Infrared’s Madren 5340 Installation

Fabrikator
Friday, March 16, 2012
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The completed installation controls light and opacity between two sides of a room (Infrared)

Temporary structure uses paper to create light-regulating filter

Infrared is a group of architectural researchers and fabricators based in Thessaloniki, Greece. Initiated in 2010, the group’s work has included public installations like the Thess Bic Seat, an amorphously shaped bicycle rack and bench. Another piece called 313 / 315 is a 25-foot-long seesaw installed between two rooms of a derelict hotel created for last year’s XV Biennale De La Mediterranee. For its most recent installation, titled Madren 5340, the team investigated the theme of private space with a digitally modeled screen made with a series of paper tubes.

Continue reading after the jump.

Eating Champ & Starchitect Celebrate Damn Good Advice.  Massimo Vignelli and George Lois. (Courtesy Phaidon) During festivities for the launch of his book Damn Good Advice (For People With Talent), legendary art director and advertising guru George Lois announced that he will donate his professional archive to the Vignelli Center for Graphic Design Studies at the Rochester Institute of Technology. At the launch, a star-studded guest list including Massimo and Leila Vignelli, architect Richard Meier, and competitive eating champion Kobayashi packed NYC’s Art Directors’ Club. The addition of Lois’ work bolsters the archive’s reputation as a world-class resource for design researchers.

 

On View> Sarah Morris: Points on a Line

Midwest
Thursday, March 15, 2012
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Philip Johnson’s Glass House in Connecticut. (Sarah Morris)

Philip Johnson’s Glass House in Connecticut. (Sarah Morris)

Sarah Morris: Points on a Line
The Wexner Center
1871 North High Street
Columbus, OH
Through April 15

Points On A Line, a 2010 film by artist Sarah Morris, takes two iconic buildings as its central characters, Mies van der Rohe’s Farnsworth House in Illinois and Philip Johnson’s Glass House in Connecticut (above). Commissioned by the National Trust for Historic Preservation, which owns both properties, the film is a meditation on the relationship between the buildings—Johnson, an acolyte of Mies and inspired by Farnsworth drawings, happened to complete his New Canaan house first—and the structures as they exist today. But it is the relationship of the architects themselves that becomes Morris’ narrative thread, serving as a springboard to explore their other architectural overlap: Johnson’s glamorized corporate interiors for the Four Seasons, the power-broker restaurant in the base of the Mies-designed Seagram building in Manhattan. Points on A Line underscores how our perception of a space is affected not just by its design but also its mythology.

Lincoln Center LED Steps on Fritz

East
Thursday, March 15, 2012
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The Lincoln Center LEDs were on the fritz Tuesday night.

The Lincoln Center LEDs were on the fritz Tuesday night.

When the construction blockades at Lincoln Center  renovation finally came down down last year, the flowing crowds and fountain crowding returned. The first impression theater-goers get of the Diller Scofido + Renfro renovation are the flashing from LED lights embedded into the steps facing Columbus Avenue. The lights function as an underfoot marquee with titles of various productions flashing and scrolling across the steps, announcing venues and lighting the path. But last Tuesday night the lights seemed to be on the fritz. Elsewhere, the Hugh Hardy 130 seat theater addition atop the Vivian Beaumont Theater is nearing completion…

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Rudin Reaches Agreement for AIDS Memorial

East
Wednesday, March 14, 2012
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The AIDS Memorial winner "Infinite Forest" by Brooklyn-based studio a+i will be substantially scaled back for Triangle Park.

The AIDS Memorial Park winner "Infinite Forest" will be substantially scaled back for Triangle Park. (Courtesy studio a+i)

With the prodding of  City Council Speaker Christine Quinn, the Rudin Management Company agreed to hand over the the last smidgen of property at Triangle Park  for use in an AIDS memorial. The park sits across the street from St. Vincent’s Hospital where so many AIDS patients were cared for and died. After months, indeed years, of wrangling, the gateway park to the West Village will move forward largely as originally planned, with M. Paul Friedberg incorporating components of the memorial by AIDS Memorial Competition winner studio a+i into the park design. The 1,600 square foot memorial will sit at the park’s westernmost edge, replacing a triangular building that stored oxygen tanks for the now defunct hospital.

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Big-Name Architects to Help Design a Growing Cambridge

International
Wednesday, March 14, 2012
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Northwest Cambridge masterplan (courtesy AECOM)

Northwest Cambridge masterplan (courtesy AECOM)

Cambridge, England is growing, but keeping hold of its urban pattern. A shortlist including some of the biggest names in European architecture has been released for a competition to design an urban extension of northwest quarter of the city. The University of Cambridge owns the 346 acre site, which was masterplanned by AECOM and contains seven individual project sites to be designed by different firms.

Continue reading after the jump.

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LA Kicks Cars to the Curb, Opens First Pedestrian Plaza

Newsletter, West
Wednesday, March 14, 2012
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Sunset Triangle Plaza opens to the public. (Alissa Walker / Flickr)

Sunset Triangle Plaza opens to the public. (Alissa Walker / Flickr)

You’d better get used to it, Los Angeles is remaking itself from a one trick pony town where car is king into a multimodal city for pedestrians, cyclists, and transit users. The latest improvement is Sunset Triangle Plaza, the city’s first pedestrian plaza created by a new collaboration called Streets for People (S4P) that hopes to churn out dozens new pedestrian-oriented spaces a year across the city. The green-on-green polka dot plaza officially opened this month to crowds of gleeful pedestrians in the hip enclave of Silver Lake, northwest of Downtown LA.

Continue reading after the jump.

Circling Inwood Hill: the Unexpected Land Art of Young Jee

East
Wednesday, March 14, 2012
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The land art of Young Gee began appearing in Inwood Hill Park nearly a year ago.

The land art of Young Jee began appearing in Inwood Hill Park nearly a year ago. (Stoelker/AN)

The series of clean-lined circles carved into the earth at the top of Inwood Hill Park began appearing about a year ago. With fresh rainfall, they’d be gone. Their disappearance seemed almost as important as their appearance, calling attention to areas of the forest that park-goers might otherwise overlook. The circles appeared in snowfall, then melted away. The creator is Young Jee. Over the past year, Jee’s circles have become more elaborate, with textures made from wood chips, pine, and pebbles. Last Sunday, outlines of sticks were used and circles morphed into curvacious striations. Full vistas came into view.

More photos after the jump.

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Chicago Picks Bike-Sharing Vendor.  Chicago Picks Bike-Sharing Vendor Big changes are coming to Chicago’s streets, as AN has reported. One of the most visible, the city’s planned bike-sharing system, just took a major step forward with the selection of a vendor, Portland, Oregon-based Alta Bicycle Share and Public Bike System. The vendor will supply 3000 bikes and 300 solar powered charging stations this summer, according to the Chicago Tribune. The number will be upped to 5000 bikes and 500 stations by 2014. The Alta/Public partnership operates bike-sharing systems in London, Melbourne, Boston, Minneapolis, Toronto, Washington, D.C. and Montreal among other cities.

 

AIANY Honors 2012 Design Award Winners: Unbuilt Work

East
Wednesday, March 14, 2012
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Dortoir Familial, NADAAA, Inc.

Dortoir Familial, NADAAA, Inc.

[Editor's Note: This the third in a four-part series documenting the winners of the AIANY's 2012 Design Awards, which are broken down into four categories: architecture, interiorsunbuilt work, and urban design. This list covers awards for unbuilt work.]

The AIANY has released its annual list of Design Awards noting projects that demonstrate exemplary originality and quality, and the category covering unbuilt work tends to be among the most creative. This year’s Honor and Merit Award winners for unbuilt work were selected by a jury consisting of Scott Erdy of Erdy McHenry Architecture, Thomas Hacker of THA, and Bruce Lindsey, dean of the College of Architecture at Washington University. Three unbuilt projects were distinguished with the top Honor Award including the Hirshhorn Museum Seasonal Inflatable Pavilion by Diller Scofidio + Renfro and Kling Stubbins, Dortoir Familial by NADAAA, Bidard & Raissi, and Agence François Vieillecroze, and the USAFA/Center for Character & Leadership Development by Skidmore, Owings & Merrill. Winning work in all four categories will be on display ay the Center for Architecture at 536 LaGuardia Place beginning April 19 through May 31.

Check out the winners after the jump.

3-D Printer Creates a Cathedral Fit for a Flea

International, Newsletter
Tuesday, March 13, 2012
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St. Stephan's cathedral, courtesy Vienna University of Technology

Or maybe a dust mite. New 3-D printing technology developed by researchers at the Vienna University of Technology can fabricate intricate objects smaller than a grain of sand. This technology is made possible by a laser directed through a series of mirrors and a liquid resin that hits the surface and leaves a polymer line that is a few hundred nanometers thick; at 200 lines per layer, the printer can print 100 layers in just four minutes.

Continue reading after the jump.

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On View> News Paper Spires at the Skyscraper Museum

East
Tuesday, March 13, 2012
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Newspaper Row

Newspaper Row. (courtesy The Skyscraper Museum)

News Paper Spires
The Skyscraper Museum
39 Battery Pl.
Through July 2012

Focusing on the years between 1870 and 1930, News Paper Spires at the Skyscraper Museum considers the buildings where the most important events of the day were committed to the public record with ever-increasing speed. Just after the Civil War, The New York Times, The New-York Tribune, and The New York Post all were headquartered on the so-called “Newspaper Row” to the east of City Hall Park (above), each headquartered in early skyscrapers, where writers and editors worked above, while below typesetters and steam-engine powered printing presses churned out morning, afternoon and evening editions. In this exhibition, the history of these vertical urban factories—including their migration from downtown to midtown—is considered through films, architectural renderings, photographs, typesetting equipment, and the archival newspapers themselves.

More images after the jump.

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