In his poem “One Winter Afternoon,” e.e. cummings describes Eighth Street in Greenwich Village at the “magical hour when is becomes if.” Well, it seems as though Eighth Street has reached that hour once again. The street, which once played a distinct role in Village bohemia, began as a hub for book dealers and fostered the original Whitney Museum. Eventually, the street became a district for shoe stores and edgy fashion anchored by Patricia Field. Field decamped for the Bowery about nine years ago and much of the street has since devolved into a hodgepodge of chain stores and characterless low-end retail.
Practice makes perfect, and for some Parsons students, the Splash House at Highbridge Pool and Recreation Center is a jumping off point for becoming better architects.
Parsons’ Design Workshop, a design-build studio set up 15 years ago to offer practical training to students, has partnered with New York Parks and Recreation Department to instigate a five-year initiative to identify and implement improvements in public spaces across the city. “The architecture students get a more holistic understanding of process,” said Kate McCormick, Press Officer at Parsons. “They actually learn how to make and engage the community, by finding out what it needs.” Although it usually collaborates with public organizations both inside and outside Manhattan, this is the Workshop’s first long-term municipal partnership within New York City. The first assignment: Highbridge Pool and Recreation Center in Upper Manhattan. Read More
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A prototype of the city’s alternative to unsightly construction sheds is unveiled.
Two years after the NYC Department of Buildings and AIA New York launched the UrbanSHED competition to find a new sidewalk shed design that would beautify city streets, a prototype of the winning proposal has been unveiled. Called Urban Umbrella, the shed structure was developed by competition winner Young-Hwan Choi with architect Andrés Cortés and engineer Sarrah Khan of New York-based Agencie Group. Brooklyn-based architecture and fabrication firm Caliper Studio was hired late last year to detail and build the much-anticipated design, which the DOB and architecture, construction, and real estate backers hope will eventually replace unsightly sidewalk scaffolding at many of the city’s construction sites.
With all the NYU real estate hubbub going on around LaGuardia Place in Greenwich Village, it’s refreshing to hear of a quiet transaction between two locals. This week, the AIANY signed the lease for 532 LaGuardia, an empty retail space owned by local lumber magnate Guy Apicella just one door south of the AIANY’s current home, the Center for Architecture at 536 LaGuardia.
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Three winning designs to be fabricated by Brooklyn-based Flatcut.
This October, winners of the ACADIA (Association for Computer Aided Design in Architecture) design and fabrication competition will show off their parametric chops as part of the organization’s annual conference, now in its 30th year. Announced last week, winners were chosen from 15 finalists by a jury that included Tod Williams of TWBTA, Chris Sharples of SHoP Architects, Tom Wiscombe of Emergent, Dror Benshetrit of Studio Dror, and Thomas Christoffersen of BIG. The competition sought designs in three categories—furniture, partitions, and lighting—and entrants were encouraged to propose hybrid material assemblies that minimized waste and maximized material performance. Tomer Ben-Gal, founder of Brooklyn-based fabrication studio and competition co-sponsor Flatcut, served as technical advisor. Flatcut will fabricate the winning designs in its 100,000-square-foot Passaic, New Jersey, machine shop before they are sent to the conference, held at the University of Calgary, where they will be displayed from October 11-16.
Of Sand and Stone. On September 8th, Milan-based architect Mario Cucinella will break ground on his One Airport Square project in Accra, Ghana’s capital city. The 230,000 square foot structure of irregular cantilevered floor plates embraced by a web of diagonal concrete supports meant to evoke traditional African patterns. Plans call for a dynamic pedestrian plaza with shops and cafes topped with commercial space. Solar panels are integrated among cantilevered terraces with indigenous fauna to protect the building from the scorching sun.
Christina Ciardullo and Naomi Ocko
Superfront Public Summer
2nd Avenue between 35th and 36th Streets
Industry City / Sunset Park, Brooklyn
Through August 28
Christina Ciardullo and Naomi Ocko‘s (CO) winning design Weightless Pull for Superfront Public Summer opened Sunday, July 17th and will be on view through August 28th. Christina Ciardullo and Naomi Ocko designed the space with a focus on geometry, mechanics, and materials. With a particularly specific method of installation, the collaborative studio observed the conditions of the space and calculated needs for the project based upon the presence of wind between two industrial buildings.
Weightless Pull, constructed much like a series of slender sails, creates a vertical wind field composed of plastic wrap, nylon rope, and 600 different knotting systems. The resulting movement emphasizes the scale of the location. As the architects noted, “a volume is created by the blowing out of long horizontal lengths of plastic rising from the ground to 80 feet above at the height of the surrounding buildings.”
Hiroshima: Ground Zero 1945
International Center for Photography
1133 Ave. of the Americas at 43rd St.
Through August 28
An abandoned suitcase, a house fire, strange markings on old photographs. These were the key clues in a mystery that Adam Harrison Levy began to unravel almost ten years ago when researching a BBC documentary about the bombing of Hiroshima. Levy’s intriguing narrative now serves as the backdrop for the black-and-white photographs in Hiroshima: Ground Zero 1945, an exhibit running through August 28 at the International Center for Photography in New York. On July 20 at the Van Alen bookshop, Levy read from his essay in the exhibition catalogue while ICP curator Erin Barnett discussed her research for the show of 60 photographs, all drawn from an ICP collection of almost 700 images that once belonged to Robert L. Corsbie.
On Thursday, the East River Waterfront Esplanade officially opened to the public. Last week, while the paint on the new bike lanes was still drying, City Planning Commissioner Amanda Burden took AN on a walk through of the first section. The commissioner barely contained her excitement while showing off design details by landscape architect Ken Smith and SHoP Architects. Follow the commissioner as she takes us through the dog run and points out clever details like the “Get-Downs,” the riverside bar stools, and “seat walls.”
Lorena Turner: Made in China
114 Smith Street
Through July 31
Product packaging started primarily for hygienic reasons. General stores used to stock sugar, crackers, and pickles in huge barrels, and for every order the grocer would dip in his scoop. Not only was it unsanitary, but customers also might leave wondering if they got what they paid for (“Was his finger on the scale…?”). Food packaging guaranteed sterile products and standardized portions—in a word, purity.