Back in October 2010, ground was broken at 19 Park Place—which also has frontage on Murray Street directly across from AN‘s office. As Curbed reported nearly three years ago, the 25-foot-wide site was set to be the home of the Tribeca Royale, a futuristic, 21-story condominium tower designed by New York-based Ismael Leyva Architects and developed by ABN Reality. Signage on the construction site and a press release that landed in our mailbox today assure that the project is still going forward as planned, but a peek out of the office window confirms that progress on this Jetsonian tower has been moving at a stone-aged pace.
Dubbed “The Gateway,” the portion of State Street between Lake Street and Wacker Drive features shaded tables and chairs in what the city is calling its first “People Plaza.” Flowerboxes, banners, and bright red and blue colors lighten up the otherwise utilitarian median. While the spot’s central location is probably its greatest asset in attracting visitors, satisfying views of downtown’s architectural gems impart some elegance to the straightforward design.
Readers enjoying Architectural Record’s free online content got a wake-up call in late May: a paywall for articles older than 30 days. Now to access “the archive,” one must subscribe to the publication or sign up for an online subscription ($20/year). Thus, Record, one of the oldest surviving publications on architecture, joins the ranks of The New York Times and The Wall Street Journal, which in recent years have asked readers to pony up for full online access. Record’s move sent a jolt through the Twitterati of the architecture and design world, who speculated on what other pubs might follow. No paywall plans for us, Metropolis and Architect cheerfully tweeted back. Thanks to its high volume of online traffic, Record can afford to experiment with paid content, even if it means stymying some potential readers. On Reddit’s architecture site, a recent post that asked “What design do you like best?” and included a link to Record received the reply: “I like the one that doesn’t link to the F—ING PAYWALL.”
On a recent walk down Broadway near the AN offices in Lower Manhattan I was handed a flyer by The Granny Peace Brigade who were protesting in front of a building where several New York City Council Members have offices. The flyer claims in bold letters “High Tech Stop and Frisk: Domestic Drones Coming to Your Neighborhood?” It had an image of a LEAPP Drone made by Brooklyn Navy Yard–based Atair Aerospace who claim their powered paraglider “is a slow-flying, long endurance powered paraglider UAV [Unarmed Aerial Vehicle] platform that is used for ISR [Intelligence, Surveillance, and Reconnaissance] and distributive operations payload delivery missions,” but that the Brigade believes could be used to monitor for loitering.
During the discussion that followed the announcement of 2013’s Burnham Prize winners, much was made of the difference between “gold-standard” bus rapid transit and watered-down “express bus” service. The key difference is that the real thing not only runs more smoothly, but that it feels like a special experience.
So it was for the honorees of the prize ceremony, which this year included three winners, three honorable mentions, and three citations. Their prompt, “Next Stop,” asked them to design stations for Chicago’s burgeoning network of bus rapid transit systems.
Snøhetta has been selected to design the Qasr Al Hukum Downtown Metro Station in Riyadh, Saudi Arabia, which will operate as a transfer point between two metro lines and a bus network. The Norwegian architecture firm’s design covers the station with a large stainless steel bowl, distinguishing it from the metropolitan framework, providing shade, and conducting light deep underground with its reflective surface through a central oculus. At night, light from retail shops and the subway platform shimmers across the metal’s surface. A garden occupies the center of the main pedestrian circulation area, which includes concourses and escalators that connect the lower platforms to the street. This oasis is an effort to convey the value of natural resources in the country’s desert environment.
Abelardo Morell: The Universe Next Door
Art Institute of Chicago
111 South Michigan Avenue
Through September 2, 2013
Abelardo Morell is a Cuban-born American photographer who over the past 25 years has used photography and his unique way of looking at the world to create compelling works of art. Morell finds inspiration for his pictures in the environment he is most comfortable in, his home. The subjects of Morell’s photographs are common household objects—still lives of books and money—but the photographer is most known for his Camera Obscura series. To create these unique, large-format photographs, Morell cuts out a small opening in a dark room that reveals a view of the outside world. An upside down image of the outside is then projected back into the interior of the room. Morell then photographs a projection of the outside world set against the common objects that fill a room’s interior, such as a bed, or a table of stacked books. This exhibition features more than 100 of the artist’s works in which he experimented with various techniques, including photograms, still-life tableaux, stop-motion studies, and the tent camera.
Getting excited for NeoCon? AN is. In fact, AN product editor Emily Hooper was so eager to see the latest design products for commercial interiors that she prepared this preview of some of best chairs, casegood systems, and acoustical panels that will be on view this year in Chicago.
To meet the needs of the nomadic workforce, Coalesse tapped Milan-based Toan Nguyen to design the Lagunitas line. Made to accommodate a solitary task session, a working lunch, or a brief touchdown to check emails, the collection features more than 50 combinations of seating, tables, and privacy screens perfect for laidback productivity.
After Hurricane Sandy swept through the east coast, it left Water Street, a sleepy corridor in lower Manhattan, even more deserted. But now, Department of City Planning (DCP) has proposed a zoning text amendment to enliven the quiet downtown stretch by allowing for seating, art installations, food trucks, concerts, and other such events and amenities on privately owned public spaces (POPS). Sprinkled throughout the city, POPS are unique public areas that are maintained by developers for public use in return for more floor space in their development.