In a recent interview with the London newspaper The Observer, architect Zaha Hadid made the point that female architects are typecast. “It is thought they [women] understand interior shapes, and I am sure they do understand them better than men actually, but the idea is that they will prefer to deal with a single client, rather than with corporations and developers,” said Hadid, noting that women practitioners often ended up with residential or leisure-related projects rather than large-scale commercial work. Hadid spoke out following publication of a research report by the Architects’ Journal on gender issues in British architecture. The report, deploying a rather Shakespearian tone, claims to have uncovered a “sinister and rotten kernel of inequality.” Women “need to be encouraged and to have their confidence built up,” said Hadid, a notoriously tough boss herself. We’d like to see Hadid team up with Facebook COO turned working-woman activist Sheryl Sandberg for a road show.
ARZU STUDIO HOPE and live/work furniture company Coalesse have teamed up with six leading architects to design a series of bold rugs and also provide economic opportunities for Afghan women. Chicago-based ARZU first approached Stanley Tigerman and Margaret McCurry to design a collection of contemporary rugs, the proceeds of which support hundreds of rural women and their families through economic activity, and educational and health services. Rug weaving, which takes place in private homes, is one of the few industries where women can work safely.
Spotted on a Chinese Twitter account and now making its way around various online social networks, behold Zaha Hadid as an up-and-coming young architect working at OMA and her boss, with a full head of hair, Rem Koolhaas likely taken sometime in the 1970s. Hadid split from OMA in 1979 to start her own firm. As an added bonus, check out another photo of Zaha Hadid as a child in front of the Trevi Fountain in Rome after the jump.
Update! A reader sent in proof that the above photo, of unknown Chinese provenance, is a forgery. While showing both Zaha and Rem, the two were stitched together digitally. Take a look at the Zaha Hadid above photographed solo after the jump.
In 2010, AN wrote about an identity theft scandal involving some high profile British architects and Chinese impostors leaving some observers at the time to wonder if starchitects like Norman Foster or Zaha Hadid might be next. It now appears the archi-pirates have indeed set their eyes on Hadid’s curvaceous designs, setting of a construction race to see whether the copy-cat can outbuild the original and an international debate about intellectual property. Spiegel reported that Hadid’s Wangjing SOHO tower complex, proposed in 2011 for Beijing and now under construction, has been copied and rebranded as the Meiquan 22nd Century in Chongqing. When placed side by side (above), it’s tough not to see the distinct resemblance.
New York said no, but Miami says yes. After losing out to Norman Foster to design a tower in Midtown Manhattan, Zaha Hadid has been asked to design her first skyscraper in the Western hemisphere in downtown Miami, the Miami Herald reported. No design has been released, but the new residential tower will be located at 1000 Biscayne Boulevard on the site of a BP gas station on the city’s waterfront Museum Park, seen in red above. The site is part of a row of condo towers along the boulevard known as the “Biscayne Wall.” Developers Gregg Covin and Louis Birdman aren’t releasing details, but told the Herald the project will be officially unveiled early next year.
As AN previously reported, Hadid is also building a new parking garage in Miami, which was approved for construction in November. Elsewhere in North American, Hadid is working on a dramatic house in San Diego and has been designing smaller-scale interiors and products. Also check out renderings of Hadid’s Manhattan proposal here.
“If Zaha is in Paris, ask her to text me and make an appointment.” So read the text message from Karl Lagerfeld to Naomi Campbell. La Campbell was having a sit-down with Zaha Hadid, who happens to be designing the supermodel’s new house outside Moscow. But this wasn’t a meeting to review floor plans—it was an on-the-record chat (including incoming texts) for the German edition of Interview magazine. The conversation ranged from the subject of Hadid’s new book (on the Russian Suprematist movement, one of her foundational influences) to 3-D printers.
Funnily enough, Campbell covers a lot more ground than architecture writer Aaron Betsky manages in his recent and rather fluffy profile of Hadid for Glamour magazine, which named the architect as one of its Women of the Year. Here, Betsky cites Mame rather than Malevich as an early influence: “My house was like Auntie Mame’s, with my mother redecorating every season,” said Hadid.
‘Tis the season for bestowing “Best Ofs”, and this edition of SHFT+ALT+DEL includes some of the recent laurels laid upon architects and designers by business and consumer press…
Across the pond, David Adjaye is at the tippy-top of the 2013 Power List, ranked number one in the annual publication’s list of the most influential black people of the UK.
Congratulations to them all! Meanwhile, back in the salt mines…
Digital design meets traditional Chinese craftsmanship in a pavilion constructed like a paper lantern
Hong Kong-based architects Kristof Crolla (LEAD) and Adam Fingrut (Zaha Hadid) married traditional Chinese craftsmanship and digital design technology in their temporary pavilion, Golden Moon, which won the Gold Award in the Mid-Autumn Festival Lantern Wonderland last month. The 60-foot-tall structure was built in just 11 days atop a reflection pool in Hong Kong’s Victoria Park, proof that “complex geometry can be built at high speed and low cost with the simplest of means,” said Crolla and Fingrut, who sought to rethink digital design by “anchoring the paradigm in a strong materiality.”
Zaha Hadid wins again! Following a star-studded design competition, the Japanese Sports Council has announced Hadid as the winner of the New National Stadium in Japan, beating out Toyo Ito, SANAA, Populous, UN Studio among others and taking home a $250,000 prize. All-star designer of London’s 2012 Aquatics Center for the summer Olympics and the first female to ever win the Pritzker Architecture prize, Hadid continues her legacy with this new stadium in Tokyo. Estimated to cost around $1.6 billion, the venue will seat 80,000 visitors and sport a retractable roof.
After today’s announcement of Norman Fosters next project in New York, a luxury condo tower at the United Nations, we just can’t get enough of the British starchitect. Luckily, a stash of video renderings and presentations from the firms behind the planned 425 Park tower can provide just the fix. It wasn’t too long ago that the starchitect-filled competition for the new Park Avenue tower selected Foster + Partners as its winner. Now after the design presentations at the recent MAS Summit and the release of photo renderings from all players—including runners up Richard Rogers, Rem Koolhaas, and Zaha Hadid—we can indulge in the virtual demonstrations of their designs.
Eleven finalists including Zaha Hadid, Toyo Ito, SANAA, and UN Studio have been announced for a major new stadium project in Japan. Tadao Ando, jury chair for the Japan Sports Council competition, revealed the contending designs for the New National Stadium, narrowing the field from the original 46 entries. First, second, and third place prizes were secretly selected on Wednesday, November 7th, but the winners won’t be named until a ceremony is held later this month. While we anxiously await the final announcement, take a look at the proposed stadium designs by each team.
Scheduled for completion in 2018, the stadium is already slated to host the 2019 Rugby World Cup and will also be offered as a site for the FIFA World Cup, the IAAF World Championships, and a range of entertainment events. The stadium could even play host to the 2020 Olympics and Paralympics if Japan is chosen as their location.