In 2007, Zaha Hadid Architects won a competition to design an Innovation Tower for Hong Kong Polytechnic University. Six years later, students and faculty are beginning to settle into the glacial, 130,000 square foot, 250 foot tall design-education center as it nears completion. The space-age, striated structure will be a “creative multidisciplinary environment,” that, according to the architects, “dissolves the classic typography of a tower and podium to create a seamlessly fluid new structure,” meaning that the Pearl of the Orient will soon welcome a curving, difficult-to-decipher, new educational building. Set to fully open next spring, the tower will be Hadid’s first permanent structure in Hong Kong.
Twenty of the world’s biggest architects were asked to design on quite a small scale last month. Cathedral Group commissioned architect-designed dollhouses for a charity auction to benefit KIDS, a United Kingdom-based organization supporting disabled children. A Dolls’ House sold the interesting toys a few days ago at Bonhams in London and Zaha Hadid’s 30-inch-by-30-inch, puzzle-like home, This Must Be the Place, received the night’s highest bid: $22,500.
The Sports Minister for the Tokyo 2020 Olympic Games, Hakubum Shimomura, is set to scale back the approved stadium, designed by Iraqi-born architect, Zaha Hadid. The decision was made in the wake of a big uproar from some leading Japanese architects who claim that the stadium is “too big and too expensive.” The Minister did not give specifics on how the structure would be scaled down, but stressed that the original design concept would be maintained.
Zaha Hadid has once again expanded her curvilinear design prospects. From wine bottles to superyachts, the starchitect has been quite productive in her recent development of a variety of non-architecture products, and none with right angles.
Her latest endeavor is in the world of furniture. For the current exhibition, Liquid Glacial, at David Gill Galleries in London, Hadid has unveiled a new piece in her ongoing series of ice-influenced tables. Inspired by the unique geometry of glaciers, “Prototype Liquid Glacial Table” is an evolution of the previous tables, but all explore a seemingly contradictory existence of two simultaneous states of water.
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A cross-section of postdigital design work illustrates the role of parametrics in the built environment.
Spawned from his 2011 show on Patrick Jouin, Museum of Arts & Design (MAD) curator Ronald Labaco conceived Out of Hand as a more comprehensive show that clarified the role of digital design, from its capabilities to its significance in our daily lives. “People just didn’t get it,” said Labaco of Jouin’s 2011 MAD show. “Unless you’re immersed in it, it can be hard to understand so I thought if we showed something like this in the galleries again, we needed to provide information that can be digested more clearly.”
Staged across three floors of the museum, with two exterior sculptures, Labaco said the show is an important program for MAD among other New York art institutions like MoMA, Cooper Hewitt, and the New Museum. The goal to raise awareness of 3D printing is timely, by chance. “Paolo Antonelli’s Design and the Elastic Mind, and two shows from Material Connection were complements to my show for the uninitiated,” Labaco explained. Out of Hand’s broad scope includes digital designing and fabrication processes like CNC milling, digital weaving and knitting, laser cutting, and 3D printing to display how these technologies influence the built environment. “It’s a historical look at the last 8 years and works from as early as 2005 are incorporated because, in my mind, that was when the major shift between rapid prototyping and 3D printing really occurred,” said Labaco. Read More
From high-end hotels interiors to deluxe dollhouses and state-of-the-art superyachts, Queen of the Curve, Zaha Hadid, has been expanding her signature sinuous style to all corners of the design map. The latest unexpected design to emerge from the architect’s versatile office comes in the form of a limited-edition wine bottle for Austrian winemaker Leo Hillinger.
For the 999-bottle edition of the winery’s 2009 vintage red, Icon Hill, Hadid created a curvaceous form derived from the profile of liquid droplets. A concave indentation along one side of the bottle’s surface matches the curvature of the bottle’s opposite side, so if you happen to be the proud owner of more than one of these bottles, you can create an interlocking conga-line of high-design wine. At the base of the bottle, the architect has designed a small dimple to assist in correct pouring and the collection of sediments. The bottle’s geometries were created using NURB-based CAD software, from which cast iron molds were produced to form the glass.
Children are the focus of twenty new designs by some of the United Kingdom’s top architects. A Dolls’ House, launched by UK property redevelopment firm Cathedral Group, invited architects like Zaha Hadid, David Adjaye, and Alford Hall Monaghan Morris to scale down their architectural feats to a miniature size, each creating a dollhouse of innovative design for auction at Bonhams next month.
The Guardian got up close and personal with Zaha Hadid in a recent, no-holds-barred interview where the Pritzker prize-winning architect gave her two cents on London’s “conservative” architecture climate and railed against rectangular buildings, revealing a nugget of wisdom that perhaps has eluded most designers: “The world is not a rectangle.” Beyond her dislike for conventional corner-oriented design, she also told the reporter that, at her firm, “we don’t make nice little buildings.”
While quadrilaterals and “nice” architecture are out of the question, apparently designing in Syria isn’t. That is, unless it is an un-luxurious prison. “Well, I wouldn’t mind building in Syria,” Hadid told the paper. “I’m an Arab and if it helps people, if it’s an opera house or a parliament building, something for the masses, I would do it. But if someone asks me to build a prison, I wouldn’t do it. I wouldn’t build a prison, irrespective of where it is, even if it was very luxurious.” What population living in a war-ravaged country doesn’t need a first-rate opera house?