Miami of Ohio’s Talent Pool

Midwest
Monday, October 10, 2011
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An old pool transformed into art studios at Miami University in Oxford, Ohio (all photos: Ken Schory).

Miami University in Oxford, Ohio is building a new student center, and it’s old arts center stood in the way. So in the process of relocating the facility, the university settled on a plan to transform an old natatorium into a new art center. The old natatorium, designed by Cellarius & Hilmer Architects in 1960, had good bones and large light-filled spaces, classic elements of art studio conversions. Working within the confines of the old building, Dayton, Ohio-based Annette Miller Architects transformed the pool building into an education facility, called Phillips Hall, housing a wood shop, ceramic, painting, and photography studios, as well as faculty offices. Read More

Archtober Building of the Day #7: IAC Headquarters

East
Friday, October 7, 2011
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Frank Gehry's IAC Building in Manhattan. (Drew Dies / Flickr)

Frank Gehry's IAC Building in Manhattan. (Drew Dies / Flickr)

IAC Headquarters
550 West 18th Street
New York, NY

The IAC Headquarters is Frank Gehry’s first building in New York. Neither a symphony hall nor an art gallery clad in riveting titanium that creates its own economic system, it is rather a diminutive swell of faceted glass with a graded white frit. Compared to most big-name office buildings, the IAC is built at a much more personal scale. Built as-of-right and opened to little in the way of the usual starchitect fanfare, some might notice it’s hard to find the front door. What you may not know, however, is how bird friendly the building is.

Continue reading after the jump.

Proposal Transforms Park Space Under the Manhattan Bridge

East
Friday, October 7, 2011
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(Courtesy HAO)

(Courtesy HAO)

Let’s face it, outside of Central Park, Manhattan isn’t known for its abundance of open space. This is beginning to change, however, as in this increasingly innovative architectural age, people are looking to odd, underutilized remnants in the city, from abandoned rail lines to decrepit industrial buildings and toxic waterfronts to create the next amazing public space. One such space sits just beneath the Manhattan Bridge, where Architecture for Humanity has secured a grant and invited nine design firms to take on Coleman Oval Skate Park. Holm Architecture Office (HAO) with Niklas Thormark has taken on the challenge and revealed their program-driven proposal.

Read more after the jump.

2011 Jane Jacobs Medalists Champion City Life

National
Friday, October 7, 2011
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As we all know, Jane Jacobs was a visionary urban activist and author, whose 1961 publication of The Death and Life of Great American Cities had a tremendous impact on how we think about cities and urban planning today. She challenged prevailing assumptions in urban planning at a time when slum-clearing was the norm and emphasized the intricacies and sensitivities of an urban fabric. In 2007, the year after Jacobs died, the Rockefeller Foundation launched the Jane Jacobs Medal, an annual award given to those who stand by Jacobs’ principles and whose “creative uses of the urban environment” renders New York City “more diverse, dynamic and equitable.”

Read about this year’s winners after the jump.

Sukkah STL: A Contemporary Twist on Ancient Tradition

Midwest
Friday, October 7, 2011
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60 Degree Sukkah by Filip Tejchman

60 Degree Sukkah by Filip Tejchman

Ten Sukkahs—small temporary structures built for the Jewish festival of Sukkot—will be on display at Washington University in St. Louis. The ten winning projects, by architects and designers from across the country, were chosen out of a group of 40 competition entries. Sukkot recognizes the struggle of the Israelites’ exodus from Egypt, and Sukkahs recall the fragile structures they inhabited.

Check out the winners after the jump.

Gehry’s Louis Vuitton Foundation Facade

Fabrikator
Friday, October 7, 2011
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Brought to you with support from:
Fabrikator
Fabrikator Brought to you by:

A 1:100 scale model of the building (Fondation Louis Vuitton pour la Création/Mazen Saggar)

Ductal concrete technology used for the architect’s shapely “icebergs” in Paris

Frank Gehry has referred to his design for the Louis Vuitton Foundation for Creation, a new home for the contemporary art collection of LVMH mogul Bernard Arnaud, as “a veritable ship amongst trees.” The project, located at the northern entrance of Paris’ Bois de Boulogne near the Jardin d’Acclimatation, hasn’t been without its share of controversy and delays, but the nearly 130,000-square-foot, 150-foot-tall building is moving ahead and is slated for completion in 2012. Though a hovering glass carapace will enshroud the museum, models of the design show the sails parting at various points to reveal concrete “icebergs” that form the building’s core. Since 2006, building material manufacturer Lafarge has been working with the building’s project team, prototype designer Cogitech Design, and precast concrete manufacturer Bonna Sabla to realize the design with Lafarge’s Ductal ultra-high performance concrete (UHPC).

Read More

Archtober Building of the Day #6: Hearst Tower

East
Thursday, October 6, 2011
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The Hearst Tower. (Mike Dunn / Flickr)

The Hearst Tower. (Mike Dunn / Flickr)

Hearst Tower
959 8th Avenue
New York, NY

As written in the AIANY Design Awards issue of Oculus, Summer 2007:

With its efficient use of resources, abundant natural daylight and fresh air, and modern technologies, this 856,000-square-foot building designed by Foster + Partners and completed in 2006 is the first in New York City to receive a LEED Gold rating for its core, shell, and interiors. Most notably, it was constructed using more than 80% recycled steel. The diagrid framing uses 20% less steel than conventionally framed towers, and it was designed to consume 25% less energy than most Manhattan towers.

Continue reading after the jump.

“Irish Architecture Now” Looks for the Roots of Irish Identity

International
Thursday, October 6, 2011
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Grand Egyptian Museum by heneghan peng architects(Courtesy heneghan peng architects)

Ireland is known for lots of things, but contemporary architecture isn’t necessarily one of them. Irish Architecture Now, the first-ever showcase of Irish architecture to tour the U.S., aims to change that. Curated by Raymund Ryan, co-curator of the Heinz Architectural Center at the Carnegie Museum of Art in Pittsburgh, the Irish Architecture Now program features six of Ireland’s leading architecture practices and will travel to architectural schools and institutions to highlight top contemporary Irish architecture, which the organizers state, has “over the past two decades firmly established itself with flair on the European scene.”

Continue reading after the jump.

Quick Clicks> Brick Bane, Old School, The Digitals, & the Juried Judge

Daily Clicks
Thursday, October 6, 2011
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White bricks in Manhattan. (Barbara L. Hanson / Flickr)

White bricks in Manhattan. (Barbara L. Hanson / Flickr)

Not so Clean. White brick buildings, once favored in the 50s and 60s for their shiny glaze and supposed waterproofing and self-cleaning benefits, are now a costly headache for New York City, reported the NY Times. The glaze, it turns out, actually traps moisture and causes cracks and deterioration, with repairs climbing into the millions of dollars.

Back to Basics. While architects nowadays can get away with their shaky doodles (of the physically impossible buildings and cartoonish people with disproportionate heads) as long as they prove their CAD proficiency, the just-launched Beaux-Arts Atelier feels differently– only when you master the basics can you be freer to do crazier, modern things with more creative control. More on The Wall Street Journal.

The Digitals.  Architecture historian and journalist critic Alexandra Lange critically compares the content and design of four new digital interior design magazines and discusses the merits of blogs. Read her thoughts on Arch Record.

Juried Judge. The NY Times ran a story about Supreme Court Justice Stephen Breyer’s selection to join the Pritzker Prize jury, citing AN‘s report from September. The move looks to be a good one for architecture, as Breyer, a fan of Gothic and Beaux-Arts architecture, has pushed for better design of federal buildings.

Steve Jobs, 1955-2011: A Tribute from Norman Foster

International, Newsletter
Thursday, October 6, 2011
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Steve Jobs, 1955 - 2011.

Steve Jobs, 1955 - 2011.

The world learned last night of the untimely death of Apple mastermind Steve Jobs, who succumbed to a rare cancer he had been fighting for some time. Jobs’ architect, Norman Foster, was slow to acknowledge the commission of Apple’s new Cupertino, CA headquarters, but he was appropriately quick to offer his condolences. Below, read Foster’s tribute to the innovator who helped push the boundaries of both technology and industrial design.

Read Foster’s tribute after the jump.

Crocodile Tears for I.M. Pei’s Terminal 6

East
Thursday, October 6, 2011
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I.M. Pei's Terminal 6 will be demolished. (Courtesy Amiaga Studios)

I.M. Pei's Terminal 6 will be demolished. (Courtesy Amiaga Studios)

Terminal 6 has been on Death’s Row at least since June 2010. So why are so many aflutter now? It’s an old adage but a persistent one: It hasn’t happened until the New York Times reports it, or until there’s a television tie-in as newsworthy as the cheesy jet set-orama, “Pan Am” on ABC.

Continue reading after the jump.

IfUD gets American Pavilion for 2012 Venice Biennale

International
Thursday, October 6, 2011
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BMW Guggenheim Lab during Urban Design Week. (Tom Stoelker / AN)

BMW Guggenheim Lab during IfUD's Urban Design Week. (Tom Stoelker / AN)

We can confirm—although not entirely officially—that New York’s Institute for Urban Design will represent the United States at the 2012 Venice architecture biennale.

The Chair of Institutes Board of Directors Michael Sorkin has told AN that the theme of their exhibition will be loosely based on the Institute’s new open-source program, By the City/For The City: An Atlas of Possibility for the Future New York, that played out recently across New York to enthusiastic crowds. The details of the exhibition are still to be developed by Sorkin, co-board member Cathy Lang Ho and the institute’s director (and former AN Managing Editor) Anne Guiney.

The U.S. Department of State, in a first for the government agency, selected the winning exhibition a full year before the opening of the international exhibition giving the IfUD team time to raise the $300,000 (the State Department has given them $100,000) needed to open in Venice next year.

It is not yet clear who will be the official commissioner aka “meeter, greeter, & spokesperson” of the pavilion, but they are currently looking to create “crowd sourced” events all over la Serenissima and not just inside the official giardini or McKim Mead & White American temple. We send our hearty congratulations and will start hoarding our airline miles!

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