Major museums are really expensive these days, and boy do we like to complain about it (actually we get into most museums for free with a press pass, but we still love to complain about it)! Well gather ‘round dear readers, because we’ve got a bit of nice news for once. The new Renzo Piano–designed Whitney Museum is offering free admission for a year to all the men and women who are building their new Meatpacking location. It’s a nice counter to all the bad news about labor conditions at major cultural and educational institutions in the Middle East (we’re looking at you, NYU).
Peeping Toms, bust out the kazoos. Your field day has arrived—and it comes equipped with party favors. The Shard, designed by Italian architect Renzo Piano, is London’s tallest skyscraper and, as of last week, home to a new luxury hotel. The rooms include breathtaking views of the city—and, thanks to a design flaw, unscrupulous views of unsuspecting neighbors.
Glass panels on the Shard’s exterior bestow the building with a crystalline front and its namesake. But at night, the city’s lights turn the glass into mirrors that fully reflect guest bedrooms into each other. Complementary binoculars (“for the view,” ahem) don’t help matters. Nor do puns about the naked eye. Masking a blush? Rest easy—susceptible rooms include shades for extra privacy.
Although Houston has been expanding outward for decades, its bus system has hardly kept up. This is not surprising given the track record for many American cities where cars take precedence over public transit. But what is unexpected—to the point of being radical—is a proposal that will grant greater, more efficient access to Houston’s commuters for not a penny more than its current cost.
As New York City’s +Pool—the world’s first floating swimming pool—gets closer to the water, it was high-time for another river-based project to make itself known. The latest comes in the form of City Beach NYC, a beach-topped barge that would float in the Hudson River. The idea for the vessel comes from Blayne Ross, and it was designed and engineered by Matt Berman, and Andrew Kotchen from workshop/apd, and Nathaniel Stanton of Craft Engineering.
At the 2014 Venice Architecture Biennale, Rem Koolhaas set the theme “Absorbing Modernity: 1914-2014″ for the national pavilions, and many countries took it up through the lens of domesticity. The Taiwanese American architect Jimenez Lai examined the spaces and rituals of Taiwanese life with his exhibition Township of Domestic Parts. Lai created “superfurniture,” overscaled, Memphis-inflected installations that interpreted ideas such as museum-like living rooms—part shrine, part show place, reserved only for guests. The result is a fantasy hangout space, which conjures up memories of childhood.
The Florentine architecture group Superstudio enjoyed the penultimate moment on the world architecture stage at the 1972 MoMA exhibition, The New Domestic Landscape. However, by the end of that decade with worldwide radical politics on the wane and postmodernism on the rise, the Florentines found their radicale arguments and practice marginalized and they began to move away from architecture towards other sorts of design initiatives. But before the group left the international stage, they created one last potent architectural statement: La Moglie di Lot and displayed it at the 1978 Venice Biennale of Art.
Elizabeth K. Meyer has been appointed as the dean for the University of Virginia’s School of Architecture. Her two-year term starts July 15th. Meyer received both her bachelor’s and master’s degree in landscape architecture from UVA before going on to teach at Harvard for four years. In 2012, President Obama selected her to serve on the U.S. Commission of Fine Arts. Meyers was the only landscape architect on the panel of seven.
Of her new position, Meyers said in a statement that she is “optimistic that the next two years will be a period of tremendous innovation as we form new creative habits and collaborative relationships amongst ourselves, and with colleagues across the University and beyond.”
At this point, the record breaking sales of luxury apartments in Midtown are not really news. As the towers rise higher, so do the prices. This has been the trend for quite some time and it shows no signs of slowing down. With that said, did you hear about the one Downtown? Bloomberg reported that the nine-story penthouse at Cass Gilbert’s Woolworth Building is expected to be listed for $110 million. The top 30 floors of the tower are currently being converted into luxury apartments, but the penthouse is quite literally Woolworth’s crown jewel—and it is priced as such.