Climate change and extreme weather events have made resilience a watchword among AEC professionals. In this video from our partners at Enclos, filmed at facades+ NYC in April, Gordon Gill (Adrian Smith + Gordon Gill), Edward Peck (Thornton Tomasetti), and James O’Callaghan (Eckersley O’Callaghan) talk about designing and engineering building skins to meet present and future environmental challenges.
Resilience will take center stage at the facades+ Chicago conference July 24-25. Early Bird registration rates have been extended through Sunday, June 29. For more information and to register, visit the conference website.
[Editor's Note: The following are reader-submitted response to a back-page comment written by Pamela Jerome (“The Mid-Century Modernist Single-Glazed Curtain Wall Is an Endangered Species” AN 05_04.09.2014). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email email@example.com. ]
Pamela Jerome’s thoughtful comment on mid-century modernist curtain walls raises a number of important issues that deserve further study.
Having successfully redeveloped two major twentieth century commercial buildings, I believe that those buildings are probably the least understood in all of preservation theory. They were built by unsentimental men in pursuit of trade, commerce, and wealth. There was never a moment’s hesitation to alter them time and again as tastes changed, neighborhoods evolved, and tenants came and went. Those commercial cultural issues are just as important as the aesthetic issues inevitably associated with any building, and they are very hard to reconcile.
Fire hydrants are as necessary as they are historically significant. The first fire hydrant was proposed sometime during the early 19th century. No one knows the exact date as the records of its creation and use were, ironically, destroyed in a fire. The design of modern fire hydrants hasn’t changed for decades, but today, a veteran firefighter has proposed a new design that could make fighting fires much easier.
Construction has started on two towers set to rise in the BAM Cultural District in Fort Greene, Brooklyn. Unlike most new projects in the area, one of the buildings to rise off Flatbush Avenue, a 32-story structure designed by Brooklyn-based architect Thomas Leeser, will not be luxury apartments, but a 200-room boutique hotel run by Marriot. The tower is one of the most architecturally distinct high-rises to arrive in Brooklyn in quite some time, with prominent, asymmetrical carve-outs along its glass facade that make it appear as if someone—or something—has slashed through its skin with a knife.
Kris Steele’s “Edible Walkway” proposal to bring an urban orchard to Charlotte, NC was one of two recipients of the Keep Charlotte Beautiful (KCB) neighborhood beautification grants announced in May. Steele’s proposal was approved over 34 other proposals by KCB and received an endowment of $2,500 to get the plan moving.
Flint, Michigan kicked off a series of events celebrating education and the arts Friday, unveiling interactive installations cooked up over a year-long after school program local students have dubbed Museum of Public Schools.
Produced by the Flint Public Art Project, the ongoing exhibition will culminate in a series of proposals by students to change their school system. Mott Middle College plays host to the ongoing event.
Speaking of directors stepping down, it appears the unspoken rumor that we’ve been forbidden to share for so long is now all-but official. Eric Owen Moss is indeed stepping down as the head of SCI-Arc, and a committee is in session to choose his replacement. This being SCI-Arc, everyone has an opinion about who should step in; but we won’t share anything else until we find a ripe, unsubstantiated piece of gossip telling us who it might be.
The spectacular Venetian Arsenale at this year’s Venice Architecture Biennale is devoted to the history of post-World War II architecture and urbanism. Italy, perhaps more than any country in the world, revels in its architecture and cityscape. It is still a place where architecture means more than simply building—it’s a knowledge for describing and thinking about the world. This, it turns out, is true even for its youngest designers who assembled in the arsenal on Sunday, June 8 for a discussion, “Towards a New Avant Garde.”