You could literally smell the champagne aroma at Tuesday night’s gala reopening of New York City Center. Row upon row of glasses were poured just before the doors opened to reveal Ennead’s $56 million renovation of the beloved hall. Backstage, wide-eyed dancers and musicians rushed with palpable pre-performance angst. Duncan Hazard, Ennead’s partner in charge of the restoration, gave us a whirlwind tour before the curtain went up.
Modernism in Miniature: Points of View
Canadian Centre for Architecture
1920, rue Baile
Through January 8
Modernism in Miniature examines the relationship between architectural model-making and photography, spanning the years 1920 to 1960. It posits model photography as its own genre, exploring the evolution and visual methods used to capture these miniature architectural representations. Focusing on the encounter between media and architecture, the exhibition investigates the link between design and mass media with themes such as “Object and Image” and the “Art of Simulation.” Models by architects including Mies van der Rohe, Oscar Niemeyer, Le Corbusier, and Carlo Mollino (his model for a San Remo apartment, above) illustrate the changing architectural expression and visual representation of mid-century modernism.
Corey Martin, co-founder of Portland-based PATH Architecture (we featured their Butler Residence in our pages a little while back) has left the five-person firm to become a principal at 45-person Portland firm THA Architecture. Martin worked at Richard Potestio and Allied Works prior to starting PATH in 2005 with partner Ben Kaiser. The firm has gone on to produce critically acclaimed projects ranging from the Park Box multi-family residence to a locker room for the University of Oregon.
Yesterday, Chicago’s Department of Transportation (CDOT) began a new pedestrian safety initiative, in hopes of taming the aggressive driving habits of city residents. Following in the footsteps of the grassroots Ghost Bikes campaigns–where cycling advocates place anonymous white painted bikes at the sites where cyclists have been killed–the program includes 32 white mannequins placed along Wacker Drive. The mannequins refer to the 32 pedestriand deaths in the city last year. Read More
Rather than add a few hundred more words to the tens of thousands already devoted to praise the Diller Scofidio + Renfro / FXFOWLE renovation of the Julliard School and Alice Tully Hall, I think today that I will remember the original architect, Pietro Belluschi (1899-1994). As a young faculty member at the University of Virginia, I got to know his work a bit. He designed the UVA School of Architecture. The building was muscular, had clear structure, and well expressed the late 1960s/early ‘70s last gasps of Brutalism.
Brooklyn’s Bucket. An unsightly construction fence along Brooklyn’s Fulton Street has recently been transformed into NYC’s own giant chalkboard installation “Before I Die…,” a public participation project originally started in New Orleans by artist and TED fellow Candy Chang. Locals have been writing up their bucket lists, some as simple as “get paid,” some as serious as “to forget.” More on Artlog and Candy Chang’s blog.
G-oahead-afi. Gaddafi’s death last week was a historic event for Libya, but it also ushers in an era of uncertainty. Among the challenges that the new Libya must face is development, or rather the potential for uncontrolled overdevelopment. Concerned British architects are warning Libyans not to give way to “untrammelled development” during this “dangerous moment,” reported bdonline.
Cyclical Home. A new Philips’ design project called “the Microbial Home” is all about cycles, specifically how one function’s output can be another’s input. For instance, a bio-digestor island converts waste into methane gas that in turn powers a light made of bio-luminescent bacteria fed with methane. Check out the images on psfk.
Modern Ruins. Strange Harvest featured images of the abandoned architectural ruins of Pruit Igoe in St. Louis, which has now become a forest that “grows out of all that socio-political debris.” One image of a lone lamp post protruding from a complete forest is a surreal reminder of the relationship between architecture, politics, and time.
Even though Hurricane Irene blew through on August 27th without flooding the subways, which were rendered prophylactically still and silent for a day, a pesky summer storm in 2007 dumped so much water onto the M and R lines that they were forced out of service. Governor Spitzer took immediate action to mitigate the problem, and boldly mobilized the Metropolitan Transportation Authority and the Department of Transportation to do something about it. Solving a range of engineering problems while at the same time providing a streetscape element with some wit and whimsy, Rogers Marvel Architects created banks of raised stainless steel grates that rise up into an undulating wave of slats and hammered speckled side walls.
The 52 two teams competing to redesign Chicago’s Navy pier have been narrowed down to 11. Lots of heavy hitters made the cut, including teams headed by BIG, Zaha Hadid, Rem Koolhaas/Studio Gang, James Corner Field Operations. Many of Chicago’s leading firms are represented on the teams. See the complete list after the jump
NANCY HOLT: Sightlines
The Graham Foundation
Four West Burton Place
Through December 17
Beginning her artistic career in the 1960s, Nancy Holt helped pioneer the Land Art movement alongside artists like Richard Serra and Robert Smithson, who was her husband and occasional collaborator. Nancy Holt: Sightlines at the Graham Foundation presents documentation of over 40 of her monumental and ecologically-focused projects through photography, film, and artist’s books, revealing Holt’s eloquent mode of navigating the intersection of art and nature.
In Sun Tunnels, an installation and 1978 film (above), sunlight interacts with four concrete tunnels in the Great Basin Desert in Utah, exemplifying Holt’s interest in space and time by highlighting how the passage of the sun impacts each tunnel differently and in a way specific to that location. In addition to presenting previously unseen materials from the artist’s archive, the exhibition, which concentrates on the Holt’s work between 1966 and 1980, features the documentary Pine Barrens (1975) about undeveloped land in New Jersey, and documentation of the projects Swamp (1971, in collaboration with Smithson), Boomerang (1973, in collaboration with Serra), and the multi-monitor installation Points of View (1974), a piece that underscores the different perspectives we bring to viewing the landscape.