Crossing the street in Baltimore just got a lot more fun. The city has just unveiled its newest dispatch: a “hopscotch crosswalk” transforming the downtown street crossing at the corner of Eutaw and Lombard streets into an entertaining diversion for pedestrians. The project was a component of the Baltimore Office of Promotion and the Arts for the Bromo Seltzer Arts & Entertainment District’s desire in incorporate public art in various areas of the city.
In a hybrid of LEGO and origami, Paper Punk has created their first boxed set of punch-and-fold, customizable paper building blocks. Urban Fold is the California-based company’s newest creation by founder Grace Hawthorne, a designer, author, and artist from San Francisco who currently teaches at Stanford University’s d.school (Institute of Design). The set gives builders the opportunity to create a paper city in punchy colors and patterns, inspired by Berlin graffiti and the photography of Matthias Heiderich.
Austin, Texas–based architects Dan Cheetham and Michelle Tarsney have given a new face to some of the city’s underutilized spaces: alleyways. Their one-of-a-kind community art installation, 20ft WIDE, seeks to resolve conflict between architecture, art, and humanism in order to create places of lasting value. The once forgotten alley between Ninth and Tenth streets, which connects Congress Avenue and Brazos Street in Downtown Austin, has been transformed into a collaborative space to bring attention to public urban places and foster discussion about the new possibilities for their uses
At the end of September, the AIA released “Cities as Lab”, a report stipulating how innovative design can help strengthen modern urban America. Presented during the National Leadership Speaker Series in Washington D.C., it stressed how resilient cities are better suited to address upcoming social, economic, and physical challenges. The report is part of a larger framework looking to guide the international development agenda for decades to come. As a whole, it seeks to fuel the progress of critical sustainable programs around the world.
[Editor's Note: This the final in a four-part series documenting the winners of the AIANY's 2012 Design Awards, which are broken down into four categories: architecture, interiors, unbuilt work, and urban design. This list covers urban design awards.]
The AIANY has released its annual list of Design Awards noting projects that demonstrate exemplary originality and quality. Urban Design Honor and Merit Award winners were selected by a jury consisting of Bernardo Fort-Brescia of Arquitectonica, Michael Lehrer of Lehrer Architects, and Donlyn Lyndon of the University of California Berkeley. Two urban design projects were distinguished with the top Honor Award including the Santa Fe Railyard Park and Plaza by Frederic Schwartz Architects with Ken Smith Landscape Architect and the Master Plan for the Central Delaware by Cooper, Robertson & Partners and Kieran Timberlake with OLIN. Winning work in all four categories will be on display ay the Center for Architecture at 536 LaGuardia Place beginning April 19 through May 31.
Brooklyn’s grandest public space at the top of Prospect Park has always been a work in progress. Grand Army Plaza, an oval-shaped public space composed of monuments ringed by an inner and an outer roadway, was built as the main entrance to the park in 1866, serving as a buffer between nature and city and happened to be the confluence of some of Brooklyn’s busiest avenues. Over the years, a monumental archway was added, fountains came and went, and eventually the roads were widened until the lush plaza was effectively cut off from the surrounding Prospect Heights and Park Slope neighborhoods. Last week, however, after months of construction to tame the out-of-control roadways, a group of civic leaders and officials gathered in what was once a busy street to celebrate the newly reclaimed plaza.
A sidewalk in France adds a bounce to your step. Atelier Raum Architects recently released their streetscape intervention La Ville Molle in Bourges, France, part of the city’s 5th annual Biennale of Contemporary Art. During their 2010 artist residency at the École Nationale Supérieure d’Art de Bourges (ENSA), the architecture firm developed the urban design project in conjunction with La Box, the ENSA student gallery, and the FRAC Centre (Fonds Regional d’Art Contemporain).
Situated in a medieval town square, the raised patch of cobblestone vacillates under spectators’ shifting weight. The installation is intended to alter the pedestrians’ urban experience and sense of gravity while the buoyant surface juxtaposes the apparent strength of a cobblestone plaza with the instability of walking on a balloon. Thus, the design demands contemplation on whether the traditional French city should embrace contemporary design as its modernization. (Via noquedanblogs.)
The competition to improve the grounds and urban connectivity at the St. Louis Arch site has attracted attention from some major talents in architecture, landscape, and engineering. The list of competitors has been trimmed to five: the Michael Van Valkenburgh-led team, the Weiss/Manfredi team, SOM Chicago/Hargreaves/BIG, the Behnisch-led team, and PWP/Foster + Partners/Civitas. The winner will be announced in late September.
Multidisciplinary teams are working to rethink the grounds surrounding the Eero Saarinen-designed Jefferson National Expansion Memorial, better known as the St. Louis Arch, to improve its connectivity with the city and the riverfront. An editorial in the St. Louis Post-Dispatch is calling on the teams to substantially rework I-70, which creates a barrier along the park’s western edge. Read More