual and design resources to bring life and new ideas to the dying college city and will be hard for the school to replace. But perhaps his skill at jump starting building projects will be useful in helping ICP find a new Manhattan gallery space befitting their mission and world class collection. Robbins will move out of his dramatic Syracuse bank townhouse and back to his hometown by July 1.

Childs vs. Durst: WTC’s Stripped Spire Stokes Controversy

East, Newsletter
Thursday, May 10, 2012
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The SOM spire at left and the Durst/Port replacement at right. (Courtesy SOM/Durst)

The SOM spire at left and the Durst/Port replacement at right. (Courtesy SOM/Durst)

The Durst Organization and the Port Authority have decided to abandon designs for what they once assured the public would be the tallest building in the Western Hemisphere, and architect David Childs of SOM is fighting back. By stripping away the sculptural finishes designed by SOM with artist Kenneth Snelson the developers and the Port may no longer qualify for the tallest title bestowed by the Council of Tall Buildings and Urban Habitat, the body that tallies and ranks building heights.

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