Beverly Willis Architecture Foundation Appoints James Hanley Director

East, Shft+Alt+Del
Wednesday, December 11, 2013
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James Hanley. (Courtesy BWAF)

James Hanley. (Courtesy BWAF)

The Beverly Willis Architecture Foundation (BWAF), a non-profit dedicated to “changing the culture of the building industry, for women, through education and research,” just announced that after a national search it has chosen a new executive director: James T. Hanley, formerly the senior associate director of development at Barnard College. Hanley has undergraduate and advanced degrees in architecture along with an MBA and an MA in Art History and claims he will use his “skills in program development and financial management to broaden the role of the organization throughout the United States.”

Beverly Willis, the founder of BWAF, said that Hanley is “keenly aware of the issues encountered by women in the design industry” which will “enable BWAF to build on its prior successes and help women achieve their professional and personal goals through our programs and outreach.”

Under Hanley’s leadership, the organization is launching a number of new initiatives in 2014. These include the exploration of a program for women as emerging leaders and the impact of STEM (Science, Technology, Engineering, and Mathematics) as factors in success. Another new initiative is “Built by Women: New York City,” a focused collection within the Foundation’s Dynamic National Archive (DNA), which BWAF plans to use as a pilot for similar projects for cities around the country. Finally In 2014, it will complete its project entitled “Women of 20th-Century American Architecture,” to highlight the contributions of 50 outstanding women who significantly shaped the built environment in America.

Brazilian Architect Carla Juaçaba Wins First arcVision Prize For Women in Architecture

International
Thursday, March 14, 2013
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Pavilion Humanidade 2012. (Leonardo Finotti)

Pavilion Humanidade 2012. (Leonardo Finotti)

Thanks to the Italcementi Group, International Women’s Day just became that much more special. This year the group found a unique way to celebrate the holiday by instituting the very first competition its arcVision—Women in Architecture prize, an award that valorizes the increasingly important role women have and continue to play in architecture.

The jury selected 19 finalists from 15 different countries including but not limited to Egypt, Switzerland, Singapore, Italy, and Thailand. The architects were judged according to their creative approach in designing an unconventional structure as well as their ability to design a building that responds to the context of its site.

The prize was bestowed to Brazilian architect Carla Juaçaba at a press conference at the group’s i.lab Research Center (designed by Richard Meier) in Bergamo on March 7th, and was publicly announced the following day for International Women’s Day.

Continue reading after the jump.

What’s My Type? Zaha Hadid Speaks Up For Women Architects

Eavesdroplet, International
Thursday, February 28, 2013
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Zaha Hadid. (Courtesy Zaha Hadid Architects)

Zaha Hadid. (Courtesy Zaha Hadid Architects)

In a recent interview with the London newspaper The Observer, architect Zaha Hadid made the point that female architects are typecast. “It is thought they [women] understand interior shapes, and I am sure they do understand them better than men actually, but the idea is that they will prefer to deal with a single client, rather than with corporations and developers,” said Hadid, noting that women practitioners often ended up with residential or leisure-related projects rather than large-scale commercial work. Hadid spoke out following publication of a research report by the Architects’ Journal on gender issues in British architecture. The report, deploying a rather Shakespearian tone, claims to have uncovered a “sinister and rotten kernel of inequality.” Women “need to be encouraged and to have their confidence built up,” said Hadid, a notoriously tough boss herself. We’d like to see Hadid team up with Facebook COO turned working-woman activist Sheryl Sandberg for a road show.

On View> California’s Designing Women, 1896 to 1986

West
Tuesday, August 28, 2012
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(Courtesy The Autry)

(Courtesy The Autry)

California’s Designing Women
The Autry in Griffith Park
4700 Western Heritage Way
Los Angeles
Through January 6, 2013

It was uncommon for women to practice industrial design throughout late 19th and early 20th centuries. However, California’s newness and frequent population growth provided various opportunities for women to get involved with the creation and production of design. Autry National Center’s California’s Designing Women, 1896–1986 with works from over fifty women designers from California celebrates female designers who made major contributions to Californian and American design. The exhibition displays approximately 240 examples of textiles, ceramics, furniture, lighting, tapestries, jewelry, clothing, and graphics all inspired by California’s amalgam of society which include Indigenous American, Chinese, Japanese, Anglo, and Mexican cultures. Upholding California’s reputation for unlimited creativity, the displayed work includes materials such as wood, abalone, glass cotton, steel, silver, acetate, acrylic, and fiberglass, spanning a century of design movements from arts and crafts to art deco to mid-century modern and beyond.

Women Rule A+D Museum’s Annual Come In! Exhibition

Newsletter, West
Monday, July 23, 2012
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Noesis, installation art by Amy Jean Boebel. (Kenneth Johansson)

Noesis, installation art by Amy Jean Boebel. (Kenneth Johansson)

Femmes are front, center, and all around in Los Angeles’ Architecture and Design museum’s third installation of its summer series, Come In! Usually a fun-filled event, this year’s exhibition strikes a chord in an industry often criticized for not being more gender equal.

Issue aside, this year’s Come In! Les Femmes exhibit offers a look into the unique perspective of 25 women from varied art and design disciplines. As expected, in dealing with gender, one can’t escape the occasional critique of women’s roles in society and this exhibition is no exception. By juxtaposing blissful bridal images with symbols of domestic drudgery like irons and cookware, graphic designer Petrula Vrontikis asks us to contemplate the thin line that divides princess from domestic peasant in what she calls, “Brides = Maids.” Meanwhile, rather than using a standard canopy, installation artist Amy Jean Boebel fashioned a charcoal aluminum wire mesh into a giant frilly top in “Noesis.” Inside, a television set broadcasts the changing roles of women through the years. Apparel was also architect Doris Sung’s starting point. Inspired by age-old corsets, Sung creates a sculpture made out of thermobimetal that contracts and expands according to ambient heat.

Continue reading after the jump.

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Big Architecture Weekend in Los Angeles

West
Friday, November 11, 2011
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Check out "California Design 1930-1965: Living in a Modern Way"

Every once in a while forces converge and we get an epic architecture weekend. One of those weekends is happening now. Here are some of the events going on in LA this weekend:

1.) Hollywood Wilshire Boulevard Focus Weekend, featuring free admission at the A+D Museum, Hammer Museum, Craft and Folk Art Museum, MAK Center, Fowler Museum along Wilshire Boulevard as well as events at all the institutions. All revolve around the Getty’s epic Pacific Standard Time series of exhibitions. These include: A discussion called The Legacy of the California Design Exhibitions at LACMA; a talk with Deborah Sussman about Eames Designs at A+D; a panel about Mapping Another L.A.: The Chicano Art Movement at the Fowler, a discussion about Now Dig This! Art and Black Los Angeles 1960 – 1980 at the Hammer; and a  about Sympathetic Seeing: Esther McCoy and the Heart of American Modernist Architecture and Design at the MAK Center.

2.) Launch of the exhibition, Architecture—A Woman’s Profession at WUHO Hollywood and a Saturday panel discussion at the MAK Center, moderated by AN‘s Sam Lubell and featuring author Tanja Kullack as well as Barbara Bestor, Monica Ponce de Leon, Dagmar Richter, and Ingalill Whlroos-Ritter.

3.) Inglewood Open Studios, featuring visits to the studios of more than 30 artists (and a few architects) in this emerging arts district, but showing off great arts spaces like the 32,400 square foot Beacon Arts Building.

Ladies Man

Other
Friday, June 12, 2009
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Architects and apprentices in the Taliesin West drafting room, ca. 1962 (Courtesy Frank Lloyd Wright Foundation Archives, Taliesin West)

On Wednesday night, the Guggenheim brought together the women behind the man, and apparently the myth of Frank Lloyd Wright, in a program titled “The Architecture of Wright: Wright, Women & Narrative.”

Co-organized with the Beverly Willis Architecture Foundation, the lecture was accompanied by the premiere of A Girl Is A Fellow Here: 100 Women Architects in the Studio of Frank Lloyd Wright, a 15-minute documentary film produced by the Foundation. Throughout his career, Wright employed over 100 women architects and designers, and the film focuses on the lives of six of these women, including Marion Mahony, Isabel Roberts, Lois Gottlieb, Jane Duncombe, Eleanore Petterson, and Read Weber, who worked alongside Wright during his prolific career from his Oak Park offices to Taliesin West. Read More

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