The Future of Yesterday: Photographs of Architectural Remains at World’s Fairs
45th and Oak Streets, Kansas City, MO
Through September 9
In conjunction with Inventing the Modern World: Decorative Arts at the World’s Fairs 1851–1939, the Nelson-Atkins Museum presents the first solo American exhibition of Belgian artist Ives Maes. In contrast to the technological and stylistic innovation showcased in the companion exhibition, Maes provides a study of the lasting artifacts of the world’s fair utopian aspirations. The photographs uncover fair grounds as they stand today, sometimes repurposed but often abandoned or in ruins (such as the site of London’s Crystal Palace, above), juxtaposing the optimism of the architects’ vision with the reality of the present. Co-curator Catherine L. Futter explains, “Ives’ visually compelling images and sculptural presentation lead us to examine the condition, context and activities of the sites in the present, yet evoke the magnificent and progressive ideals of these global events.”
New York’s historic armories are getting a second chance at life with the city looking to reimagine both the Crown Heights Armory in Brooklyn and the Kingsbridge Armory in the Bronx. The Crown Heights crowd has been wowed by the adaptive reuse of the Park Slope armory as a community gathering spot. Borough President Marty Markowitz favors a roller rink. Up in the Bronx two developers are duking it out to realized that venue as either a Latin-infused marketplace or an ice skating rink sponsored in part by former Rangers captain Mark Messier.
Meanwhile, the grandaddy of repurposed armories, the Park Avenue Armory, announce last week that they secured $15 million from the Thompson Family Foundation toward their own $200 million Herzog & de Meuron renovation.
Installation of the first community rooftop garden in the United States—UpGarden—is almost complete. Located in the shadow of Seattle’s Space Needle, the project will convert close to 30,000 square feet on the top of the Mercer parking garage into an organic, edible, herb and flower garden with 100 plots for lower Queen Anne neighborhood residents. Landscape architecture firm Kistler Higbee Cahoot is leading the design, organizing community workshops and construction of the garden with a volunteer crew.
Rarely do red plastic coffee stirrers conjure notions of Walden Pond, but for architect Brian Ripel and artist Jean Shin, the notion is not that far fetched. The duo’s Tea House rooftop installation at the deCordova Sculpture Park and Museum in Lincoln, Massachusetts sits about a mile from Thoreau’s retreat. Ripel pointed out that the connection is somewhat difficult to discern in isolation, but the gabled pavilion frames pristine views absent of any evidence that the museum sits a mere twelve miles from downtown Boston.
|Brought to you with support from:|
|Brought to you by:
A tree grows in the Colombiere Center Chapel
It all started with a beech tree that has lived for the past hundred years on the Colombiere Jesuit Brother’s bucolic 14-acre site in Baltimore, MD. The tree stands in plain view of the brothers’ new chapel, designed by Bohlin Cywinski Jackson (BCJ). Alfred Dragani, an associate with the firm and the lead on the project, said that “as our Jesuit clients expressed a greater desire for privacy, we began to study ways of designing a shroud behind the south and north facing glass walls of the chapel that would operate like light-modulating screens. Our hope was that we could simulate the effect of an actual tree canopy, resulting in a dappled and serene light.” Dragani and his team used digital modeling (Rhino and Grasshopper) to simulate daylight conditions in the chapel throughout the year and create an interior installation in the chapel made from perforated wood panels in an organic arrangement of overlapping planes within a repetitive steel framework.
As children love to imagine, what if we actually built our cities out of Legos? A bridge in Wuppertal, Germany, a city of 350,000 to the northeast of Cologne, offers one vision of what that city might look like. Street artist Martin Heuwold, or as he tags, MEGX, created the grand illusion last fall when he painted a dingy concrete span in the bright hues of every architect’s favorite toys.
The city appears to be banking on the High Line Effect. Faced with the prospect of a declining population, Wuppertal has been looking for ideas to reinvigorate the city and increase residents’ quality of life. The Lego Bridge is part of a 10-mile pedestrian and cycle path called Wuppertal Bewegung e.V. being built through the city on what was once the Wuppertal Northern Railway. Plans are also on the boards for a heritage trolley to run atop the viaduct. [H/T Colossal.]
Skyscraper: Art and Architecture Against Gravity
Museum of Contemporary Art Chicago
220 East Chicago Avenue, Chicago
Through September 23
The Museum of Contemporary Art Chicago brings together 50 international 20th and 21st century artists for a show that investigates our enduring fascination with building into the sky. Skyscraper: Art and Architecture Against Gravity presents a history of these iconic structures and their impact on our understanding of technology, society, and myth. The exhibition is divided into five themed sections. “Verticality” reflects the optimism of building upward and the pursuit of iconic form. “Personification of Architecture” juxtaposes human and architectural form, placing the body in terms of building and vice-versa. “Urban Critique” examines the effects of modern housing on its inhabitants and the dislocation and alienation that can result from architecture’s utopian impulse. “Improvisation” records occupants’ responses to their built environment and the ways they transform and humanize buildings as documented in Marie Bovo’s courtyard perspective, above. “Vulnerability of Icons” considers our changing relationship to tall buildings post-9/11.
Angelenos might soon see a “silvery orb” roving around their neighborhood. Don’t worry, it’s not an alien visitation, it is radio station KCRW’s newest portable sound booth for Sonic Trace, a new media and radio series project that charts the Mexican and Central American immigrant experience in Los Angeles. After a few weeks of deliberation, KCRW chose California-based Mat-ter Design+ Build Studio’s La Burbuja as the winning entry. Translated as “the bubble,” the design is a highly reflective orb that encloses its subjects in “a non-space that is elegant but not intrusive,” said Hugo Martinez, who co-founded the studio with Christin To.