The three-story timber buttress of familiar forms rising midway through the Arsenale was already pretty impressive on the first day but then a guy showed up and set up shop in the corner to hammer out clay tiles, the 1,000 year old Venetian way, that will ultimately—in two weeks—clad the entire structure. The process of covering the wood armature in clay is also the first step usually used in making a bronze cast a la the Statue of Liberty. And so naturally we are wondering who’s in the market for a really big Gehry paperweight.
It only took a few hours—and espressos—to catch the jitters going around Venice the day before press opening. Since I was in tow with the Commissioner of the US Pavilion, our own Bill Menking, and crew it was a privileged view, but no less insane as architect elves, ie support staff, scurried around town trying to find that last minute acetate binder, glue gun, 6-color color printer etc etc. The big guns don’t arrive til later today or even tomorrow if they were not invited to Zaha Hadid’s Read More
[Editor's Note: This post was written Sunday.]
It is two days before the opening of the Venice architecture Biennale and as commissioner of the United States pavilion I have been in Venice for a week mounting the exhibition. The Biennale opens on Wednesday for “important media” and the next three days for the rest of the press and anyone else that can find a ticket. This always sets up a huge scrum at the entrance to the grounds between the haves (those with passes) and the have-nots in the media. Read More