Scrap your afternoon plans and take an amazing aerial tour of Dubai, instead. Photographer Gerald Donovan has created an interactive panorama of the city as seen from the top of the world’s tallest building, the Burj Khalifa for the Hamdan Bin Mohammed Bin Rashid Al Maktoum International Photography Award. The view was taken from the top of the tower, some 2,722 feet above the street, reached by climbing nearly 660 feet through the Burj Khalifa’s enormous spire. Users can pan around and zoom in to observe the surrounding cityscape with amazing detail. To achieve the stunning effect, Donovan stitched 70 photographs together, each a whopping 80 megapixels, to create a single 2.5 gigapixel panorama. [Via The Telegraph.]
The 14th installment of the Venice Architecture Biennale, to be spearheaded by Rem Koolhaas, will be called Fundamentals, the architect announced today at a press conference today. “Fundamentals will be a Biennale about architecture, not architects,” Koolhaas said in a statement. “After several Biennales dedicated to the celebration of the contemporary, Fundamentals will focus on histories – on the inevitable elements of all architecture used by any architect, anywhere, anytime (the door, the floor, the ceiling etc.) and on the evolution of national architectures in the last 100 years.” The Biennale will take place from June 7 through November 23, 2014.
It’s been a mild winter so far in New York, and with the first onset of below-freezing temperatures, city folk are donning their heavy jackets and gloves. And while the winds whipping around the glass and steel towers of Manhattan might feel as if it’s as cold as it’s ever going to be, consider a century ago when temperatures were low enough to freeze the East River from the banks of Brooklyn to the Manhattan waterfront, still two different cities at the time, providing thrill-seeking pedestrians with an instant new crossing years before the Brooklyn Bridge was built.
The above view was engraved in 1871 and titled, “Crossing the East River on the Ice Bridge,” depicting dozens of New Yorkers walking across what would normally have been a busy maritime thoroughfare. While such a natural feat seams unlikely today, Gothamist has collected clippings to show that the phenomenon was known to occur around once a decade on the East River during the 19th century and there have been reports of similar frozen-river bridges along the Mississippi and Ohio Rivers as well. For instance, in 1851, an estimated 15,000 pedestrians, horses, and sleighs crossed the frozen river.
After a few administrative hurdles and several packed community meetings that aired downtown residents’ concerns, Chicago’s Wolf Point is poised to turn perhaps the most prominently underdeveloped piece of land in Chicago into a billion-dollar suite of skyscrapers along the Chicago River.
This story appears to have it all: architecture, LEGOs, Star Wars, and controversy. The Telegraph reports that the Turkish Cultural Community of Austria (TCCA) has taken offense at LEGO’s latest miniature plastic toy, a replica of Jabba the Hutt’s Palace from the Star Wars trilogy. While some are calling the absurdity of the move a spoof, the group alleges the model is based on the architecture of Istanbul’s Hagia Sofia and the Jami al-Kabir Mosque in Beirut, and fills the two revered symbols of the Islamic world with armed criminals. Jabba the Hutt is the slug-like alien and crime boss who maintained a mixed-relationship with smuggler-turned-hero Han Solo, at one point cryogenically freezing Solo.
According to the Telegraph, the TCCA said on its website (in German), “It is clear that the ugly figure of Jabba and the whole scene smacks of racial prejudice and vulgar insinuations against Asians and Orientals as people with deceitful and criminal personalities.” It has called on LEGO to apologize for the creating negative views of their culture and is considering legal action. A spokesperson for LEGO denies any link between Jabba’s Palace and the Hagia Sofia.
We’ve known for some time that SOM will be designing the new US Courthouse in Downtown Los Angeles. We’ve even gotten some glimpses of their scheme. But the firm has just unveiled new images of the project, filling out the picture of this new landmark for the city on the corner of 1st Street and Broadway.
The familiar image of a cube-like, 550,000-square-foot structure in the middle of the city is now accompanied by a closer view of a folded glass façade imbedded with a United States seal. The building, which floats above a central core, appears to cantilever outward on all sides, with ramps and a small park leading the way to the entry. Inside we get a peek at a large central atrium rising several stories, and walls made of some kind of blond stone. Exposed central stairs appear to make climbing upward a public process. SOM is still unable to comment on their scheme, but we’ll let you know when that changes.
SubDivided provides a unifying element in Fenton Hall’s three-story atrium, tying each level together visually.
In December 2012, the University of Oregon completed a renovation of Fenton Hall (1904), which has been home to the mathematics department for the past 35 years. In addition to sprucing up the interior and upgrading the mechanical systems, the institution hosted an open competition for the design of an installation to hang in the building’s atrium. Out of roughly 200 initial applicants three were shortlisted, and of those the university selected a design by Atlanta-based architect Vokan Alkanoglu. Composed of 550 uniquely shaped aluminum sheets, the 14-foot-high by 10-foot-long by 4 ½-foot-wide sculptural form is derived from the curving geometry created by several opposed ellipses—a nod to the discipline that calls Fenton Hall home.
“We wanted to create something that would be visible on all three floors of the atrium to connect the levels and create flow in the space,” said Alkanoglu. “We also wanted to have an interior to the piece, so that you could see inside and outside, to give it a real sense of three dimensionality.”
The lights on the Loew’s Kings Theater’s marquee have been dark for over 35 years since the last showing of Islands in the Stream in 1977. In fact, the entire king-size, 3,200-seat, French-Baroque movie palace is looking quite dim these days, much of its ornate plasterwork worn, damaged, or missing from years of decay and neglect and its terra-cotta facade in need of cleaning. City officials had to string ropes of temporary construction lights through the still grandiose, if a little shabby, lobby, just to make the announcement on Wednesday that Brooklyn’s largest indoor theater is coming back to life in a big way thanks to $93.9 million in new investment from public and private sources.
Renzo Piano’s new Whitney Museum and adjacent maintenance building have been quickly rising between the High Line and the Hudson River in Manhattan, topping out on December 17, 2012. Now, the Whitney has condensed the entire construction sequence from its groundbreaking in October 2011 up through January 14 into one easy-to-watch time-lapse video. And if you just can’t get enough of the Whitney under construction, you can watch live on this webcam or take a virtual fly-through of the new museum here. [Via Curbed.]