With the prodding of City Council Speaker Christine Quinn, the Rudin Management Company agreed to hand over the the last smidgen of property at Triangle Park for use in an AIDS memorial. The park sits across the street from St. Vincent’s Hospital where so many AIDS patients were cared for and died. After months, indeed years, of wrangling, the gateway park to the West Village will move forward largely as originally planned, with M. Paul Friedberg incorporating components of the memorial by AIDS Memorial Competition winner studio a+i into the park design. The 1,600 square foot memorial will sit at the park’s westernmost edge, replacing a triangular building that stored oxygen tanks for the now defunct hospital.
[Editor's Note: This the third in a four-part series documenting the winners of the AIANY's 2012 Design Awards, which are broken down into four categories: architecture, interiors, unbuilt work, and urban design. This list covers awards for unbuilt work.]
The AIANY has released its annual list of Design Awards noting projects that demonstrate exemplary originality and quality, and the category covering unbuilt work tends to be among the most creative. This year’s Honor and Merit Award winners for unbuilt work were selected by a jury consisting of Scott Erdy of Erdy McHenry Architecture, Thomas Hacker of THA, and Bruce Lindsey, dean of the College of Architecture at Washington University. Three unbuilt projects were distinguished with the top Honor Award including the Hirshhorn Museum Seasonal Inflatable Pavilion by Diller Scofidio + Renfro and Kling Stubbins, Dortoir Familial by NADAAA, Bidard & Raissi, and Agence François Vieillecroze, and the USAFA/Center for Character & Leadership Development by Skidmore, Owings & Merrill. Winning work in all four categories will be on display ay the Center for Architecture at 536 LaGuardia Place beginning April 19 through May 31.
The community planning process for the conversion of the elevated rail line known as the Bloomingdale Trail into a public park and recreational path is underway. The three mile embankment, twice the length of New York’s High Line, will feature 8 access points from adjacent pocket parks, and a mile and a half of the line will have separated pedestrian and multi-use paths (for bike riders and roller-blades). The trail winds through Chicago’s Logan Square, Wicker Park, Humboldt Park, and Bucktown neighborhoods. Read More
Last night, SHoP‘s Gregg Pasquarelli presented plans to Community Board 1 for South Street Seaport’s Pier 17. Not surprisingly, the reception was positive. The design is a huge departure from the desolate barn-like mall developed by the Rouse Corporation in the 1980s, where to this day nachos and tropical cocktails remain de rigueur. The new owner, the Howard Hughes Corporation, hopes to bring New Yorkers back to one of the most spectacular sites in town, while welcoming tourists and not quarantining them in a thematic trap.
Angelica Trevino and Thorsten Kiefer are SHoP’s project managers. In a telephone interview, Trevino parsed the details…
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Rotman School makes the most of high-performance concrete and glass
The University of Toronto Rotman School of Management’s nearly $100 million expansion project will more than double the size of the business school. A new 161,000-square-foot building designed by Toronto-based KPMB Architects mediates between its neighbors—a historic 19th century brick home on one side and the towering Brutalist Robarts Library on the other—while maintaining views to the medieval Oxbridge-style Massey College to the east. The architect’s solution to the architectural mixture is an elevated box made with floor-to-ceiling glazing punctuated by slivers of Ductal, a patented ultra-high performance concrete made by Lafarge.
[This photo essay accompanies AN's recent article on the pending demise of Paul Rudolph's Orange County Government Center in New York. Read more here.]
The day before Orange County Executive Director Eddie Diana presented plans for replacing architect Paul Rudolph‘s Orange County Government Center, AN took a trip up to Goshen, New York with photographer Aracelis Diamantis to check out the scene. Diamantis ditched her SLR in favor of a Hipstimatic app on her iPhone. The effect gave the building a haunted-Brutalist-house quality and amplified the the architect’s multi-textured use of concrete.