Culture at Risk: World Monuments Fund Watch List Includes Palisades, FLW’s Taliesin

International, Newsletter
Wednesday, October 9, 2013
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According to the List, Frank Lloyd Wright's Taliesin in Spring Green, Wisconsin Is in Danger of Disrepair. (Courtesy Casey Eisenrich / Flickr)

According to the List, Frank Lloyd Wright’s Taliesin in Spring Green, Wisconsin Is in Danger of Disrepair. (Courtesy Casey Eisenrich / Flickr)

The World Monuments Fund has announced its 2014 Watch List for cultural sites at risk by changes in economy, society, and politics within their respective countries and disrepair due to natural forces. For 2014, the Monument Watch List, compiled and released every two years since 1996, has cited 67 heritage risks in 41 countries and territories around the world. These sites range from Frank Lloyd Wright’s 1911-built Taliesin home in Wisconsin, submissive to elements of weathering, to the tree-lined Palisades cliffs in New York and New Jersey, jeopardized by corporate construction plans, to all of the cultural sites of Syria, risked by current war conflict.

View the gallery of highlights after the jump.

Slideshow: Zonnestraal Sanatorium Saved From Ruin

International
Tuesday, November 2, 2010
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Zonnestraal Sanatorium in Hilversum after restoration (Courtesy WMF)

Zonnestraal Sanatorium in Hilversum after restoration (Courtesy WMF)

Abandoned and nearly lost, the Zonnestraal Sanatorium in Hilversum, Netherlands has been meticulously restored to its former glory by Bierman Henket architecten and Wessel de Jonge architecten.  In honor of their efforts, the two firms were awarded the 2010 World Monuments Fund / Knoll Modernism Prize.  Alan Brake penned an article for the print edition of The Architect’s Newspaper:

Designed in 1926–1928 by Johannes Duiker and Bernard Bijvoet and completed in 1931, the sanatorium is considered a seminal work of early modernism. Though it was well known when it was built, the structure was eventually abandoned, and since then nearly subsumed by the surrounding landscape. Portions of the three-building complex were almost completely lost, so many parts of the sanatorium had to be meticulously reconstructed, including formerly mass-produced elements that had to be recreated by hand.

Read the entire article from The Architect’s Newspaper.

A gallery of before and after conditions after the jump.

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