Los Angeles’s alleys have a bad reputation. They’re perceived, rightly or wrongly, as dirty, dangerous places; havens for illicit activity. All that might change soon, thanks to a demonstration project planned for South Los Angeles’ South Park neighborhood. Called the Avalon Green Alley Network Demonstration, the project aims to transform at least eight segments of alleyway into an inviting pedestrian thoroughfare.
Beyond the Assignment: Defining Photos of Architecture and Design
Julius Shulman Institute
7500 Glenoaks Boulevard, Burbank, CA
Through November 1
Beyond the Assignment celebrates the work of ten of today’s leading architectural photographers in the United States who draw inspiration from their image-making predecessors, such as Julius Shulman and Ezra Stoller. The exhibition, curated by Bilyana Dimitrova, is being showcased at the Woodbury University Hollywood Gallery, and will be running from October 5 to November 1.
2013 Architecture & Design Film Festival
54 Varick Street
“Erecting a building is like making a movie….both processes involve blending light and movement into space and time. A model is like a script: at best it’s a promise and at worst it’s a safeguard. And, as with a script, a moment comes when you have to test your model against reality. You must start shooting the film, start erecting the building.”
—The Interior Passage
We can see these starts when the two art forms come together in the 4th annual Architecture & Design Film Festival at the Tribeca Cinemas where 25 films will be screened through October 20. This year, the trend is toward process films that chronicle movements and initiatives (planning, education, preservation), portraits of buildings more than individuals, and Modernism referenced even when it’s not the direct subject.
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Barkow Leibinger designs a precast folded facade that puts a gentle spin on surrounding traditional architecture.
On one of the last urban tracts of available land in Berlin, Germany, local architecture firm Barkow Leibinger recently completed an 18-story tower, Tour Total. Highly visible from a neighboring train station, and the first completed project in the site’s 40-acre master plan, the tower has a raster facade with precast concrete panels that were geometrically computed in Rhino to create twisting inflections, conveying a sense of movement around the building’s four sides.
As a load-bearing facade, 40 percent of the surface is closed, and 60 percent is triple-glazed, with every other window operable. In addition to integrated energy management strategies—the first building tenant is French energy company Total—partner Frank Barkow said the firm’s extensive background in digital fabrication and research allowed the efficient development of the dynamic facade. Drawing from the surrounding, traditionally quadrilinear brick facades of the 1920s and 30s, the tower’s lines are imbued with an engrained depth that twists optically to read differently in direct sun or cloudy weather, without actually moving. Read More
To kick off AN and Enclos’ premiere conference, Facades + PERFORMANCE Chicago, Ronnie Parsons of Mode Lab will lead a technology workshop revolving around the concepts and mechanisms for creating performance-based parametric envelope systems using Grasshopper for Rhino5. Parsons is the founding partner of Mode Lab, a design consultancy focused on the development of products and environments for institutional and private clients.
The class will cover the skills necessary for architects and designers to work with the latest analysis technologies that are transforming the ways in which they perform in their professional practice. Workshop attendees will acquire knowledge about parametric design within the building industry, will learn about concept development using parametric tools, and will be taught about the use of data as design parameter.
Upon completion of the class, participants will receive a complimentary one-month subscription of Mode Lab. Don’t miss your chance to attend the numerous workshops, panels, and symposia hosted by Facades + Technology Workshops in Chicago. Enroll now!
In architecturally crowded Hong Kong, plazas are a rare breath of open air. The luxurious Causeway Bay district, whose retail rental rates surpassed New York City’s Fifth Avenue in 2012, is home to one of these sparse open spaces, Sunning Plaza. I.M. Pei’s 27-story edifice faces a large public courtyard, a hardscape relief within the densely built area devoted to commercial shops and restaurants.
But, such a luxury is always in threat of expansion. Artinfo reported that developer Hysan will soon be converting the space into additional commercial stores and offices. Pei’s 1982 building is to be demolished by the end of this year and the plaza is going with it.
Last year’s Open House Chicago sent architecture enthusiasts skittering around the city to explore a fraction of the 150 sites open to the public during one October weekend. This year the Chicago Architecture Foundation presents the third annual Open House, and it will be no less impossible to see all that the free de facto festival has to offer.
From high-end hotels interiors to deluxe dollhouses and state-of-the-art superyachts, Queen of the Curve, Zaha Hadid, has been expanding her signature sinuous style to all corners of the design map. The latest unexpected design to emerge from the architect’s versatile office comes in the form of a limited-edition wine bottle for Austrian winemaker Leo Hillinger.
For the 999-bottle edition of the winery’s 2009 vintage red, Icon Hill, Hadid created a curvaceous form derived from the profile of liquid droplets. A concave indentation along one side of the bottle’s surface matches the curvature of the bottle’s opposite side, so if you happen to be the proud owner of more than one of these bottles, you can create an interlocking conga-line of high-design wine. At the base of the bottle, the architect has designed a small dimple to assist in correct pouring and the collection of sediments. The bottle’s geometries were created using NURB-based CAD software, from which cast iron molds were produced to form the glass.
Art fairs serve three groups of clientele: the rich, who buy the art, curators and museum folks, and the poor—students, freelance writers, party-crashers. You can probably guess that Eavesdrop is in the latter, not the former, so imagine the disappointment when champagne was going for $19 per glass on opening night of Expo Chicago.
Seriously, what happened to the days of all-you-can-drink Grolsch or Basil Haydens way back in Art Chicago’s past? The sticker shock should be from the gallery price lists, not the bar.
While standing in line, Eavesdrop was flattered to be recognized by James Geier of 555 International, who hinted at a slew of new projects and fall openings. Hopefully those openings will allow the 99 percent to imbibe.
The art fair’s environment, layout and scheme, was designed by Studio Gang, although we can’t say that we were able to discern a noticeable imprint.