LSU’s Building Design Renaissance

Architecture, Envelope, Southwest
Wednesday, January 8, 2014
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Viracon manufactured a custom double-pane insulated glass unit ceramic fritting and one-way mirroring. (Brad Feinknopf/Feinknopf)

Viracon manufactured a custom double-pane insulated glass unit ceramic fritting and one-way mirroring. (Brad Feinknopf/Feinknopf)

ikon.5 Architects designs a reflective, fritted facade in the visual tradition of the campus’ original craftsmanship.

In the wake of Hurricane Katrina, New Jersey–based ikon.5 Architects had an opportunity to reinvent the image of Lousiana State University’s E.J. Ourso College of Business. The original campus, designed in 1928 by the Olmsted Group, was planned as an Italian Renaissance village, which functioned as the economic engine of Louisiana and the Gulf of Mexico region for nearly 75 years. ikon.5 and local firm Coleman Partners Architects, used the circumstances of Katrina’s aftermath to give the business school a progressive image, while staying true to the University’s prescriptive aesthetic guidelines.

Maintaining the classical layout of the main square—head houses at either end with smaller classrooms lining an expanse of lawn—the design committee made several concessions in the 2012 update. In the past, guidelines dictated that all buildings feature the original craftsmen’s stucco formula, which was made from crushed white pebbles and seashells. But for the 21st century, LSU’s Design Committee decided that updating materiality would be a forward-thinking representation of the school’s influence and thus approved a new glass skin for the business school’s graduate and undergraduate classroom buildings. Read More

Fontainebleau Anew

East
Monday, July 27, 2009
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A new free-standing spa at the Fontainebleau Miami features a hurricane-rated glass curtainwall. Goldfinger, eat your heart out. (Courtesy Fontainebleau)

A new free-standing spa at the Fontainebleau Miami features a hurricane-rated glass curtainwall. Goldfinger, eat your heart out. (Courtesy Fontainebleau)

Morris Lapidus’ Fontainebleau in Miami is one of the most recognizable hotels in the United States, thanks in no small part to its frequent appearances in television shows and films, perhaps most notably and intimately in the 1964 James Bond movie Goldfinger. A recent two-year revitalization has brought the old bastion of luxury and class—which had begun to show its wear—back to prime condition. More than just polish up the surfaces, the effort included the addition of a free-standing spa. The designers, Dallas-based architectural firm HKS, selected a blue tinted glass for the spa’s curtain wall. In addition to referencing the adjacent pool’s azure complexion, the glass (1 5/16-inch thick Viracon laminated units with a Vanceva Storm interlayer) meets Miami’s strict large missile impact and hurricane codes. Goldfinger would be proud.

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