Zaha Hadid designs an elegant wave at the V&A Museum for the London Design Festival

Architecture, International, Newsletter
Wednesday, September 3, 2014
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Zaha Hadid Crest Installation (Courtesy Zaha Hadid Architects)

Zaha Hadid Crest Installation (Courtesy Zaha Hadid Architects)

London’s Victoria & Albert Museum is preparing to construct an art installation by Zaha Hadid. Called Crest, the oval form takes its name from ocean waves and will appear in the museum’s John Madejski garden as part of the London Design Festival, which takes place later this month.

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Victoria & Albert Gets Permission to Dig In on Underground Expansion

International
Monday, July 16, 2012
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(Courtesy AL_A)

(Courtesy AL_A)

When Libeskind’s radical spiral proposal for Victoria and Albert Museum (V+A) extension went under after eight years, the V+A has literally gone underground. The newest proposal for V+A by British architect Amanda Levete and her practice AL_A, won in 2011 after a design competition, calls for an extension project that includes a 16,200 square foot underground gallery space for temporary exhibitions. The addition will feature a public courtyard with an entrance into the museum from the adjacent Exhibition Road. Last week, the project was awarded planning permission allowing the project to move forward.

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Hefty Bill for AT&T

National
Thursday, July 29, 2010
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The AT&T Building as rendered by Philip Johnson.

In April, a seven foot tall presentation drawing of the AT&T building was purchased by the Victoria and Albert Museum in London for $71,000, one of the highest prices ever paid for a “modern architectural drawing,” according to a release. The Philip Johnson drawing was sold through the Wright auction house in Chicago, which has become a specialist in selling architectural materials. The V&A will show the piece in an upcoming exhibition on postmodernism. It is one of only a handful of works by an American in the museum’s 35,000 piece architecture collection.

The building is famous for its “Chippendale” top, which, when it opened in 1984, signaled the ascendency of postmodernism and the return of historical styles and classical references to the architectural vocabulary.

The drawing is part of a larger archive of Johnson’s work, which includes thousands of drawings, plans, and photographs of AT&T, Pennzoil Place, PPG Place, and the Chrystal Cathedral. The owner of the archive wishes to remain anonymous, according to the release.

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