High intensity design coupled with low energy consumption makes these new lighting fixtures worthy candidates for inclusion in a full spectrum of environments: hospitality, office/commercial, retail, and residential. Some are unabashed focal points, others play a supporting role in the design, but all of them boost the aesthetic wattage of any interior.
Zero Beam Pendant
A mounting stem facilitates directing the 26W CFL lamp, which is shielded behind a matte acrylic diffuser. Made of painted aluminum, in white, black, or red. Designed by Johan Carpner.
Illinois Attorney General Lisa Madigan announced Tuesday $1.9 million—most of which comes from the state’s portion of a federal settlement with banks over mortgage fraud—will go to rehab historic homes in Chicago’s Pullman neighborhood. Read More
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Glass and corrugated metal envelop a Scottsdale cycling shop.
When debartolo architects principal Jack DeBartolo 3 AIA first visited the site of Bicycle Haüs in Scottsdale, he knew it was exactly what owners Shasta and Kale Keltz were looking for. “In Arizona, with our very intense heat, we love it when we can unite two things: a northern orientation to maximize light without direct sun, and high visibility to the public way,” said DeBartolo. “When a parcel’s oriented like this, with its main side facing north, it allows us to do both things in one. We can build a glass facade for light and to advertise the contents, and it can also be a view building.” DeBartolo’s firm designed a wedge-shaped structure with a broad structural glass facade facing the street. The remainder of the building is clad in weathering steel, a low-maintenance material that taps into the desert aesthetic of decay and renewal. Read More
Between June and August, a New York City subway platform is a pretty awful place to find yourself. Over those summer months, the subway has all the smells, crowds, and delays you’re used to with the unwelcome addition of a shockingly stubborn heat that couldn’t care less that you’re on your way to a job interview.
It seems like just yesterday that Los Angeles opened its first downtown Parklet, a sparkling new design on Spring Street by architects utopiad.org, designers Berry and Linné, and builders Hensel Phelps. But a few weeks ago that design (already getting a little shabby from weather and use) was rammed and badly compromised by an errant motorist, leaving it closed, and leaving downtown without a parklet to speak of more than two years after the city’s parklet program began.
Thirty-four months have gone by since the Scott Johnson–designed Museum Tower hove into view and the Nasher Sculpture Center is still, er, gnashing its teeth. Every afternoon at around three o’clock glaring sunlight reflects off of the condo’s mirror like glass curtain wall, invading the Renzo Piano–designed skylit galleries, burning holes in the lawn, defoliating the trees, and no doubt increasing the air conditioning bill. Thirty-four months and nothing has been done to make it right, until June.
Work wrapped up this summer on Bittertang Farms’ installation at Ragdale, the nonprofit artists’ community in Chicago’s North Shore suburbs, and true to its plans the straw amphitheater springs forth from a lush hillside in Lake Forest, Illinois.
With tens of millions of dollars, New York City hopes to jumpstart a transformation of Brooklyn’s Sunset Park neighborhood into a hub for artists and tech companies. As the Wall Street Journal reported, the city is spending $100 million to transform part of the Brooklyn Army Terminal—an old navy-supply hub—into space for light manufacturing. That investment is just one piece of the millions of dollars flowing into the neighborhood from real estate investors.
While the money will be significant, giving new life to Sunset Park’s industrial corridor will take more than artisanal pickles and startups. It will take great public space and significant improvements to the neighborhood’s streetscape. At this point, however, it’s not clear if that type of investment is in the cards.