[Editor's Note: The following comment was left on archpaper.com in response to the editorial “Motoring Toward Destruction?” (AN 08_06.05.2014), which parsed the wisdom of Detroit’s blight removal program.Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email firstname.lastname@example.org. ]
I’m failing to find a thesis in here, other than wholesale demolition = bad, which is something we’re well aware of. Other considerations that weren’t even mentioned in this are aspects of public safety (arson and the use of dilapidated structures in which to commit crimes, peddle drugs, etc.) and the question of revenue (clearing blighted structures for redevelopment). The article even mentions that of the 80,000 blighted structures, we’re attempting to save more than half.
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A thin shell pavilion with an audio feedback program invites engagement.
Apertures, the amorphous pavilion designed and fabricated by Baumgartner+Uriu (B+U) with students from SCI-Arc, challenges two of architecture’s defining dualities: the distinction between wall and window, and the division between exterior and interior. “Conceptually, we were looking at objects that are multi-directional and have apertures as their main theme,” said partner Herwig Baumgartner. “That was one aspect of it; the other was the barriers between inside and outside and how we can dissolve these. We’re interested in architecture that’s responsive through either movement or sound.” As visitors pass through or otherwise engage with the 16-foot-tall, 1/8-inch-thick structure’s many rounded openings, attached heat sensors trigger sounds based on human bio-rhythms, creating a feedback loop that encourages active exploration of the space. Read More
Fujiko Nakaya: Veil
Philip Johnson Glass House
199 Elm Street, New Canaan, CT
Through November 30
For its 65th anniversary, Philip Johnson’s Glass House in New Canaan, Connecticut, is hosting an exhibition by Fujiko Nakaya that utilizes the historic site itself. Veil shrouds the Glass House as well as the surrounding landscape with fog by running fresh water through high-pressure pumps. The fog will be heavily released then dissipated at set time intervals to obscure the visibility of the area and create a unique experience for visitors.
Yes, the rumors are true—the Architecture Billings Index (ABI) is in positive territory for the second straight month. That’s right, the second straight month. After the ABI posted a solid 52.6 in May there was no telling what could happen next. Would it go up? Would it go down? Would it maybe even stay the same? It was anyone’s guess. Today, those questions were answered and what we got was even more good news. In June, the ABI posting jumped to 53.5 in June. And that’s not all, folks.
The New York Times has published a blockbuster story on the Cuomo administration’s repeated efforts to undermine the anti-corruption commission that the governor set up himself. According to the Times, the Cuomo administration blocked efforts by the commission to subpoena the Real Estate Board of New York (REBNY) over “its political donations, its materials related to a valuable tax break for new housing, and its communications with public officials, including phone calls with lawmakers.” The commission also planned to note emails from Extell Development Company, which mentioned how a loophole could be used to funnel money to Cuomo through LLC’s. Ultimately, the loophole was mentioned, but Extell was not.
Don’t have plans to visit London’s Serpentine Pavilion? Well at least your feet will be able to, sort of! Mass-market, high-design European clothier COS (reportedly opening in New York this fall) sponsored the pavilion, and has launched a line of Serpentine-inspired shoes. But while the Smiljan Radic’s structure resembles a flying saucer designed by the Flintstones, the COS kicks are decidedly demure.
An abandoned, decaying Miami stadium that once hosted the likes of Gloria Estefan, Elvis Presley, and Richard Nixon may finally be coming back to life. Since AN visited the 6,566-seat Marine Stadium last year there is new momentum to revitalize the iconic venue. And just as graffiti symbolized the stadium’s decline, street art could help secure its future.
Michael Van Valkenburgh Associates (MVVA) has taken its talents up north to Canada with the new Corktown Common park in Toronto. The 18-acre public space—which is part of the burgeoning, 80-acre West Don Lands neighborhood—was created with Arup and developed by Waterfront Toronto, the government-funded corporation spearheading the revitalization of the city’s waterfront.
One of the insider landmarks of Beverly Hills is the Tower of Hope, an art-covered oil derrick that sits at the edge of Beverly Hills High School, clearly visible from Pico Boulevard. Covered with fabric panels painted with colorful flowers by young hospital patients, the 155-foot-tall tower is a remnant from the days when the area was covered with oil fields (the high school once contained almost 20), and it’s become a popular visiting spot. It also still pumps oil, for Denver-based Venoco, with some of the proceeds going to the school. But Beverly Hills High’s major expansion plans call for removing the well altogether.
There’s a game of musical chairs and commissioners happening in New York City politics right now. With former Board of Standards and Appeals (BSA) chair Meenakshi Srinivasan now heading the Landmarks Preservation Commission (LPC), Mayor de Blasio has nominated Margery Perlmutter to fill the vacant role. Perlmutter—who would go to the BSA from the LPC where she is a commissioner—is a registered architect and a lawyer who focuses on land-use issues. The mayor also announced two new picks for LPC commissioners including Adi Shamir Baron, the former executive director of the Van Alen Institute, and John Gustafsson, chairman of the Board of the Historic House Trust of New York City.