A compromise has been reached in the heated battle over the fate of Brooklyn’s iconic Kentile Floors sign. The New York Times reported that the sign’s owner will dismantle the structure and donate its red letters to the Gowanus Alliance, a local group which plans to reinstall the sign nearby. For that to happen, though, the eight-story, 50-year-old sign must first be removed from its current rooftop home without breaking. “There are some hurdles to clear,” reported the Times. “The permits require that the 20-foot-high letters be reduced to four-by-four-foot sections and sent down a debris chute off the roof.” City Councilman Brad Lander, who recently launched a petition to save the sign, told the paper he hopes the letters can be removed with a pulley and not “crammed down a chute.”
New York City’s Office of Emergency Management has opened a full-scale prototype of its temporary housing units that would shelter those displaced from the next Sandy-like storm. The OEM describes “The Urban Post-Disaster Housing Prototype Program,” as a “multi-story, multi-family interim housing solution that will work in urban areas across the country.” The prefabricated structures are designed by Garrison Architects and intended to be dispatched quickly after an emergency and assembled on-site.
Yesterday Santa Monica radio station KCRW broke ground on its new hub, which will bring it out of a basement at Santa Monica College and into the architectural spotlight. The 35,000 square foot building, designed by Clive Wilkinson Architects, will be located on the college’s future Entertainment and Technology Campus, in the city’s creative business district, along the Expo line. Wilkinson won the commission back in 2008, but the bold, colorful design has developed significantly since then.
We’ve known for some time now that ex MOCA director Richard Koshalek has returned to Los Angeles from D.C., where he recently stepped down as director of the Hirshhorn Museum. Now we know one of his exploits: We hear that he is consulting Frank Gehry on the organization of his vast archives. Maybe this means there will someday be a Gehry museum? Certainly the architect is not getting any younger, so we may hear more soon.
The French “GIF artist”—welcome to the 21st century, everybody—Axel de Stampa has officially made time-lapse videos look like child’s play. In his new project, Animated Architecture, de Stampa spins, shifts, tops, and deconstructs some of the most visually distinctive contemporary buildings—all in endlessly entertaining GIF format.
Friday the 13th just got a whole lot scarier. Tomorrow, on the tail of The World Naked Bike Ride in Portland, Oregon (NSFW Link), a similar clothing-optional bicycle boosting event is coming to Brooklyn. Topically dubbed Vision Zero Clothing (in what must be an honest homage to New York Mayor Bill de Blasio’s Vision Zero plan, which proposes to stop people from getting run over by cars), the event is scheduled to get underway at 6:00 p.m. at Grand Ferry Park in Williamsburg (which, incidentally, is a favorite hangout of the Hasidic Jewish community).
Two global urbanistic powerhouses, San Francisco–based Rebar and Copenhagen-based Gehl Architects, have joined forces to create Gehl Studio. The practices will keep their offices in their respective cities and start a new one in New York. Gehl didn’t purchase Rebar, but hired most of Rebar’s staff, including two of the three founding partners, according to a report in Landscape Architecture Magazine.
June brought good weather to Cleveland, and those who rang in summer with a visit to the Cleveland Public Library encountered an airy installation of white frames and threads crisscrossing the Eastman Reading Garden.
It’s not the first piece of public art to active the space outside the Cleveland Public Library. Last year a giant reading nest designed by LAND Studio and New York artist Mark Reigelman took wing in the library’s Eastman Reading Garden.
A rendering has been released for a Morris Adjmi-designed apartment building in South Williamsburg, Brooklyn. Curbed reported that the 13-story building contains 82 rentals and 26,000-square-feet of landscaped space; the base of the building has about 30,000-square-feet for retail, and a nearly 7,000-square-foot community space. The under-construction structure is located just steps from the J,M,Z subway lines, and only a few block inland from the Domino Sugar Factory.
The Cleveland neighborhoods of Kinsman, Duck Island, and West 65th Street could eventually get major updates now that three new plans have won unanimous approval from the city’s planning commission. All three neighborhoods were built when Cleveland’s industrial heyday propelled a boom of real estate development that has long since given way to depopulation. In Kinsman, on the city’s far East Side, the plan proposed creating an arts and entertainment district. The Duck Island plan focused on multi-modal transportation hubs, and the plan focusing on the West 65th Street neighborhood called for a two-mile multi-purpose trail. Funding for most of the work is still undetermined, but the city has committed some money for bike lanes, curb extensions, and other local improvements already called for in the three plans.
While most of the attendees at the recently opened Venice Biennale were thinking about the basic Elements of Architecture a younger generation of architects were concerned about something even more basic: how to earn a living. In a series of Arsenale round table talks called Stay Radical created by New York–based Superscript, young Italian architects talked about the difficulties of earning even the most basic living wage in their country devastated by recession and a historic system of wage depression. Meanwhile the New York group, The Architect’s Lobby took matters into their own hand and with megaphones held a protest just outside entrance to the Venetian Giardini (above).