Another symbol of downtown Los Angeles’ transformation is the ongoing renovation and rebranding of the Spring Arcade Building. Modeled after the great Beaux Arts arcades of Europe, the space has long been a grubby home for non-distinct shops. The Arcade—actually two 12-story towers connected by the skylit, glass roofed, three-level arcade—was built in 1924 by architects Kenneth McDonald and Maurice Couchot. With its Spanish Baroque entryway, it originally contained 61 shops, and later added a Venetian-style bridge across its center. It now contains space for 21 shops and restaurants and still contains the landmark KRKD radio towers on its roof.
One of Morphosis’ earliest projects, the Beverly Hills restaurant Kate Mantilini (1986), is now up for landmarking by the city of Beverly Hills. We hear that Beverly Hills Mayor Lili Bosse is obsessed with getting this done, but ironically the restaurant’s owners are not so happy about it. The rumor mill says they’re afraid of being locked into a design forever. Especially one from the 80s. Imagine if someone told you that you had to keep your 80s hair for the rest of your life?
The dual role glass plays in architectural design—a material integral to both a building’s appearance and its performance—makes selecting a specific product a tricky process. From energy-efficient glazing to decorative dichroic panels, here are a few new items to spur the imagination.
Designed by Ross Lovegrove, these glass panels can be fixed into construction profiles or into building construction-assembly grooves. Specialty colors and finishes are available; panels range in size from 80 by 8 centimeters to 270 by 370 centimeters.
Last week AN plugged an event that aimed to turn downtown Cleveland into a festival of lights. Sure enough, colorful projections flooded the walls of downtown cultural institutions while a massive rainbow arched over the city and iridescent discs of rainbow light saw curious Clevelanders clambering about.
Earlier this month, the Van Alen Institute announced Future Ground, an international design competition that is hoping to attract fresh strategies for reusing the many vacant lots that dot New Orleans. The competition is seeking submissions from landscape designers, architects, planners, public policy wonks, and pretty much anybody in the business of shaping urban environments and is supported by the New Orleans Redevelopment Authority (NORA), which owns more than 2,000 vacant lots.
There are somewhere around 30,000 empty lots and abandoned structures throughout New Orleans today, most of them left by Hurricane Katrina, which devastated the city in 2005. As the 10-year anniversary of the storm approaches, Future Ground is looking to create design and policy strategies capable of adapting to changes in density, demand, climate, and landscape in New Orleans over the next half-century in an effort to turn these abandoned landscapes into lasting resources.
The Oakland A’s are the best team in baseball this year. Maybe that’s why they’re considering a move from one of the sport’s most outdated stadiums, the Oakland County Coliseum (AKA the Overstock.com Coliseum). According to the San Francisco Chronicle, A’s owner Lew Wolff has begun talks with an architect to build a stadium at the Coliseum site. The team just signed a 10-year contract with the Oakland Coliseum board to stay on the site at least through 2018. Read More
A new public plaza in Sunnyside, Queens proves that creating inviting public space doesn’t require lots of money and a lengthy design process – especially in a crowded city like New York. That’s certainly the case with Bliss Plaza, a recently-opened plaza tucked underneath the tracks of the 7 train. Frankly, there’s not all that much to it – save for a new sidewalk, some planters, and a handful of bright bistro tables and chairs. But here’s what Bliss Plaza does have: People. And that’s the key.
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LEED Platinum renovation reconnects the Health Services Building to the campus core.
Early in their renovation of the Arizona State University Health Services Building, Lake|Flato Architects, working with orcutt | winslow, decided to scrap the university’s initial concept in favor of a plan that would reengage the campus’s historic pedestrian corridor, the Palm Walk. Instead of building an addition to the north side of the existing facility, which included a serviceable two-story building constructed in the 1950s and another structure Lake|Flato partner Andrew Herdeg described as “a rambling one-story rabbit warren of spaces,” the architects elected to demolish the one-story wing and build a two-story addition in its place. “This initial idea that we need to look at the basic concept before we start the design, and think about it from the campus design perspective, changed everything,” said Herdeg. It allowed the design team to reduce the program by about 12 percent and reduce the footprint by 20 percent, as well as to preserve 5,000 square feet of green space for programs and stormwater mitigation. But it also presented a challenge. The renovated building’s primary identity would be on the east facade of the building, where the desert sun had the potential to undo efficiencies gained elsewhere.
San Francisco’s deputy mayor for transportation—who played an integral role in getting the city to tear down the Embarcadero Freeway after the 1989 Loma Prieta Earthquake—passed away on July 30th. He was 68. After the earthquake struck the city, Wright convinced former San Francisco mayor, Art Agnos, to help lead the effort to remove the highway and replace it—not with another highway, but instead with a boulevard at street level.