Inside the MOMA PS1 Performance Dome

Other
Thursday, May 10, 2012
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Walking into the large, egg-like structure of the MoMA Ps1 Performance Dome, the German electronic band Kraftwerk’s song “Man-Machine” was the perfect accompaniment to the architecture.  Their music represents the kind of progressive attitude towards materials (instruments) and aesthetics (sounds) that is captured perfectly in the temporary structure.  A shiny, white, geodesic dome reminiscent of fellow early techno-fetishist Buckminster Fuller, the space features a super-high-fidelity sound system, 8 screens projecting various computer art, and not much else. It is the ideal pairing of minimalism and technology with Kraftwerk’s slick electronic melodies. Read More

Mark Robbins, Dean of Photography

East, Shft+Alt+Del
Thursday, May 10, 2012
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Mark Robbins.

Mark Robbins.

Syracuse University’s School of Architecture will need a new dean before summer. New York City’s International Center of Photography (ICP) has announced that Mark Robbins the current dean of the school will become its next Executive Director. Robbins worked tirelessly to utilize Syracuse’s intellectual and design resources to bring life and new ideas to the dying college city and will be hard for the school to replace. But perhaps his skill at jump starting building projects will be useful in helping ICP find a new Manhattan gallery space befitting their mission and world class collection. Robbins will move out of his dramatic Syracuse bank townhouse and back to his hometown by July 1.

Childs vs. Durst: WTC’s Stripped Spire Stokes Controversy

East, Newsletter
Thursday, May 10, 2012
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The SOM spire at left and the Durst/Port replacement at right. (Courtesy SOM/Durst)

The SOM spire at left and the Durst/Port replacement at right. (Courtesy SOM/Durst)

The Durst Organization and the Port Authority have decided to abandon designs for what they once assured the public would be the tallest building in the Western Hemisphere, and architect David Childs of SOM is fighting back. By stripping away the sculptural finishes designed by SOM with artist Kenneth Snelson the developers and the Port may no longer qualify for the tallest title bestowed by the Council of Tall Buildings and Urban Habitat, the body that tallies and ranks building heights.

Read More

Join Open House New York Saturday for a Day at the Yard

East
Wednesday, May 9, 2012
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(Courtesy Space for Art and Industry)

(Courtesy Space for Art and Industry)

The Brooklyn Navy Yard is home to New York’s most spectacular collection of industrial buildings, warehouses, and 19th century dry docks. The Yard is normally closed to the public, but this Saturday Open House New York will open the gated industrial park to the public and many of its artisans, designers, and fabricators will be on hand to conduct tours of their studio spaces. The Navy Yard has just opened Building 92 with a spectacular museum of the facility’s history and an adjacent exhibition space featuring an exhibit of the collected steel dies (called hubs) of Mathew Lewandowski who was tool and die maker based in the Yard. The hubs on display represent 30 years of Lewandowski’s production and are beautiful objects in their own right as well as being tools for mass production. This Saturday is supposed to be beautiful weather so join Open House for a day in the Yard and its after party with the artists and artisans on the tour.

More exhibition photos after the jump.

Event>Re-Envisioning the South Street Seaport Museum

East
Wednesday, May 9, 2012
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Wendy Evans Joseph and Chris Cooper
Re-Envisioning the South Street Seaport Museum
Thursday, May 10, 6:30 p.m.
South Street Seaport Museum
12 Fulton St.
southstreetseaportmuseum.org

Following extensive renovation, the South Street Seaport Museum reopened its doors in January under the auspices of the Museum of the City of New York. With 16 galleries, a site-specific sculptural installation, and a new shop, the museum is now a modern and vibrant cultural center in the historic Schermerhorn Row. The architects behind this renovation, Wendy Evans Joseph and Chris Cooper of Cooper Joseph Studio, will discuss their approach in modernizing these historic structures and the process of realizing their vision. Read More

Cornell Chooses Thom Mayne; SOM Forges Ahead with Master Plan

East, Newsletter
Wednesday, May 9, 2012
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Cornell has made an object-ive choice in Thom Mayne. (Brnandon Thomas / Flickr)

Cornell has made an object-ive choice in Thom Mayne. (Brnandon Thomas / Flickr)

Cornell University has named 2005 Pritzker Prize winner Thom Mayne as architect for the first building at its Tech Campus on Roosevelt Island called the Technion-Cornell Innovation Institute. The selection should overshadow some sour grapes that were emanating from Stanford in the past few days regarding their losing bid. Mayne bested an all-star list, including Rem Koolhaas of OMA, Diller, Scofidio + Renfro, Steven Holl, and SOM. The choice of Mayne, whose iconic building 41 Cooper Square still jams traffic at Astor Place, hints that Cornell is looking for a traffic stopper of its own on the East River.

Read More

Evolution and Growth at the 2012 Serpentine Gallery Pavilion

International
Tuesday, May 8, 2012
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Serpentine Gallery Pavilion 2012 designed by Herzog & de Meuron and Ai Weiwei.

Serpentine Gallery Pavilion 2012 designed by Herzog & de Meuron and Ai Weiwei.

The twelfth Serpentine Gallery Pavilion in London is nothing without the first eleven. The collaborators responsible for the wonderfully intricate Beijing National Stadium (aka the Bird’s Nest) in 2008—Swiss architects Herzog & de Meuron and Chinese artist Ai Weiwei—have designed  a temporary pavilion inspired by the archaeology of previous structures by Peter Zumthor, Jean Nouvel, and Zaha Hadid, among others.

Continue reading after the jump.

Visitors Become Performers at OMA’s Marina Abramovic Institute

East
Tuesday, May 8, 2012
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OMA's design for a 650-seat theater at the Marina Abramovic Institute for the Preservation of Performing Arts in Hudson, New York. (Courtesy OMA)

OMA's design for a 650-seat theater at the Marina Abramovic Institute for the Preservation of Performing Arts in Hudson, New York. (Courtesy OMA)

What makes the performing arts so thrilling is also what makes them so elusive—they are, by nature, ephemeral. Any documentation of a performance is only a pale reflection of what it’s like to be there in the moment. So when performance artist Marina Abramovic began to contemplate what her own legacy would be, she thought beyond biographies, retrospectives, or monuments and instead began to develop a method of generating the kind of experiences she valued, one that would allow her kind of performances to continue long after the artist was no longer present.

Starting in late 2014, “long duration” (six hours plus) performance pieces as well as facilities intended to initiate the public into performance art will be housed in the Marina Abramovic Institute for the Preservation of Performance Art (MAI) in Hudson, New York. The institute will occupy an old 20,000 square-foot theater that was purchased by Abramovic in 2007 and whose interior is being redesigned by Shohei Shigematsu and Rem Koolhaas of OMA.

Continue reading after the jump.

Ten Thousand Blue Citibikes to Hit New York Streets

East, Newsletter
Monday, May 7, 2012
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A Citibike demonstration at today's announcement. (Branden Klayko / AN)

A Citibike demonstration at today's announcement. (Branden Klayko / AN)

Beginning this July, thousands of bright-blue Citibikes will begin swarming the streets of Manhattan and eventually Brooklyn and Long Island City, Queens. Mayor Michael Bloomberg and NYCDOT Commissioner Janette Sadik-Khan made the formal announcement today that Citibank has signed on as the official sponsor for the city’s new bike share system.

More after the jump.

Deborah Berke and Students Toast Urban Industry

East, Midwest
Monday, May 7, 2012
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Chester Prescott Distillation Tower by Francesco Galetto.

Chester Prescott Distillation Tower by Francesco Galetto.

With investment in American cities on the rise, mixed-use development is all the buzz, but architect Deborah Berke says we must be careful not to leave industry out of the mix. “We need to sway mixed-use back to the direction of a real mix. We’ve gone to all residential,” she said. Berke and critic Noah Biklen just finished teaching an architectural studio at Yale on boutique urban manufacturing, where students explored bringing a bourbon distillery to downtown Louisville, Kentucky.

View the student proposals after the jump.

MOCA Cleveland and the Big Blue Yonder

Midwest
Monday, May 7, 2012
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The exterior of MOCA Cleveland nears completion. (Courtesy FOA)

The exterior of MOCA Cleveland nears completion. (Courtesy Farshid Moussavi Architecture)

If Foreign Office Architects’ first project, the huge Yokohama International Port Terminal in Japan, was the vast scale of rolling dunes, the Museum of Contemporary Art Cleveland—begun when the firm was still known as FOA and carried to completion by Farshid Moussavi Architecture—is compact as a cube. And size has made all the difference in keeping on track through the economic downturn with the $27.2 million building poised for opening in October.

Continue reading after the jump.

Little House on the Pier? Residential plan considered for Pier 40..  Pier 40A new study looks at a variety of revenue-generating makeovers for Manhattan’s Pier 40, part of the Hudson River Park and home to multiple sports fields.  Commissioned by several organizations who are active users of the pier–the Pier, Park and Playground Association (P3), Greenwich Village Little League and Downtown United Soccer Club–the study concludes that a hotel/residential combo would leave the most open space while going a long way to defray what currently is a debt-filled future for the underfunded Park. But such a plan would face several hurdles, including petitioning the state legislature to change restrictions on in-park housing now part of the Hudson River Park Act. Read the all details in The Villager.

 

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