Blanc’s Bronx Vertical Garden

Patrick Blanc's cube installation at the New York Botanical Garden. (AN/Stoelker)
As architects like Herzog & de Meuron and Jean Nouvel tap into the potential of vertical gardens, they’ll often seek the expertise of Patrick Blanc. For the past thirty years Blanc developed vertical gardens while researching adaptive strategies of plants at the National Center for Sceintific Research in France. His research of plant growth in nature’s more hostile environs, such as hanging off of stone cliffs or springing from rocks next to waterfalls, has yielded a uniquely urbanistic solution for gardening. For the next ten days there’s a small window of opportunity left to see the work of Blanc at its most luxurious. The botanist designed the New York Botanical Garden‘s annual Orchid Show which ends on April 22. As a bonus, this also happens to be the moment that the Gardens’ 250 acres are at the height of their springtime burst.
Thursday night at the Center for Architecture, AN‘s executive editor and editor of the forthcoming Civic Action publication Julie V. Iovine will moderate a panel on Civic Action: A Vision for Long Island City, a site-study and exhibition featuring innovative design proposals for the Long Island City neighborhood of Queens. The panel will include Lyn Rice, Elliott Maltby, and Claire Weisz speaking about involving the arts in civic planning. See you there!
Architectural League Honors Amanda Burden’s Commitment to Quality Design
Amanda Burden, Chair of the New York City Planning Commission and Director of the Department of City Planning, is the recipient of the Architectural League of New York’s highest honor, the President’s Medal. The League’s President and Board of Directors grant the award to individuals in recognition of an exceptional body of work in architecture, urbanism, or design. The medal was presented to Burden last night at an awards ceremony.
The accounting methods that New Jersey Governor Chris Christie used to put the kibosh on new cross Hudson train tunnel were called in to question in a report released today, the New York Times reports. Christie said that the project, called the Access to the Regions Core (ARC), could run up to $14 billion, but independent Congressional investigators found that it would cost no more than $10 billion. He also claimed that New Jersey would foot more than 70 percent of the bill, but investigators said it would have been more like 14 percent. It should be noted that a constant Christie critic, Senator Frank R. Lautenberg, commissioned the report. No matter, it seems to be no skin off the governor’s nose. NJ.com grabbed a quotable quote from the governor speaking in New York this morning at the George W. Bush Institute Conference on Taxes and Economic Growth: “So when they want to build a tunnel to the basement of a Macy’s and stick the New Jersey taxpayers with a bill of $3 to $5 billion over, no matter how much the administration yells and screams, you have to say no.”
Blair Kamin seems to have joined the reconsider PoMo chorus, stating in his Sunday column that the movement “deserves a more sophisticated reappraisal.” The focus of the Tribune tribute was Michael Graves’s Humana building in Louisville, Kentucky. By drawing comparisons to Johnson’s AT&T building in its unabashed commercialism and to Kohn Pedersen Fox’s 333 Waker Drive for its national significance, Kamin writes that “Graves crafted a tower that could only have been built in Louisville.” The reassessment comes on the heel of Graves receiving the Richard H. Driehaus Prize for classical and traditional architecture in Chicago last month, which in turn came after last fall’s PoMo Conference at New York’s Institute for Classical Architecture and Art. Seems that the classicists are going gaga for PoMo.
On View> Pedro E. Guerrero: A Retrospective
Pedro E. Guerrero: A Retrospective
WUHO Gallery
6518 Hollywood Blvd., Los Angeles
Through April 25
At age 22, Pedro E. Guerrero made a spontaneous visit to Taliesin West to meet Frank Lloyd Wright; upon seeing his portfolio Wright immediately gave Guerrero the position of principal photographer. Guerrero’s relationship with Wright would define his career; nearly all publications about Wright include his work. Moving to New York, Guerrero went on to work for journals including Architectural Record and Vogue, documenting the works of modernists like Saarinen and Breuer. His photography approaches architecture as sculpture, displaying an eye for composition and form that led to close personal and working relationships with Alexander Calder and Louise Nevelson.
Troy, Troy Again! Architects Revamping an Aging Waterfront
The design minds behind the waterfront destinations of West Harlem Piers on the Hudson River, the India Street Park in Greenpoint, Brooklyn, and the Edge Park in Williamsburg, Brooklyn, have been chosen for yet another waterfront revamp. W-Architecture, a New York City-based architecture and landscape architecture firm, was selected to design and renovate the Troy Riverfront Park in Troy, New York, a $1.95 million project that’s part of the city’s plan to redevelop its Hudson River waterfront. Currently under construction, diseased trees are currently being cleared to open up views to the river and create a more sustainable and seamless connection to the city’s downtown.
Twenty Years Later, Las Vegas’ Starship Enterprise That Almost Was
The above might be the most spectacular project to (n)ever happen. In 1992, The Fremont Street Experience, by the Jerde Partnership, became the project that was built to save downtown Las Vegas, at a time when the boom of casinos along “The Strip” was siphoning business from the city’s core. But no one knew—until now—that apparently the real winner of that project’s competition was Gary Goddard and his team, who claim to have proposed to build a full-scale Starship Enterprise in downtown Las Vegas. The spectacular mirage-city in the Nevada desert is the only place where a project this amazing could ever (not) happen.
Spur to Action: Philly Brings Elevated Park Plans into Focus
Philly is one step closer to creating an elevated park on an abandoned rail viaduct. Studio Bryan Hanes and Urban Engineers, two firms collaborating on the design of the SEPTA Spur phase of Philadelphia’s Reading Viaduct, have released new images of the reclaimed railway that bring the proposal into focus. The Spur represents a significant step in realizing the vision of the elevated park with a primary entrance from Broad Street that rises from grade to the elevated rail line. The first phase stops just shy, however, of the wider, more programmable space on the main Viaduct.
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