Venice 2010> The Black Shirts are Coming!

International
Tuesday, August 24, 2010
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An installation made from frisbees. (CLICK TO ZOOM)

No, not the Fascists—that was 2008, when the Northern League held its national rally at the entrance gates of the biennale giardini. I mean the architects! They have arrived in droves, and it’s easy to spot them walking along the Grand Canal absorbing the searing heat and humidity of August in Venice. The second day of reading press releases, walking the giardini, and visiting collateral exhibitions reaffirms my sense that there is more art in the 2010 biennale than architecture. This is, of course, not necessarily a bad thing, and many of these installations do consider architectural questions. But it makes one wonder why national pavilions make the decisions they do about the architectural conditions in their country. Read More

Venice 2010> Going Gaga at the Giardini

International
Monday, August 23, 2010
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The Austrian pavilion, dressed up in a snazzy scrim.

The Venice biennale does not open officially to the press until Thursday, August 26, and just about all of the national pavilions in the giardini are madly rushing to finish before that date. All the pavilions that is, except sadly the crumbling Venezuelan pavilion, which will not have an exhibition in it this year. Read More

The M Cube: LA’s Rebuttal

West
Monday, June 7, 2010
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LA’s City Planning and Building and Safety departments, which we could not reach last week, have finally spoken up on the now-imperiled M Cube in Venice. To remind you LA City Council on Thursday rejected designer Mark Baez’s request to allow his floating modular, glass-clad, cube shaped apartment building an exception to remain two feet above the Venice Specific Plan’s requirement of 30 feet. Baez asserted that building inspectors informed him too late that the building was too tall, that his contractor bungled the height, and that the city was nitpicking over a height limit that other buildings are able to surpass. Baez may now resort to tearing down the building instead of going through with the costly changes. City planner Kevin Jones and building and safety investigator John Kelly beg to differ. Read More

You Can Save The M Cube

West
Wednesday, May 26, 2010
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One of Venice’s great new houses—the  M Cube by designer Mark Baez— is in danger of being at least partially demolished because of a local height restriction that says it’s about two feet above code (32 feet instead of 30). The prefab, modular building glows from within thanks to exterior windows and sliding doors  made of translucent fiberglass. These and other elements make the cube look like a Japanese Tatami home floating above the city.  The structure also uses radiant heating powered by solar panels on the roof. A hearing on the home is scheduled for June 2 (at LA City Council chambers at 10 a.m.) , and the architect is urging supporters to email their local councilman Bill Rosendahl at councilman.rosendahl@lacity.org. So what’s two feet between friends, right?

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La Serenissima Strikes Again

International
Thursday, February 11, 2010
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Venice is seeking to rival Milan's annual design fair, the Salone, above.

Is Italy returning to medieval-era warfare between city-states Milan and Venice? AN’s own Julie V. Iovine reports from Milan that Milanese and Lombardy officials are more than a bit miffed that Venice is proposing to start its own design fair in 2011, seeking to steal the spotlight from the nation’s long-established epicenter of design. Read More

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Moss Out In Venice

West
Friday, November 20, 2009
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According to our friends at Curbed LA, Eric Owen Moss’s planned Venice project , on the corners of Venice and Lincoln Boulevards, has been put on the shelf. Fred Mir, who works for the developer, Group III Investments, told Curbed that the neighborhood “didn’t like the height,” and that they had decided to scrap the project back in August, after a bumpy community meeting. No sign of what will replace Moss’s scheme, but we’ll be looking into it…

Ritchie Engineering

East, East Coast
Tuesday, October 27, 2009
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On Friday, Matthew Ritchie opened his new solo show, Line Shot, at the Andrea Rosen Gallery in Chelsea. While the work is impressive as always, most notable is the installation of the newest piece of “The Morning Line,” a work unveiled at the Biennale last year (we saw it first hand!) that has begun to trek around the world in different forms, popping up earlier this summer in London, which is where the above video was shot. Inspired by the Big Bang, The Morning Line is notable not only for Ritchie’s typically uncanny sense of and attention to detail but also its intricacy and precision, aided in part through a partnership with ARUP’s Advanced Geometry Unit, led by Daniel Bosia, and the architects Aranda/Lasch, whose Ben Aranda walks us through the project in the video below. The piece is on view through December 2, as well as after the jump. Read More

The Past Imperfect

International
Tuesday, June 30, 2009
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For the 53rd Venice Art Biennial, Jorge Otero-Pailos, a professor of preservation at Columbia, made a cast of the pollution on a wall of the Doge’s Palace on the Palazzo San Marco. Trained as a conservationist, he painted liquid latex directly onto the wall and then carefully removed the cast in one sheet. The result, The Ethics of Dust, Doge’s Palace, Venice, 2009, seen in this video, is a luminous scrim that preserves the residue accrued overtime.

Such pollution is typically seen negatively, but Otero-Pailos sees it as a record of human activity and questions the impulse to erase these traces of the past.

Down The Drain In That Other Venice

Other
Wednesday, June 10, 2009
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Artist Mike Boucher was excited to bring American suburbia to the Venice Biennale, constructing a floating McMansion—complete with cheesy yellow vinyl siding—set to grace the city’s famed canals. Unfortunately the house tilted off a failed pontoon and sank; a disaster for the artist (who actually seems to find the whole thing hilarious), but a good symbol for our housing market back in the USA.

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Heading West

Other
Friday, May 15, 2009
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We’re hitching the wagons this weekend to head to the 30th annual Venice Art Walk & Auctions, which include artist studio tours, gallery visits, a silent art auction, live music, and the yummy “food faire”. Of course our first stop will be the Art and Architecture tours of some of Venice’s coolest houses. We can’t wait to see Dennis Gibbens’ Multi-Use Townhouse (above). Here are a few more we’re excited about:

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Ritorniamo

Other
Monday, April 20, 2009
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The good life.The good life. (Courtesy Riva) 

Last fall, the editors of The Architect’s Newspaper spent a week in Venice reporting on the architecture biennale. One of our fondest Venetian memories—the few times we could afford them—was moving around La Serenissima in water taxis.  As we’ve noted before, the Venetian water taxi is the world’s most elegant form of public transportation: hand-made wooden motor boats with tuck-and-rolled leather seating, customized canvas hoods, and spit-shined wooden hulls and decks. Well, the editors are headed back to Italy, this time for Milan’s Saloni di Mobile.

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Artists to Redesign Biennale Facilities

Other
Monday, March 30, 2009
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The bar and cafeteria designed by Tobias Rehberger. (all images courtesy Fondazione La Biennale di Venezia)

The Venice biennale was founded in 1895 in one of La Serenissima’s few green spaces, the Giardini di Castello. It has occupied a random series of buildings in the park, which include national pavilions (the Belgians built the first in 1907 and the U.S. joined the party in 1930) and an undistinguished hall called the Italian pavilion since the late 1930s. Today the organization that operates the biennales (art, architecture, film etc.) announced plans to change the name of the Italian pavilion in the giardini to the Palazzo delle Esposizioni della Biennale and upgrade its aging infrastructure. While these changes will be welcome by the public, the spaces are all being designed by artists, not architects. Read More

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