**2/27 Breaking news: The New Yorker‘s Paul Goldberger will be joining the panel discussion. Critical mass!
Monday, February 27
Architecture Criticism Today
Center for Architecture
536 LaGuardia Place
Who is best served by criticism? Who is the proper audience? Can it simultaneously serve the profession and the wider public, or are they mutually exclusive? How has role of general-interest media critics evolved? As a project comes to life, at what point(s) should critics weigh in?
The first of a four-part series on Architecture and the Media will address some of these questions, when architecture critics discuss the role of criticism in the field of architecture today and how it informs the general public’s understanding of design.
AN‘s executive editor Julie Iovine will moderate a panel discussion among architecture critics at consumer, business and trade publications: Justin Davidson (New York Magazine), Cathleen McGuigan (Architectural Record), and James Russell (Bloomberg), with audience Q&A to follow.
1.5 CEUs; $10 for members and students; $20 non-members. TICKETS
Organized by the Oculus Committee, the AIANY Marketing & PR Committee, and The Architect’s Newspaper.
Meet architect Tom Marble’s Tattuplex. The steel-framed duplex, cantilevering off a steep hill in LA’s Silver Lake neighborhood is being built for nurse and buddhist-monk-in-training Tim Tattu. The project’s steel frame was fabricated off-site by Ecosteel, allowing it to be bolted together onsite in just a few days. And of course, it has one of the most beautiful construction sites imaginable, overlooking the Silver Lake reservoir. Read More
Stanley Tigerman: Ceci n’est pas une rêverie
Madlener House, Graham Foundation
4 West Burton Place
Through May 19
Curated by Yale School of Architecture Professor Emmanuel Petit, Ceci n’est pas une rêverie (“This is not a dream”), is a retrospective that examines the architectural and conceptual work of Stanley Tigerman (top, 1966). Occupying three floors of the Graham Foundation’s Madlener House, the exhibition is arranged in relation to nine dominant themes recurring throughout Tigerman’s 50 career: Utopia, Allegory, Humor, Death, Division, (Dis)Order, Identity, Yaleiana, and Draft.
A variety of media, including models, photographs, and archival documents, offer a sampling of the architect’s output, and the exhibition includes one of Tigerman’s best-known pieces, The Titanic, 1978 (above), a collage that explicitly critiques the state of architecture in the late 1970s with S. R. Crown Hall sinking into Lake Michigan.
While most design students are starting the scramble for plum summer internships, Tina Uznanski can rest easy, knowing a desk with her name on it will be waiting at Gensler’s London office. Uzanski, an interior design student at the Pratt Institute, has received Gensler’s annual Brinkmann Scholarship, winning a paid summer internship at the Gensler office of her choice and a cash prize to be put toward her final year of study at Pratt. The award was established in 1999 as a memorial to interior designer and former Gensler partner Donald G. Brinkmann.
Uznanski won the competition with her clever concept for a renovation of her neighborhood library in Clinton Hill, Brooklyn, that creates a flexible room through “shifting stacks.” images after the jump
Luka Fineisen: Phase Transitions
531 West 36th St.
Through March 31
“Phase transition” refers to the transformation of a thermodynamic system from one state of matter to another. German artist Luka Fineisen explores these shifts by framing the moment of transformation from one condition to another; she sculpts dynamic systems, the final work of art being the system’s realization of potential. In this way, even sculptures that appear static, such as Bubbles (above, 2010), draw attention to the temporality of material—this is not plastic, but a material in search of its form. This will be Fineisen’s first solo exhibition in the United States.
AN is headed out to California for the third year running for one of our favorite architecture events: Palm Springs Modernism Week (February 16-26). Palm Springs–and its surrounding towns, spas and arid California landscape–is home to what the organizers call “desert modernism.” The city is an extraordinary gridded landscape of modern car-ported flat-roofed houses and dozens of iconic homes, shops, and landscapes. The 11-day celebration focuses every year on an outstanding example of residential modern architecture, and this year it will highlight Sunnylands, the A. Quincy Jones-designed mansion (interior by William Haines) for the Annenbergs in nearby Rancho Mirage. The estate is surrounded by an art garden, labyrinth, private nine-hole golf course (currently being restored), and a new visitors center designed by Frederick Fisher. Read More
Dan Flavin: Drawing
The Morgan Library & Museum
225 Madison Ave.
February 17 to July 1
The Morgan Library & Museum exhibits for the first time the drawings of Dan Flavin, ranging from early abstract expressionist watercolors to studies for installations to modern and classic works from his personal collection. While he is known for his fluorescent light installations, Flavin was an avid draftsman; he developed compositions, like In Honor of Harold Joachim, above, with ink and colored pencil on graph paper. Striking in their sparseness, his more representational sketches of landscapes, sailboats, and portraits have minimalist and calligraphic qualities that harken to the Japanese drawings in the artist’s personal collection. Two of Flavin’s major light installations are also installed in the gallery.