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New climate-responsive architecture research makes structure the machine
A new project commissioned by the Centre Pompidou for its permanent collection explores responsive architecture based on the behavior of material during climate changes. Designed by architect Achim Menges in collaboration with Steffen Reichert, “HygroScope: Meteorosensitive Morphology” appears at first glance to be a wooden model suspended within a glass case. But when the humidity level within the case rises, the system begins to breathe, ventilating the moisture-saturated air without any sensory equipment or electricity.
Los Angeles enjoyed its customary sunshine last Sunday, making it the perfect time to peek inside some of the city’s most exclusive historic homes, thanks to LACMA’s Art Museum Council, the museum’s volunteer support group. The council has been putting up an annual art and architecture tour, supporting the museum, for the past 56 years. In this year’s run, the council shared four homes of varying styles. AN was afforded a glimpse of the high life, not to mention lessons on how to display a LOT of objects.
Stefan Sagmeister: The Happy Show
Institute of Contemporary Art
University of Pennsylvania
118 South 36th St., Philadelphia, PA
Through August 12
While Stefan Sagmeister is known as a graphic designer, his work often subverts the boundary between design and art. For his first museum exhibition in the United States, Sagmeister will present a vision of his journey to find happiness, taking over the second-floor galleries and Ramp in addition to interstices throughout the museum. The narrative of the exhibition is structured using personal maxims as expressed through typographic investigations. Alongside these maxims appears social data from psychologists, anthropologists, and historians, contextualizing Sagmeister’s experience within the larger factors of age, gender, race, and economics. “I am usually rather bored with definitions,” Sagmeister explains. “Happiness, however, is just such a big subject that it might be worth a try to pin it down.”
Just steps away from the Space Needle, locals and visitors can see how hydroelectric power is generated, transmitted, and consumed in Seattle. Projected on the giant north facing wall of the Armory/Center House, the installation Current, by Brooklyn-based artist Adam Frank, uses light to create a real-time map of electricity distribution through the city’s neighborhoods. Frank was recently named artist-in-residence at the city’s public utility company Seattle City Light (SCL), and this is his first project. His art is part of a series of events taking place through October at the Seattle Center, celebrating the 50th anniversary of the Seattle 1962 Exhibition.
Olympia Kazi has resigned as executive director of the Van Alen Institute one year and a day since the opening of Van Alen Books, possibly her most visible contribution to the 100-year-old organization known for its engagement with pressing urban issues through competitions, exhibitions, research, and public programs.
EVOL: Repeat Offender
Jonathan LeVine Gallery
529 West 20th Street, 9th floor
Through May 5
While his artwork might be hanging on the walls of a gallery in Chelsea, Berlin-based street artist Evol adds a distinct element of urban grit to his used-cardboard and spray-paint stencil works now on display as part of his Repeat Offender exhibition. The incredibly detailed views capture the abandonment of low-income German neighborhoods, using the texture of the cardboard base to enhance the paintings’ architectural qualities. “Clean surfaces don’t speak to me, so recording these marks is a process of visually remembering the charm of a place that will soon be painted over,” Evol said in a statement. Besides his cardboard paintings, Evol is also showing paintings on metal and photographs on his 2009 installation from a slaughterhouse in Dresden, Germany.