A collection of anonymous students at SCI-Arc calling themselves SCI-Arc Community have taken to Tumblr to express their concern over the hiring process for future school director Hernan Diaz Alonso. Their biggest complaint: the “extreme secrecy of the Director Search Committee.”
After five years and $10 million, Pittsburgh’s Mellon Square has been returned to its mid-century splendor. Dedicated in 1955, the Square served as a modern, green oasis in a city choked by pollution. But only a few decades after opening, the modern masterpiece had fallen into disrepair, its former glory hidden by cracked pavement, broken fountains, pigeons, and empty planters. As Pittsburgh has transformed itself in recent years, so to has Mellon Square. Now, the reborn space is yet another example of the Steel City’s promising future.
Winners of the 32nd Annual Awards for Excellence in Design were announced last night at the Thomas Leeser–designed BRIC Arts Media House in Brooklyn’s emerging Cultural District. Mayor Bill de Blasio was on hand to honor the winning projects, which were selected by the city’s Design Commission. “While Brooklyn is my home borough, I am proud to be awarding a diverse group of projects representing all five New York City boroughs,” the mayor said in a statement. “This year’s winners exemplify the Design Commission’s mission to enhance every New Yorker’s quality of life through public design, regardless of their size or location of the project.” The 10 winning proposals are all unbuilt, but two special recognition awards were awarded to Tod Williams Billie Tsien’s LeFrak Center in Prospect Park and Louis Kahn’s Four Freedoms Park on Roosevelt Island.
As Detroit nears the one year anniversary of the largest municipal bankruptcy filing in U.S. history, creative professionals in a busy downtown corridor are the target of a Washington, D.C.–funded “innovation district” that hopes startups will rev Detroit’s stalled economic engine. Read More
Tales of Two Cities: New York & Beijing
1 Museum Drive, Greenwich, CT
Through August 31
The Bruce Museum’s newest exhibition examines two of the world’s greatest art capitals: New York and Beijing. The show compares works by five New York–based artists and five Beijing-based based artists. The ten creators have been engaged in five different global, cross-cultural, artistic dialogues over the course of two years via email, Skype, and in person, sometimes with translators, about issues ranging from political and social upheaval, the concept of global culture, and questions about materials and techniques.
Considering how much trash Baltimore’s solar-powered Trash Interceptor scoops out of the city’s harbor—50,000 pounds a day!—these floating islands made from found plastic waste might just stand a chance. With the support of the Creative Industries Firm NL, WHIM Architecture is developing a prototype of their project, the recycled island, built primarily from recycled plastic waste gathered from the North Pacific gyre and the North Sea.
There is an ongoing architectural quest to find new and innovative sustainable materials. Some products could appear in the next science fiction film, such as the fungus-grown packaging material by Ecovative. Other materials have been with us for a long time, under guise of other uses. Some products—like the lowly shipping container—have served one function for so long they beg to be reinvented.
Writing mattered to the Swiss architect Le Corbusier. When he became a naturalized French citizen in 1930, Le Corbusier called himself neither a painter nor an architect, but an homme de lettres (a man of letters): he was an inveterate writer. His first book was a study of German decorative arts published when he was twenty-five; his last, sometimes described as a final testament, was completed only a month before his death. In between there are approximately fifty books (depending on how you define “book”), as well as letters, lectures, and handwritten journals as thick as books. Words were the stuff of architecture, not just how he participated in and influenced the debates of his time; they were essential to the task of making a new architecture.
Designing for Disaster
National Building Museum
401 F Street NW, Washington, D.C.
Through August 2, 2015
The National Building Museum’s newest exhibition, Designing for Disaster, will explore how communities assess risks from natural hazards and how we can create policies, plans, and designs that create safer, more disaster-resilient communities. The two central questions that the exhibit addresses are where and how we should build.
Despite ongoing delays, lawsuits, and government holdups, it appears that California’s High Speed Rail (HSR) plans (and their associated stations) are ready to move ahead. Last week the United States Department of Transportation issued a “Record of Decision” for HSR’s initial 114-mile section from Fresno to Bakersfield.