Since architect Chris Genik left Daly Genik (now called Kevin Daly Architects) and became dean at the NewSchool of Architecture and Design in San Diego in 2010, we have lost touch with him. He’s no longer the dean, and we haven’t heard a peep about what he’s up to. If you know of his whereabouts please contact eavesdrop immediately. And speaking of Chrises, we hear that our friend Christopher Mount, who curated MOCA’s New Sculpturalism exhibition before things with Jeffrey Deitch went haywire, is opening up a gallery inside the Pacific Design Center dedicated to architectural prints and related art.
From junk metal and rubble to tomatoes and kale. That’s the plan for a vacant lot in the Anacostia neighborhood of Washington, D.C. located just under six miles from the United States Capitol building. Over the next few months, the 2.3-acre site, which has been covered in trash for years, will be transformed into the world’s largest urban greenhouse.
“It’s a fun time in Vegas right now, with the economy up,” said Beth Campbell, principal and managing director of Gensler’s Las Vegas office. Downtown is being reborn, thanks in no small part to Zappos CEO Tony Hsieh’s multi-million dollar investment. The Strip, too, is booming—see the High Roller observation wheel, which opened on March 31. At the same time, the spendthrift breeziness of the pre-recession years is gone. “Everyone is coming back to life, but with a refined focus and purpose,” said Campbell. “I would say the clients and developers are cautiously aggressive…they still want to grow, still want to reach for the sky…But they’re really focused on how they’re applying [their money] to make these projects happen.”
It’s a bad year to be an Art Barn. Only two weeks after Rice University demolished its beloved structure, UT Dallas announced plans to close down its own Art Barn, with its exact fate remaining unclear. Architecture critic Mark Lamster, among others, voiced speculation over the building’s shutdown and possible removal from UT Dallas’ campus.
This weekend, design firm Bade Stageberg Cox will transform Times Square with the help of nearly 50 reclaimed chairs painted taxicab yellow. The chairs will be arranged like theater seats and Times Square will be the stage. “As the plaza is occupied throughout the day, the chairs’ movement and rearrangement becomes a performance about the ways in which people inhabit the public realm and shape it to suit their needs,” said the firm in a statement. The installation is part of their Street Theater series, and coincides with New York City Design Week.
We love all of our clients equally… but Dr. Alan Friedman we really, really loved. We should all be so fortunate as to work with someone as generous, curious, optimistic yet not unrealistic, trusting, and somehow always fun.
BKSK worked with him on two ambitious permanent outdoor exhibits (collectively the NY Hall of Science Playground) approximately ten years apart, and in between were tapped for various smaller tasks. So lightning, for us, struck more than once. The beginning of any project was, following that metaphor, electrifying.
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Dynamic steel and PVDF structures shelter campers in style.
In South Korea, glamping—or “glamorous camping”—is all the rage. The practice combines conventional camping’s affinity for the outdoors with hotel amenities, including comfortable bedding and fine food. Seoul firm ArchiWorkshop’s prefabricated, semi-permanent glamping structures are a design-minded twist on the traditional platform tent. “We [set out to] create a glamping [tent] that gives people a chance to experience nature very close, while also providing a uniquely designed architectural experience,” said partner Hee Jun Sim. “There are many glamping sites in Korea, but they’re actually not so high-end. We were able to bring up the level of glamping in Korea.” Read More
Its hard to drive past a Target roadside box today without remembering James Wines/SITE Architects’ magical 1970′s Best Store projects—and everything they revealed about consumerism in America. These designs are also remembered for their formal invention and early support of environmental thinking, but Carriage Trade, the tiny but always smart art gallery on Tribeca’s Walker Street, reminds us in their exhibit, Cutting Through the Suburbs, how radical they were at the time of their design.