Anne Tyng, the Philadelphia architect and design professor, passed away on December 27. Born in 1920, Tyng was best known as a close collaborator—and even muse—of Louis Kahn, but she herself was an extraordinary figure. She established her career with theoretical writings that reflected a deep interest in mathematics and design, themes that she explored in Simultaneousness, Randomness and Order, her Ph.D. dissertation at the University of Pennsylvania, and pursued throughout her professional life.
Anne Tyng: Inhabiting Geometry, an exhibition that opened last year at the Institute of Contemporary Art in Philadelphia, was an elegant summation of her theoretical research on design and of her professional and academic career. Several of Tyng’s geometric designs from the ICA show were later exhibited at the Graham Foundation in Chicago, a longtime supporter of her work.
The Architect’s Newspaper will publish a more extensive obituary written by Srdjan Jovanovic Weiss in our next issue.
|Brought to you with support from:|
|Brought to you by:
A research project explores techniques from the past to learn about building stronger structures in the future
Sometimes research involves destruction in the name of creation. Architects and engineers from Zurich-based BLOCK Research Group at science and technology university ETH Zurich recently teamed up to build, and destroy, a vaulted masonry structure that was designed with advanced digital fabrication methods but constructed with traditional timbrel, or Catalan, thin-tile vaulting techniques. Through its research of freeform shells, tiling patterns, building sequences, and formwork, the group hopes to construct increasingly radical forms without sacrificing efficiency.
Are you on KPF’s holiday mailing list? If so, think twice before you toss their annual card into the recycling bin. You’re now the owner of a limited edition print by an artist who is represented by one of London’s poshest galleries, the Belgravia, and whose work was featured this fall in a one-man show in Hong Kong. The signature is in the bottom right corner: Kohn ’11.
|Brought to you with support from:|
|Brought to you by:|
Built to withstand extreme weather conditions, the alpine pod explores new frontiers for prefabricated architecture
Climbers on the Freboudze glacier can now take refuge from the punishing terrain of the Italian Alps thanks to a new prefabricated shelter commissioned by Italian alpine club CAI Torino. The New Gervasutti Refuge, which cantilevers from the rocky landscape in front of the east face of the Mont Blanc Range’s Grandes Jorasses, was designed and fabricated by LEAPfactory, an Italian firm specializing in modular structures with low environmental impact.
It’s no mystery that Bjarke Ingels is a fan of mountains, but building craggy edifices hasn’t been enough for the Danish leader of BIG. Now Bjarke has unveiled his firm’s latest plans to incorporate “rooftop-skiing.” He previously proposed the Hafjell Mountain Hotel in Norway in 2007 and more recently an imperiled Waste-to-Energy Plant in Denmark that appears to have stalled. The Danish firm’s latest competition-winner is a 500,000-square-foot resort called Koutalaki Ski Village in the Lapland region of Finland, consisting of four landscaped buildings that double as ski slopes.
The Museum of Modern Art has confirmed that the Portuguese architect, curator, and writer Pedro Gadanho will join MoMA’s Department of Architecture and Design as a curator of contemporary architecture.
According to MoMA’s release: “In his new role, Mr. Gadanho will be responsible for a broad portfolio that reinforces the Museum’s commitment, since 1932, to contemporary architecture. In addition to building the Museum’s holdings of contemporary architecture, he will oversee the annual Young Architects Program (YAP), co-organized with MoMA PS1, and the two-year-old YAP International Program in conjunction with the MAXXI in Rome and Constructo in Santiago, Chile; organize further exhibitions in the Museum’s “Issues in Contemporary Architecture” series; and develop larger scale exhibitions of contemporary architecture, including exhibitions that explore relationships between architecture and other contemporary art practices.”