Canadian/Norwegian architect Jason Mrdeza has won Washington University in Saint Louis’ 2012 Steedman Fellowship in Architecture International Design Competition. Sponsored by the College of Architecture and the Graduate School of Architecture & Urban Design at the Sam Fox School of Design & Visual Arts, the biennial competition is open to young architects from around the world within the first eight yeas of practice. The winner receives a $50,000 prize, one of the largest competition prizes in the U.S., to support study and research abroad. Mrdeza’s winning project, “Mediating Adjacencies: Inspiring Collaboration within Context,” was chosen out of 120 entrees.
A giant Tetris block has landed in Powell Gardens, a large botanical garden an hour drive outside of Kansas City, Missouri. MIRRORRORRIM, designed and built by Kansas City-based firm 360 Architecture, is a modular stacking of bright, lime green, cedar cubes, forming a T-shape on the ground with a vertical tower rising above the crossing point. The wooden structure is layered over on some sides with perforated stainless steel panels.
The Architecture and Legacy of Pietro Belluschi
Oregon Historical Society
1200 Southwest Park Avenue
Through September 9
Shortly after migrating from Italy in 1922 and graduating from Cornell, Pietro Belluschi began practicing architecture in Portland with A. E. Doyle. He would quickly become one of the most important architects in America, first building churches, homes, and office buildings in Oregon and later throughout the country. Belluschi’s early work in Oregon contributed to the style of Pacific Northwest Regionalism, reflecting the influence of Frank Lloyd Wright and the Arts and Crafts movement as well as the nascent modernist style. In 1951, when he became dean of the School of Architecture and Planning at the Massachusetts Institute of Technology, Belluschi continued to innovate in the field of modernism by collaborating with firms on buildings around the country. For the first time, Belluschi’s contributions to architecture will be exhibited along with personal mementos from the Belluschi Family archive.
On June 14, 2012, the AIA New York will showcase six of the seven winning firms from the 4th biennial New Practices New York 2012 competition, promoting new and promising firms in New York, at a party at the Center for Architecture. This year, the winning firms contended with over fifty entries to earn the designation.
The New Practices New York contest was limited to firms founded after 2006 and located within New York City’s five boroughs, but despite the restrictions, the competition was open to multidisciplinary firms, widening the variety of the work being submitted. To the design enthusiast’s delight, the exhibition will showcase work varying from architectural models to projections and installations. Along with the exhibition, a symposium will be arranged to further enlighten its visitors.
If your interested in how many people viewed Christian Marclay’s The Clock exhibition at the Centre Pompidou (6,996 for its three day run) in 2011 then The Art Newspaper‘s yearly round up of the top exhibitions makes great reading. This year the list breaks out Architecture and Design exhibitions and New York’s MoMA is the clear winner.
The New York City Economic Development Corporation sent out an RFP for a forward thinking urban farmer to run a 200,000 square foot rooftop farm atop one of the city’s major food distribution centers at 600 Food Center Drive in the Hunts Point section of the Bronx. Talk about cutting out the middleman. Once harvested the veggies merely have to make the trip downstairs and down the street for distribution at the City’s 329-acre Food Distribution Center.
Currents 35: Tara Donovan
Milwaukee Art Museum
700 North Art Museum Drive
Through October 7
The work of Tara Donovan demands close reading. By using strict rule-based systems, Donovan accumulates individual pieces of material into installations that defy easy identification. Milwaukee Art Museum chief curator Brady Roberts explains, “Donovan’s process involves selecting one material and finding one unique solution for its construction, whether it’s folding, gluing, stacking, or pressing.” Taking cues from 1960s conceptual artists like Donald Judd and Sol LeWitt, whose works rely on rule-based processes, Donovan obscures her quotidian materials to compose spectacular objects. The exhibition includes several major works including Haze, a 32-foot wall covered in approximately three million straws, Unititled, 2008 on polyester film (detail, above), and Drawing (Pins), 2011 composed of gatorboard, paint, and nickel-plated steel pins.