After President Barack Obama leaves office, he’s expected to announce the location of a Presidential Library in his name. Its location has been a topic of debate for some time already, years ahead of Obama’s return to civilian life in 2017. His birthplace, Hawaii, has made a push, as has New York’s Columbia University, where Obama got his undergraduate degree in political science.
Chicago, the President’s adopted hometown, is a natural frontrunner in the preemptive race, as it’s where Obama made most of his political ties and first launched his career in public service.
Studio Gang Architects are familiar with theatrical spaces, and with the rhythms of the natural world; their design for Writers Theatre in north suburban Chicago reaches out to nature with timber trusses and a raised promenade through the trees.
But a new project may take those interests one step further. SGA announced Wednesday they will collaborate with Thodos Dance Chicago on a project “investigating the intersection of dance, architecture, and physics.”
Chicago’s Loyola University has wasted no time, it seems, in taking advantage of low interest loans in the wake of the 2008 financial crisis. The school has spent more than $500 million on building projects since 2008, reported Crain’s Chicago Business.
At No. 106 in U.S. News and World Report’s 2013 ranking of national universities, Loyola could stand to improve its public profile. Though it gained 13 places since last year’s ranking, the school lags nearby Northwestern (12th) and the University of Chicago (4th) considerably.
The expansion includes new buildings at both the medical campus in suburban Maywood, IL. (here’s AN’s coverage of a sleek new home for the university’s nursing school) and in Chicago’s Rogers Park, where a $58.8 million Institute of Environmental Sustainability opens this month. Read the full Crain’s report here.
American Standard Movement
Smart Museum of Art
University of Chicago
5550 South Greenwood Avenue, Chicago
Through October 6
Valerie Snobeck reuses left over construction materials from a project on the University of Chicago campus in her exhibition American Standard Movement, which is showing at the Smart Museum of Art’s courtyard. In doing so, her work presents questions of art, materiality, temporality, and significance. The exhibition displays a net tacked up against a wall and adorned with markings derived from repair tools that measure the small inner parts of watches. The function of netting is twofold: to catch the construction’s falling dust and debris and to serve as a visible indicator of the construction site and its parameters. Netting acts as a temporary stand-in for a wall during construction, but, due to its malleable nature and woven fabric, is physically unlike a wall. Snobeck’s net is not being used in its typical function, but is not necessarily functionless. She asks viewers to consider what is behind netting and what is being built or rebuilt. American Standard Movement proposes a connection between the body and space measured in parts. The piece questions efforts to dictate the future in physical and speculative ways.
The University of Chicago’s ongoing development is a balancing act of preserving its collegiate gothic badge of architectural honor and making bold contemporary bounds ahead. One project that maintains that equilibrium with grace is Ann Beha Architect’s conversion of the University’s old Theological Seminary into a new economics building.
The area surrounding the site at 58th and University is on the preservation watch list, so the new steel-and-glass research pavilion along Woodlawn Avenue is likely to ruffle a few feathers. But most of the work treads lightly on the site. Glass infill will create a new entryway between the seminary building’s two main wings.
While historic facades remain throughout much of the building, designers hope a new staircase will improve vertical circulation. And a 90-seat classroom anchors an expansion below grade that improves access to existing space, drawing in light from openings to a new loggia above. Placed atop a terra cotta base, the modern addition jives tastefully with the former seminary.
Earlier this year AN looked at Midway Crossings, designed by James Carpenter with lighting designers Schuler Shook and landscape architects BauerLatoza Studio, a project that uses light and urban design to create a visual connection across Frederick Law Olmsted’s Midway Plaisance. The project, formerly known as the Light Bridges, is now nearing completion, and the result seems to accomplish the goal of better joining the main campus of the University of Chicago with its expanding facilities across the park. Tall light poles and wider sidewalks with planted, raised easements create an inviting place for pedestrians, and the University hopes the two crossings, at 59th and 60th Streets, will create focused centers of foot traffic, improving safety. Purists may feel that the University has co-opted public park space, but the design team’s use of light as the main element shows a light hand in the landscape. Read More