Northwest Indiana’s 2040 masterplan took home top honors for comprehensive planning last week, when the American Planning Association handed out its 2013 National Planning Excellence Awards. The association also saluted 12 projects with the first-ever National Planning Achievement Awards.
Tying into a major theme at this year’s conference, the APA award winners tended toward projects with an ambitious scope, such as Philadelphia’s sweeping planning and zoning rewrite and New York’s Zone Green initiative.
The high desert town of Lancaster, California, population 156,000, has set its sights on becoming, in the words of its mayor R. Rex Parris ”the solar capital of the world.” That means producing more electricity from solar energy than it consumes, which it would have to achieve by covering roofs, fields, and parking lots with enough solar panels to generate more than 200 megawatts citywide. The city, located about two hours north of Los Angeles in the Antelope Valley, already has about 40 megawatts built and 50 megawatts under construction, according to the New York Times; a combination of private investment and construction from the municipal utility.
Lancaster could prove to be a good case study: getting a solar permit in the sun soaked town is already much easier than anywhere in California—the number of residential solar installations have tripled in the last 18 months—and Parris is touting the initiative as an effective way to add jobs to the struggling area.
The newly opened Bullitt Center in Seattle has stridden beyond the checklists of the LEED rating system to bring “real green” architecture into the public’s eye. As the self-proclaimed “greenest commercial building in the world,” the Bullitt Center seeks to meet the exacting goals of the Living Building Challenge, a more rigorous certification alternative to LEED. Located in Seattle’s Capital Hill district, which is in the process of a metamorphosis into the city’s “Eco-District,” the six-story building aims to serve as a new standard for what can be accomplished when architects and developers put ecological design at the forefront of their priorities.
The American Academy of Arts and Letters has announced its 2013 architecture awards recipients. The winners were chosen from a group of 32 individuals and practices nominated by Academy members. An exhibition of their work will be on display at the Audubon Terrace in New York City from May 16 to June 9, 2013.
Through April 28
Jon Kessler’s The Web, currently on view at the Swiss Institute through April 28, is an immersive array of monitors, enlarged MacBooks, cameras, mechanical and animatronic sculptures—the latter of the artist himself—set to a sound track of the eponymous Apple computer chime. Enabled through mobile technology, the environment plugs you into a closed-circuit feedback loop. You download an iPhone app that allows you to feed your experience of the installation into the system as your movements are also simultaneously tracked, captured, and fed into the system. Cleverly re-staging Jean Tinguely’s self destructive drawing machine for the digital age, you are only image. Caught in this web, you are broadcast at those moments when you think you are most in control. You appear only to disappear and then to reappear somewhere else again, and again. You have your images, but The Web has you.
At 7pm, Saturday, April 28 at the Swiss Institute, Jon Kessler will hold a press conference/performance announcing the launch of his latest business enterprise, GlblVlgIdiot, devoted to the creation of iPhone apps similar to The Web that “bridge the gap between life and art.” Click here for reservations.
The Bjarke Ingels Group, along with Tess, Transsolar, Base, Transitec, and Michel Forgue, have revealed their winning design for EuropaCity, a 200-acre urban cultural and commercial destination located between Paris and Roissy. Combining the forms of a dense European city with an open landscape, EuropaCity is set to be a retail, cultural, and leisure city of unprecedented scale. Modeled on the European urban experience and equipped with cutting edge green technologies, the development will serve as a retail and cultural hub for the region as well as a laboratory and showcase for sustainable design.
The American Academy in Rome has announced the winners of the 117th annual Rome Prize, a national competition awarded to approximately thirty individuals who show outstanding work in the arts and humanities. The prize includes a fellowship and stipend, a study or studio, and an invitation to Rome for six months to two years to work within the Academy and with its students to further explore artistic, professional, or scholarly pursuits while learning from the knowledge of peers. This year, 44 individuals comprised nine peer juries that completed the application selection process.
At War With The Obvious: Photographs by William Eggleston
Metropolitan Museum of Art
Howard Gilman Gallery 852
Through July 28
William Eggleston, one of the first American photographers to experiment with modern color photography in the 1960s, is known for his ability to capture the essence of southern life through photographs of ordinary people, scenes of everyday life, and commonplace objects, such as a child’s tricycle or a sign reading “Peaches!” set against the backdrop of a cerulean blue sky. Eggleston produced much of his color photography with a dye transfer printmaking process, a technique that was previously used solely for commercial and advertising purposes, and established it as a prominent artistic medium in the American tradition. The Metropolitan Museum of Art exhibition, At War With the Obvious, celebrates Eggleston’s work by presenting together for the first time thirty-six dye transfer prints he created in the 1970s. It also features his first portfolio of color photographs, fifteen prints from his landmark book, and seven other of his most recognized photographs.