Hurricane Sandy not only caused considerable damage to the Rockaways, but it also exposed the vulnerability of New York City’s waterfront communities to future storms and changing weather patterns. Today, the American Institute of Architects New York, along with NYC Department of Housing Preservation & Development, L+M Development Partners, Bluestone Organization, Triangle Equities, and Enterprise Community Partners, announced a new design competition for “resilient and sustainable development in the Rockaways.” The group called on architects to come up with different strategies for how cities can build more thoughtfully in areas prone to flooding.
Join AN this Friday, April 19th from 6:30 PM to 8:30 PM at the Center for Architecture, award-winning architect Audrey Matlock and New York Daily News real estate editor Jason Sheftell will lead the discussion and bartender and author Toby Cecchini will design the evening’s custom cocktail.
cultureNOW and AIA NY’s Architectural Dialogue Committee have launched a new Friday night lecture series with the purpose of initiating conversation about the design of built environments. The new series, Cocktails & Conversations, connects an architect with a critic, journalist, or curator to direct the discussion while attendees sip custom beverages inspired by the architect’s work.
Members and non-members can register here.
Loyola University hopes to permanently close part of Kenmore Avenue in preparation for new dorms on its lakefront campus in Chicago’s Rogers Park neighborhood. SmithGroupJJR architects, who also helped revamp Loyola’s lakefront campus along with Solomon Cordwell Buenz, released some renderings of the new pedestrian space, which would replace Kenmore Avenue between West Sheridan Road and Rosemont Avenue.
A few years ago Drexel University embarked on an ambitious plan to convert one of Philadelphia’s iconic postmodern landmarks by Venturi Scott Brown Associates (VSBA) into a new home for the Antoinette Westphal College of Media Arts & Design. Tonight the University will celebrate the official opening of its new building, dubbed the URBN Center, with a series of performances and demonstrations to showcase student work.
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Goetz Composites fabricated the Granoff Collection of modular furniture for a new Diller, Scofidio + Renfro-designed building at Brown University.
Brown University’s Granoff Center for the Creative Arts, completed by Diller, Scofidio + Renfro in 2010, was a direct result of the institution’s studies on how students and faculty interact today. Since most interdisciplinary exchanges were taking place in stairwells over classrooms, the architects designed a central escalier with five landings where the school’s population could meet among rotating student installations. One year after the building opened, the users realized that something was missing on the escalier: a place to sit. To rectify the situation, graduate students from the Rhode Island School of Design (RISD) collaborated with Brown alumni to design a unique collection of furniture named for the building’s patrons, Perry and Marty Granoff.
The alumni designers—Taylor McKenzie-Veal, Scot Bailey, Ian Stell, and Yumi Yoshida—crafted a line of modular furniture that includes a sofa, a chair, and a table that doubles as a stool. The line caters to local industry in materiality; namely the state’s maritime history. “The boating and composite expertise in Rhode Island has a long-standing history of excellence and [we] consulted and collaborated with a local composites and engineering firm while developing and prototyping the design,” said McKenzie-Veal.
International Property Developers (IPD) has renewed plans for massive developments around Chicago’s Old Main Post Office. IPD bought the structure in 2009 for $40 million and has been working with Chicago-based architects Antunovich Associates on a plan to surround the massive building, which has almost as much interior space as Willis Tower, with three new towers.
Are you eager to put your architectural design skills to the test? Here are some exciting upcoming competitions that will be sure to present you with the type of challenge you’ve been waiting for. AN‘s editors have combed through our online listing of architecture and design competitions to bring you five of the most interesting competitions happening right now. If you’d like your competition to be included in the listing, please submit it here.
SALT LAKE CITY INTEROTTA. In an effort to organize city planning, Salt Lake City, Utah came up with the “Mormon Town Grid,” a planning system that evenly and neatly divided pieces of land into squares of the same size. The grid certainly made for a more orderly city, but it also presented a problem. Each 660-f00t square holds 10 acres of land. The blocks are too big and too deep to be walkable, and so driveways and internal streets have been incorporated into the blocks to ease navigation. The competition asks architects, urban designers, and landscape architects to design his/her own 660×660 ft square. Entrants are allowed to interrupt the square any which way they’d like but must remain within the context of the block.
Submission Deadline: May 27, 2013
Museum of Contemporary Art Chicago
220 East Chicago Avenue
Through June 18
Jason Lazarus’ exhibition at the Museum of Contemporary Art Chicago centers around three pieces. The first, Untitled (2013), is a performance piece featuring a classical piano student playing Frederic Chopin’s Nocturne in F minor, mistakes and all. Phase 1/Live Archive (2011-present) is a collection of Occupy Wall Street signs, remade by both Lazarus and the public and based on images from print and online sources. The final piece is a project that explores the thin line between public and private sectors through media generated photography. In employing found photographs he also comments on ways archives are used and on their relationship to history. Lazarus, a Chicago-based artist, is best known as a photographer, though he is also deeply invested in the art of sign making, both physically and symbolically. He has recently expanded his artistic practice into art collector, archivist, and curator.
Los Angeles’ impressive new bridges have gotten a lot of press lately, including HNTB’s epic 6th Street Viaduct and Andrew Leicester’s unusual so-called basket bridge for the Metro Pasadena Gold Line extension. But one crossing is being worked on in total secrecy: a span over the 101 Freeway at Los Angeles Street, connecting the Civic Center and the Pueblo de Los Angeles.
Artists Jenna Didier and Oliver Hess, who run the city’s Materials and Applications gallery in Silver Lake, are designing the bridge. No renderings have been unveiled, and it’s all very top secret within the city, which is why eavesdrop is on the case. And while Thom Mayne (101 pedestrian bridge) and Asymptote (Steel Cloud) have both failed to make similar ideas happen, this looks like it’s actually moving. Stay tuned.
If any admirers of deconstructivism are in the market to buy a house, they will be curious to learn that Peter Eisenman’s iconic structure, House VI, will be up for sale in late May or early June. Owners Suzanne and Richard Frank commissioned Eisenman—a member of the New York Five—to design and build a house on their 6-acre property in Cornwall, Connecticut. Suzanne Frank had previously worked as a researcher and librarian for Eisenman’s Institute for Architecture & Urban Studies. The house, completed in 1975, is an unconventional play on a grid and intended to be a “record of the design process.”