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A 13th-floor terrace becomes a floating, geometric sculpture
Outdoor terraces are a special thing in New York City, but often the best thing about them is the view. Such was the case with one 13th-floor outdoor space in Harlem with a bird’s eye view of Central Park. “It was one of the standard, banal roof terraces with concrete pavers and a stucco knee wall as a railing,” remembers Gisue Hariri. “But it had fabulous views.” The apartment’s owner is a modern art collector, and he asked the dynamic team of Hariri & Hariri if they could create a design that would not only provide the necessities—seating, shading, and landscaping—but also act as another piece of art in his collection. “The minute I heard the challenge, I became interested in taking the project,” says Hariri.
Okay, let’s take advantage of this Democracy thing, folks… Today you have the rare opportunity to shape urban planning policy in California by convincing a few swing voters in the state’s Senate to support AB 710, the Infill Development and Sustainable Community Act of 2011. Apparently the bill is two votes shy of passage. If passed it would do a number of things to improve the state’s sprawling urban development policy, including… Read More
Last night, the AIA SF launched a new exhibition, Architecture of Consequence: San Francisco, kicking off a whole slew of events in its annual Architecture in the City Festival, the country’s biggest such celebration of the built environment. The exhibit explores important social needs that architects can address and features the work of four San Francisco firms—Iwamoto Scott Architecture, Fletcher Studio, SOM, and Envelope A+D—side-by-side with four Dutch firms—Van Bergen Kolpa Architecten, 2012 Architecten, ZUS (Zones Humaines Sensibles), and OMA.
With the High Line getting the lion’s share of attention lately, Hudson River Park feels more neighborhoody then ever. Last night’s opening of public art installation by artist/performer Jon Morris of Windmill Factory felt pretty down home with everyone sprawling out on the grass around Morris, who explained the inspiration for his light show which sits out in the water.
Growing up in Beria, Kentucky, Morris could see the stars, but in New York light pollution made the experience impossible. His idea was to sprinkle a little stardust onto the Hudson in the form of solar powered LEDs attached to the tops of pilings from a long departed pier.
Water Names. Is it a creek, a stream, or a cañada? Looking for patterns behind different names for American waterways, graphic designer Derek Watkins created an infographic that plots more terms for water than we’ve heard of revealing the cultural geography of language. More at Co.Design.
Pop-Up Religion. In February, an earthquake destroyed Christchurch, New Zealand and now Shigero Ban has been invited to design a temporary church for the city. His design takes cues from his popular Paper Dome Church that once stood in Kobe, Japan, incorporating recyclable materials such as “cardboard tube buttresses” and shipping crates in the foundation. Gizmodo has details.
Architecture + fashion. Fashion Week in New York is quickly approaching, and we’re excited about the second annual Building Fashion event, taking place this year in our headquarter neighborhood of TriBeCA. Five architecture teams are collaborating with fashion designers to create original temporary installations for couture design.
As we noted while visiting the Center for Architecture back in July, the Brazilian design scene continues to heat up. This week in Sao Paolo the BOOMSPDESIGN International Forum of Architecture, Design and Art is back for its fourth year. In addition to a series of symposia with international and native talent, this design week will also include on-the-street collaborative art and design projects.
Curator Roberto Cocenza has pulled together a diverse mix of talent from Tokyo to Miami. This year Studio Dror, Matali Crasset, Paul Clemence, Cat, Harry Allen, Chad Oppenheim, Mount Fuji, Jade Dressler, and Rene Gonzales will criss-cross the globe to join Brazilians Brunete Fraccaroli, FGMF, Glauco Diogenes, Guilherme Torres, Sergio Matos, and Zoe Melo. An exhibition of Karim Rashid’s work will also be shown, as will a multi-generational exhibition of Japanese architecture titled “reset .11.03.11 new paradigms.” BOOMSPDESIGN runs through September 2.
Mapping Disasters. In and around New York City, we were fortunate Tropical Storm Irene created little more than flooding, fallen trees, and electric outages, and that last week’s tremors left no damage in the city. If these rare northeast natural disasters are getting you down, perhaps it’s time to consider moving to the safest place in the U.S. to avoid natural disasters? A NY Times infographic hasfound just the place: Corvallis, OR. Cities in Oregon and Washington state top the list, while areas in Texas and Arkansas have the highest risk of earthquakes, hurricanes, droughts, and tornadoes.
Standing up to Earthquakes. Many of the east coast’s 19th century masonry buildings are not built to withstand a strong earthquake. How do those California skyscrapers withstand the west coast’s dangerous, powerful tremors? Gizmodo featured an array of earthquake-tech such as tuned mass dampers and roller bearings allow tall buildings to move with the earthquake and absorb shock.
Melancholy Utopia. The end of summer and beginning of fall will bring a flood of design events in European cities. Among them, more than forty designers will descend on Rotterdam on September 3rd to showcase their work throughout the city. The theme is Melanchotopia, an examination of the connections between melancholy and utopia, mourning and hope, said e-flux.
Hurricane Irene was no match for tenth anniversary preparations at the World Trade Center site. In fact, some are claiming that the storm could have been a good thing for the soon-to-be-open memorial site. Joseph Daniels, president and CEO of the Memorial Foundation, told The Observer that all the trees on the site, including the Survivor Tree, made it out of the storm unscathed. And at a depth of only six feet, the eight-acre plaza “lid” did seem quite vulnerable just a few days ago. While there was some minor flooding and dripping underneath the plaza, Daniels said, there was no major damage. If anything, Daniels was saw Irene’s drips in a glass half full, pushing the project slightly ahead of schedule: “All the preparations we did in preparing for the storm actually helped prepare us for the opening, like removing excess equipment and temporary fencing that had been surrounding the pools.”
The three year cycle of summertime renovations at Madison Square Garden is starting to eat away at its bottom line. The renovation schedule has prevented some big name events booking the arena, resulting in 39 percent drop in earning for the second quarter. At a cost of nearly $850 million (up from initial projections of around $500 mil), renovations won’t be done until 2013. Work that began this past April at the end of the Knicks’ season involved refurbishing the lower seating bowl will wrap up in October. Future work will redo the upper seating bowl and add bridges above the arena’s ceiling. [Deadline via Real Deal]