Michael Graves’ Paralysis Informs Design for Omaha Rehabilitation Hospital

Architecture, Midwest
Wednesday, February 5, 2014
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DLR Group, Page, and Michael Graves are working on a rehab facility in West Omaha that is informed by Graves' own experience. (DLR Group)

DLR Group, Page, and Michael Graves are working on a rehab facility in West Omaha that is informed by Graves’ own experience. (DLR Group)

The architect of Omaha’s new rehabilitation hospital says his own paralysis has given him “greater empathy,” which has informed his designs for the healthcare industry. Local firm DLR Group and Texas-based engineering firm Page are working with Michael Graves, who lost the use of his legs in 2003 as the result of an infection, on the $93 million Madonna Rehabilitation Hospital in west Omaha.

Continue reading after the jump.

Rare Architecture’s Perforated Skin Design

Envelope
Wednesday, February 5, 2014
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The custom design provide sun and privacy shading, while unifying three disparate volume. (Sue Barr)

The custom design provides sun and privacy shading, while unifying three disparate volumes. (Sue Barr)

A bespoke aluminum building skin transforms an abandoned war bunker into a high-performing boutique hotel.

Restoration hotelier Unlisted Collection recently acquired a historically listed, vacant municipal building in London’s East End that served as a set favorite for film luminaries like David Lynch. The 1910 Edwardian fore building and its utilitarian 1937 addition had served as the town hall of Bethnal Green before World War II. In order to convert the complex into a boutique hotel, Unlisted hired London-based architecture practice Rare and tasked the firm with designing an addition to the existing buildings to add space for more guest rooms and amenities, while unifying the three disparate elements into a single entity. Rare directors and founders Nathalie Rozencwajg and Michel da Costa Gonçalves answered this last charge with an ornamental screen facade that visually ties together the historic and modern buildings while also improving user comfort and environmental performance.

Read more after the jump.

Ten Pounds of Sugar in a Five-Pound Sack: Studio Gang Growing Out of Their Own Space

Eavesdroplet, Midwest
Tuesday, February 4, 2014
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(Montage by AN)

(Montage by AN)

We are not talking about Jeanne Gang or Mark Schendel, that’s for sure, but their practice, Studio Gang. Word on the streets is that they’re shopping for a new home. If you visit their website, you can see why, as the list of people requires you to scroll through dozens of names. That can only mean one exciting thing: projects are under construction! Just one or two years ago, Eavesdrop was at an office party where the entire firm could’ve comfortably fit in the office’s quaint second story courtyard. What unfortunate timing for the office to grow out of its britches, as one of the new (Gensler-designed?) outposts of Intelligentsia is opening across the street next month.

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On View> “Takeshi Murata: Melter 2″ at the Contemporary Art Museum of St. Louis

Art, Midwest, On View
Tuesday, February 4, 2014
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(Courtesy Contemporary Art Museum of St. Louis)

(Courtesy Contemporary Art Museum of St. Louis)

Takeshi Murata: Melter 2
Contemporary Art Museum of St. Louis
3750 Washington Road, Saint Louis, MO
Through April 27

New York–based artist Takeshi Murata will be transforming the facade of the Contemporary Art Museum of St. Louis through the installation of Melter 2. Created in 2003, the playful piece of video is being enlarged from its original form in order to fit the museum’s 62-by-18-foot metal facade. Melter 2 is reflective of the vibrant and psychedelic animations that have formed a major component of Murata’s practice. Its colorful floral forms that seem to melt and fuse over the course of the video will be visible once night falls through April 27. The work is the second in the museum’s ongoing series of expansive video-art installations, Street Views.

Event> Blueprints, Blue Jeans & Bluegrass in San Francisco

Dean's List, On View, West
Tuesday, February 4, 2014
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The California College of the Arts (CCA) was founded in 1907 by Frederick Meyer, a German arts and crafts cabinetmaker and did not have an architecture program until the 1980s. However it has been making great strides in the past 10 years to become more of a presence on the international art and design stage. But like all schools it struggles with rising fees and costs to educate young people so it has come up with Blueprints, Blue Jeans & Bluegrass, a fundraiser that will take place in its fantastic San Francisco campus.

The party will honor Art Gensler the founder of the San Francisco firm that bares his name. All net proceeds from the gala will go to scholarships for talented and deserving students at CCA. The event takes place on March 26 and features a complete dinner, fancy cocktails and Bluegrass music. I want to fly out to San Francisco just to attend the Blueprints.

The MoMA Folk Art Museum Debate, Now on Video

East, Newsletter
Tuesday, February 4, 2014
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The Architecture League of New York has released a video of the discussion convened last week to discuss to MoMA’s planned expansion. The move, which entails the demolition of the adjacent American Folk Art Museum, is a contentious one and has sparked much debate within the architectural community. Tuesday’s conversation included contributions from the Museum’s director, Glenn Lowry, Elizabeth Diller (principal of Diller Scofidio + Renfro, who is overseeing the project), and a slew of other architects, journalists, and theorists who all questioned MoMA’s decision to do away with their Tod Williams Billie Tsien-designed neighbor.

AECOM Surprise: Zellner Named Head of Southern California Architecture.  AECOM Surprise: Zellner Named Head of Southern California Architecture Our friends at one of the largest firms in world, AECOM, have made a move we never anticipated: signing Peter Zellner, known as a maverick architect of galleries and houses, to be their new head of design in Southern California. Zellner said it best: “I think my hire suggests they want to move things in a different direction.” Indeed it appears with the hire of Zellner and former SOM principal Ross Wimer that the firm is ready to further embrace design. (Photo: Courtesy Peter Zellner)

 

An Inland Beach for Los Angeles’ Silver Lake Neighborhood?

City Terrain, West
Monday, February 3, 2014
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Thanks to new EPA regulations, Silver Lake is saying goodbye to it reservoir. But resident Catherine Geanuracos hopes the community will soon be saying hello to something new: a body of water repurposed for recreation, complete with lap lanes, an open swim area, and a miniature beach.

Continue reading after the jump.

Architect Andrew Wolfram Joins TEF in San Francisco.  Architect Andrew Wolfram Joins TEF in San Francisco Up in Northern California, Andrew Wolfram has bolted Perkins + Will’s San Francisco office to become a principal at TEF (Tom Eliot Fisch). Wolfram was project architect for the SF Ferry Building, and also worked on the renovation of 140 New Montgomery, Timothy Pflueger’s art deco skyscraper for Pacific Telephone. (Photo: Courtesy Andrew Wolfram)

 

Photographer Makes Push to Preserve House in Dominican Republic

International, Preservation
Friday, January 31, 2014
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(Courtesy Giovanni Savino)

(Courtesy Giovanni Savino)

I met Giovanni Savino at a breakfast meeting, and he asked if I could help him save an enormous house in the Dominican Republic. Savino is a photographer interested in documenting and preserving cultural oral history. He is so passionate about this house that he has self-published a photo-book called Thirty Three Doors: La Casa Del Sol.

Continue reading after the jump.

On View> Materials & Applications: Building Something (Beyond) Beautiful

Design, Newsletter, On View, West
Friday, January 31, 2014
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S'more by Edmund Ming Kip Kwong (M&A)

S’more by Edmund Ming Kip Kwong, at University Art Museum (Bruce Chan)

Materials & Applications: Building Something (Beyond) Beautiful, Projects 2002 – 2013
University Art Museum, Cal State Long Beach
Through April 13

On January 25th  a mix of architects, designers, collaborators, and previous staff showed up at the Cal State Long Beach University Art Museum to acknowledge ten years of exhibition work for Silver Lake–based outdoor gallery Materials & Applications. Over the past ten years M&A has been cultivating and showcasing the talents of experimental and young designers interested in testing architectural and landscape environments. Doris Sung, Jiminez Lai, Patterns, Oyler Wu Collaborative, FoxLin, Ball-Nogues Studio, NONDesigns, Anna Franke, Rob Ley, and Eddy Sykes are a few that have built work with M&A. At the center of the show sits the structure entitled S’more by New York–based Edmund Ming-Yip Kwong. This had been transported from M&A’s courtyard to the museum the week before.

Continue reading after the jump.

On View> Rome’s MAXXI Museum Honors Alessandro Anselmi

International, On View
Friday, January 31, 2014
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Crews install drawings for the exhibition. (Courtesy MAXXI)

Crews install drawings for the exhibition. (Courtesy MAXXI)

Opening this week at Rome’s MAXXI is an exhibition honoring the late Alessandro Anselmi. Curated by his son and associate Valentino Anselmi and Valerio Palmieri, this important exhibition consists of 100 exquisite drawings, models, and watercolors from the 1960s through 2002. The show is organized thematically to lead the viewer through various aspects of Anselmi’s ouerve: the Architect’s Dream, the Geometry of Memory, the Figuration of the Modern, Fragments and Enclosures, Geometrized Nature.

Among the projects on view are his cemetery of Parabita in Puglia, the State Archive in Florence, the restructuring of Piazza dei Navigatori in Rome. The exhibition highlights an architect who was in many ways radical, but fully inserted into the dynamics of the contemporary debate, but always guided by a passion for history, and intensely sensitive to issues of place and context. One senses his profoundly Roman formation. His vision—intimate and almost oneiric—allowing us to speculate on its possible metaphysical influences.

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